Marianne Faithfull Movies

Jean-Luc Godard directed this brightly colored, pop-art homage to American crime cinema, which somehow finds room for extended commentary on leftist politics and the corrupt nature of advertising. Paula Nelson (Anna Karina) is a mystery woman (Is she a reporter? Perhaps a spy?) who used to be involved with Richard, a man who is now an outspoken Communist and has been linked to the murder of a foreign agent. Paula wants to silence Richard before he starts making trouble for her, but she can't find much hard evidence that's he's still alive outside of a recently discovered tape recorder that plays his recorded rants on current political issues. While speaking with Typhus (Ernest Menzer), a small time hood who knows about Paula's relationship with Richard, shots ring out and suddenly Typhus is dead. As Paula tries to find a way to get rid of the body, she tries to discover who killed him and why, as a pair of lackadaisical hoods (Laszlo Szabo and Jean-Pierre Leaud) follow her around Paris. Filled with references to American genre cinema and dedicated to Samuel Fuller and Nicholas Ray, Made In U.S.A. was the last film Godard would make with his one-time wife and frequent collaborator Anna Karina, and it was filmed simultaneously with another feature Godard released in 1966, 2 or 3 Things I Know About Her. The admittedly flimsy plot was loosely adapted from the novel The Jugger by Donald E. Westlake (published under the pseudonym Richard Stark); Westlake wasn't paid for the rights, and he prevented the film from being released in the United States until after his death in 2008. ~ Mark Deming, All Movie Guide

The imprisoning aspects of Success are humorously analyzed in this British-made film. Oliver Reed plays a wealthy advertising man who feels he has sold his soul and wishes to return to his happier earlier existence as a poor but swinging Londoner. Reed is goaded on by his boss, Orson Welles, who represents all the mercenary crassness that Reed despises. Handed a crucial commercial account, Reed plans to destroy himself by producing as offensive and confusing an ad campaign as possible. But Welles and the client are delighted by the "insult," and the disgruntled Reed is more successful than ever. Directed in the fragmentary "psychedelic" style typical of the late 1960s, I'll Never Forget What's'is Name gained notoriety upon its initial release by being the first mainstream British film in which the "F" word was spoken on-screen. ~ Hal Erickson, All Movie Guide

Fans of late '60s rock and roll will find this documentary to be a rare and precious jewel, as it contains shining performances from such giants as The Rolling Stones, Eric Clapton, John Lennon and Yoko Ono, and The Who. Originally planned as a television special in 1968, it was shelved shortly after filming because the manager of the Stones, who were acting producers of the show, felt that another of the acts, The Who, upstaged them. The show is set up as a circus with the musicians appearing in elaborate psychedelic costumes. Other performers include Taj Mahal, Marianne Faithfull, and the only recently formed Jethro Tull. Also included is a one-of-a-kind performance by The Dirty Mac, a one-night-stand band comprised of Eric Clapton, John Lennon, Mitch Mitchell, and Keith Richards. ~ Sandra Brennan, All Movie Guide

McFadden (Murray Melvin) invites two old college acquaintences to a large Victorian mansion in the country, ostensibly for a weekend of game hunting. Duller (Vivian Mackerell) is sullen and rude, though an excellent shot. Talbot (Larry Dan) is easygoing but puzzled as to why he was asked along, especially when his companions continually ridicule and abuse him. Things get even more curious when Talbot begins having strange hallucinations; he finds himself transported back into time, bearing witness to the trials and tribulations of a young woman (Marianne Faithfull) who once resided in the house. Finally, McFadden admits that he invited Talbot and Duller to the mansion because there are rumors that it is haunted, and he chose them both as likely subjects to draw any spirits out into the open. As the visions become more frequent and detailed, Talbot is thrust into a strange supernatural realm of incest, arson and madness that may be impossible to escape from. ~ Fred Beldin, All Movie Guide

