Morgan Fairchild Movies

This plodding crime drama concerns the life of Depression-era gangster Pretty Boy Floyd. Imprisoned for the manslaughter of a jealous rival for his affections, Floyd escapes from jail a hardened criminal with ties to the mob in Kansas City. After meeting up with a whorehouse madam, he goes on a series of bank robberies that makes him public enemy number one on the FBI most wanted list. Soon G-man Hossler (Robert Glenn) is assigned to end the crime spree spawned by Floyd and his gang. ~ Dan Pavlides, All Movie Guide

It seemed like only yesterday that Bob and Emily celebrated their seventh wedding anniversary (actually, it was in an episode which aired approximately ten months earlier, in February of 1977). And now here they are, blowing out the candles on their tenth anniversary cake. On this momentous occasion, both Bob and Emily wonder what life would have been like had they married other people -- and a brace of fantasy sequences shows them what life would have been like. The supporting cast features Morgan Fairchild as Linda Bianca and E. William Parker as Marcus. Written by Lloyd Garver, "Grand Delusion" first aired on December 17, 1977. ~ Hal Erickson, All Movie Guide

When a co-worker disappears, two American secret agents attempt to locate their friend. ~ All Movie Guide

A couple find the body of a detective in their apartment, and follow the trail of his killer to Nashville. The film is also known as Country Music Murders. ~ John Bush, All Movie Guide

Donald A. Stanwood's original novel The Memory of Eva Ryker used the Titanic tragedy as its launching pad. This made-for-TV adaptation of Stanwood's book moved the action up some 27 years, motivating its plotline with the torpedoing of an Athenia-type luxury liner in 1939. The film flashes forward to 1961: millionaire Ralph Bellamy, who lost his wife when the ship went down, hires writer Robert Foxworth (a discredited ex-cop) to investigate the sinking. Bellamy's grown daughter Natalie Wood, who'd survived the ordeal, seems to hold the secret, but she's been in a near-lunatic state for over twenty years. When several other survivors of the sinking are murdered, it becomes all the more crucial to unlock Wood's pent-up memories. In the tradition of Brian De Palma's Obsession (75), Natalie Wood not only plays the title role of Eva Ryker, but also Eva's ill-fated mother. The Memory of Eva Ryker was produced by "master of disaster" Irwin Allen. ~ Hal Erickson, All Movie Guide

This made-for-TV follow-up to 1980's The Girl, the Gold Watch and Everything stars Lee Purcell and Philip MacHale as Bonnie Lee Beaumont and Kirby Winter, roles created in the earlier film by Pam Dawber and Robert Hays. Once more, the hapless Kirby is the possessor of a magic watch that can stop time all around him--and once more, the watch causes him and his fiancee Bonnie Lee nothing but trouble. This time, hero and heroine are pitted against evil land baron Hoover Hess III (Burton Gilliam), who isn't above committing foul play to get what he wants. What Hoover wants, by the way, is a patch of valuable land owned by Bonnie Lee's mother (Carol Lawrence). Among the singular pleasures in this whimsical adventure yarn is the appearance of Jerry Mathers, Beaver Cleaver himself, as one of the bad guys! Based on characters created by John D. MacDonald, The Girl, the Gold Watch and Dynamite was first syndicated to local TV stations May 21, 1984, as part of the "Operation Prime Time" series. It was offered as both a 2-hour movie, and as a series of five half-hour programs. ~ Hal Erickson, All Movie Guide

The Seduction a z-grade erotic thriller, tells the story of a TV newswoman spied upon and stalked by an obsessed fan. Jamie (Morgan Fairchild) is a beautiful, successful career woman. Derek (Andew Stevens) is an obsessed psychopath who watches her and attempts to become part of her life. When Jamie discovers his true intentions, she must fight for her life. The Seduction, is standard exploitation movie fare, with a fair amount of sex, violence and nudity. None of the characters are particularly believable, and the performances by both Fairchild and Stevens are sub-par. ~ Linda Rasmussen, All Movie Guide

Arthur Hailey's novel Hotel had already served as the inspiration for a 1967 theatrical film when this TV pilot came along on September 21, 1983. Bette Davis stars as Laura Trent, the entrenched owner of the Hotel St. Gregory (moved from the novel's New Orleans to San Francisco, to allow for location filming at San Francisco's Fairmont Hotel). In true Love Boat fashion, Ms. Trent and hotel manager Peter McDermott (James Brolin) oversee four separate plot strands. A hooker (Morgan Fairchild) is raped in the hotel by a bunch of preppies who'd hired her for "just talk". A neurotic aspiring singer (Erin Moran) tries to interrupt the act of the hotel's lounge entertainer Mel Torme (himself). A very-married lady (Shirley Jones) checks in to conduct an illicit affair. And a feisty young woman (Connie Sellecca, a regular on the subsequent series) shows up unhired as McDermott's assistant manager. The Hotel series ran from 1983 to 1988, during which time an ailing Bette Davis was replaced by Anne Baxter; in the early 1990s, reruns of the series popped up rather incongruously on cable's E! Entertainment Network. ~ Hal Erickson, All Movie Guide

This short-lived TV series was based on the 1982 television movie of the same name and focused on two young women and their mothers negotiating the New York modeling scene with the rich, the fashionable, and the powerful. ~ Sandra Brennan, All Movie Guide

Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~ Jeremy Beday, All Movie Guide

Todd Barrett (John Dye) is an Arizona State University student who needs money for tuition in this teen comedy. He recruits his handsome friend Bret Wilson (Steve Lyon) from the school diving team to pose for a series of photographs. The enterprising Todd uses the photos to print a calendar that quickly becomes a hot-selling item and ends his financial woes. This feature was shot on location at ASU. ~ Dan Pavlides, All Movie Guide

In this detective yarn, an amiable investigator finds himself entangled with mobsters after he tries to help a woman who is apparently having a run of bad luck. ~ Sandra Brennan, All Movie Guide