Frankie R. Faison Movies
A veteran character actor whose work has shown he's as comfortable with comedy as drama, Frankie Faison was born in Newport News, VA, in 1949. Faison developed the acting bug while in grade school after appearing in a school play, and after high school he was a theater student at both Illinois Wesleyan University and New York University. Faison began pursuing a career in the theater, and appeared in a number of acclaimed off-Broadway productions, including Athol Fugard's Playland, the New York Shakespeare Festival's production of Before It Hits Home, and an adaptation of King Lear at the NYSF Delacorte Theater. Faison made his film debut in 1981 with a small role in Ragtime, and Faison soon began supplementing his stage work with small parts in motion pictures and guest shots on television. An inkling of what was to come for Faison appeared in 1986, when he was cast in a small role as a cop in Manhunter, an adaptation of Thomas Harris' novel Red Dragon, in which Brian Cox played the murderous Hannibal Lector. In 1987, Faison appeared on Broadway in August Wilson's drama Fences, opposite James Earl Jones; Faison's performance earned him a Tony award nomination. In 1988, Faison scored a showy comic role in the Eddie Murphy vehicle Coming to America, and a year later he was one of the "corner men" in Spike Lee's acclaimed and controversial Do the Right Thing. In 1990, Faison scored the male lead in a short-lived sitcom, True Colors, and in 1991 he appeared in another adaptation of a Thomas Harris novel when he was cast as Barney Matthews, the big but gentle male nurse in The Silence of the Lambs. Faison continued to win supporting roles in a variety of notable films, including City of Hope, Sommersby, Mother Night, I Love Trouble, Albino Alligator, Where the Money Is, and The Thomas Crown Affair, and he had a leading role in the well-regarded police drama Prey; sadly, the show fared poorly in the ratings and didn't survive its first season. Faison revived his role as Barney Matthews in 2001's box-office blockbuster Hannibal, making him the only actor to appear in all three films about the famous cannibal. ~ Mark Deming ~ All Movie Guide
People are disappearing all over the Big Apple. Nobody cares, though, because most of the missing are homeless. But when investigative reporter Murphy (J.C. Quinn) tips off principled photographer George Cooper (John Heard) to a government conspiracy involving the dumping of nuclear waste beneath the streets, Cooper decides to dig a little deeper. Soon he discovers the existence of C.H.U.D.s, or "Cannibalistic Humanoid Underground Dwellers," derelicts who have become grotesque monsters after being exposed to the mountains of hazardous waste. Meanwhile, Captain Bosch (Christopher Curry), a cop whose wife is among the missing, forms an unlikely alliance with the Reverend (Daniel Stern), a leftist soup-kitchen cook who knows the score. Murphy, Cooper, Bosch, and the Reverend soon run up against the stonewalling tactics of Wilson (George Martin), a government toadie. As the titular monsters begin to tire of their underground habitat, the protagonists -- including Cooper's wife, beautiful model Lauren Daniels (Kim Greist) -- face a race against time to defeat not only the C.H.U.D.s, but the government's cover-up. The debut, and only film, from writer Parnell Hall and director Douglas Cheek, C.H.U.D. was followed by 1989's C.H.U.D. 2: Bud the C.H.U.D. Co-stars Stern and Heard would later appear together in the first two Home Alone pictures, while Curry would appear in the third. ~ Brian J. Dillard, All Movie Guide
- Starring:
- John Heard, Kim Greist, (more)
- 1983
Veronica Hamel makes the first of several 1980s breaks from her Hill Street Blues image in the made-for-TV Sessions. Hamel plays Leigh Churchill, the sort of high-cost, high-class call girl who seemingly exists only on screen. As of late, Leigh's professional calls have been fewer and farther between, an occupational hazard in a business where youth is a vital success factor. Leigh's professional eclipse is mirrored by several crises in her personal life, involving her live-in boyfriend, her judgmental father, and her sympathetic kid sister. Jeffrey DeMunn co-stars as a good-hearted doctor who offers to take Leigh away from "all this." Originally aired September 26, 1983. ~ Hal Erickson, All Movie Guide
In this feature comedy, a womanizer (Tim Matheson) marries his live-in girlfriend (Kate Capshaw) only to quickly resume his wicked ways. ~ Jason Ankeny, All Movie Guide
- Starring:
- Tim Matheson, Kate Capshaw, (more)
In this loose adaptation of the 1942 horror classic of the same name, a 2001-style opening montage establishes some sort of sacrificial, mystical union between panthers and an ancient tribe of humans. Flash forward to 1980's New Orleans, where waifish Irina (Natassja Kinski) meets her older brother, Paul (Malcolm McDowell), a minister, for the first time since their animal trainer parents died and she was sent to a series of foster homes. Paul's Creole housekeeper, Female (Ruby Dee), helps Irina settle into her brother's home, but Paul himself disappears. Cut to a fleabag motel where a blasé prostitute finds an angry panther instead of a client; after mauling her, the cat is captured by police and a team of zoologists: Oliver (John Heard), Alice (Annette O'Toole), and Joe (Ed Begley Jr.). The next day Irina finds herself in the zoo where these scientists work; drawn to the newly captured panther, she befriends Oliver and takes a job in the gift shop. Shortly after the panther's violence turns deadly, it escapes, and soon Paul turns up spouting an unbelievable story about his family's were-cat heritage and his inevitable sexual union with little Irina. On the run from her dangerous brother, Irina takes refuge in a sexually frustrated romance with Oliver, afraid of what might happen if she consummates their passion. Astute viewers will notice that the zoologist characters refer to the film's panthers as leopards; "panther" is actually a generic term for any large cat, especially a black one, but Cat People's panthers are in fact leopards whose black color comes from a recessive trait known as melanism. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Nastassja Kinski, Malcolm McDowell, (more)
Gene Wilder stars as Michael Jordon, an architect on the run from false murder charges, who hooks up with Kate Hellman (Gilda Radner), the sister of a recent suicide victim. ~ Jason Ankeny, All Movie Guide
- Starring:
- Gene Wilder, Gilda Radner, (more)
E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Brad Dourif, (more)
- 1980
Jim Jarmusch made his directorial debut with this episodic profile of one troubled hipster trying to make sense of his life. Aloysius Parker (Christopher Parker), known to his friends as "Allie," is a young man with a damaged family background (his mother is in a mental institution and his father has gone missing) and an inability to sleep, causing him to dream while he's awake. After a troubling encounter with his girlfriend (Leila Gastil) and a frustrating visit with his mother, Allie drifts through a strangely under-populated New York City, crossing paths with a sharp-suited street musicians (John Lurie), a middle-aged jazz fan (Frankie Faison), a disturbed Latin woman (Maria Duval) and a popcorn girl at a movie theater (Lisa Rosen) who's fascinated with Eskimos. A chance encounter with a woman with a vintage Ford Mustang gives Allie the opportunity to escape the chaos around him. While Permanent Vacation made the rounds of European film festivals after its completion in 1980, it was all but ignored in the United States, and it wasn't until Jarmusch released Stranger Than Paradise in 1984 that his star began to rise on the independent film scene. ~ Mark Deming, All Movie Guide
- Starring:
- Leila Gastil, Maria Duval, (more)