Lucifer is depicted as a fallen favorite of God. ~ All Movie Guide

Marilyn Jordan (Susan Anspach), an American-born housewife, mother, and socialite living in Sweden, is crumbling under the weight of her own existence. She deeply resents her husband Martin's (Erland Josephson) frequent holiday absences and his indifferent attitude toward their two children ("If they are going to grow up in today's world," he admits, "it's about time they faced the fact that nobody keeps promises anymore"). Moreover, Marilyn's eccentric father (who believes he is Buffalo Bill and fires off guns in the house to prove it) and her children -- who hatch an outrageous plan to set up a dating service for senior citizens -- start to drive her completely around the bend. Marilyn feels herself domestically imprisoned -- encased in a bell jar. Her subsequent behavior grows not simply eccentric, but irrational and then comically outrageous. She cooks wiener schnitzel for the entire family, but eats it all herself; unsuccessfully attempts to poison the family beagle; and -- convinced that insects are attacking her during the night -- showers the plant above her bed with bug repellent, much to Martin's consternation. Finally, irritated by Martin's sexual indifference to her, Marilyn manages to get his attention in a last, desperate move by setting his bed on fire late one night. Deeply concerned, Martin consults psychologist Dr. Pazardjian (Per Oscarsson), who does little to help Marilyn and (indeed) turns out to be even nuttier than any of the members of the Jordan family. Via a comic security mix-up, Marilyn later becomes stranded at the Stockholm airport and hitches a ride with a band of horny Yugoslavian immigrants celebrating the new year; they take her to their ZanziBar nightclub for a couple of days, where she begins to break out of her domestic prison by engaging in a torrid extramarital affair with randy Slavic zookeeper Montenegro and by performing as a one-time chaunteuse on-stage. Eventually, Marilyn's family beckons for her to return -- but her brush with independence has made her a very different woman, indeed. Montenegro marked controversial writer/director Dusan Makavejev's English-language debut, and earned widespread critical raves for Anspach's career-defining performance. ~ Nathan Southern, All Movie Guide

This documentary by filmmaker Maria Beatty explores the lives, careers, and creative inspirations of the beat poets, forging insight into the minds of such artists as Gregory Corso, Marianne Faithfull, Richard Hell, Allen Ginsberg, Lydia Lunch and Henry Rollins. ~ Cammila Albertson, All Movie Guide

This large musical project features Pink Floyd, along with a cast of hundreds in the performance of The Wall. Includes a look at the historic Berlin Wall collapse and features interviews and some behind the scene views. ~ All Movie Guide

This film offers yet another film version of Henry James classic supernatural thriller. It all begins when an aristocratic uncle hires a nanny to watch over his innocent niece and nephew who are living in a large country manse. Soon she discovers that the poor children have been possessed. She also finds herself victimized by her own obsession. Tragedy follows when she tries to free the children from evil. ~ Sandra Brennan, All Movie Guide

Though not as successful as Trainspotting (1996) or Lock, Stock and Two Smoking Barrels (1998), this high-energy, kinetic crime thriller belongs in the same British New Wave category as those later films. In a decaying British city of the near future, Billy (Jude Law) is an ex-con adrenaline junkie dating a Belfast native, the thrill-seeking Jo (Sadie Frost). Billy and Jo are the leaders of a teen gang of "ram-raiders," car thieves who jack an automobile, ram the vehicle through the front of a store, and steal whatever booty they can carry before the authorities arrive. A typical ram raid ends up in a high-speed pursuit by the police, which is all a part of the game for Billy, Jo, and their followers. However, a local drug lord, Tommy (Sean Pertwee) doesn't like the teen crooks infringing on his business. His opposition to their scheming leads to a deadly car race that plays out like a game of post-modern "chicken." Following the release of Shopping (1994), writer-director Paul Anderson went in a different direction than contemporaries Guy Ritchie and Danny Boyle, opting to create slick Hollywood science fiction films such as Mortal Kombat (1995), Event Horizon (1996), and Soldier (1998). ~ Karl Williams, All Movie Guide

Two teenaged lads vie for the attention of a nubile young German tourist visiting the beautiful Irish countryside in this heartfelt coming-of-age drama. ~ Jonathan Crow, All Movie Guide