Max Fairchild Movies

Also released as Spotswood, The Efficiency Expert stars Anthony Hopkins as Wallace, a cold-blooded management consultant, infamous for radically "downsizing" every firm he comes in contact with. Wallace's latest assignment is to streamline a small, family-owned shoe factory in Australia. As he gets to know the eccentric (and endearingly inefficient) factory workers, Wallace undergoes a slow-but-sure "humanizing" process. Eventually realizing that he can simultaneously cut costs and preserve the dignity of the workers, he finds a way to modernize the operation without a single firing. In traditional fashion, the main story shares screen time with a romantic subplot involving the factory-owner's son and a female employee. Characterized by many critics as "Capraesque," The Efficiency Expert also bears trace of all those Ealing comedies of the 1950s. ~ Hal Erickson, All Movie Guide

Professor Harry Bechmeyer (Barry Otto) goes searching for a rare breed of werewolf/marsupial in this satirical horror comedy. With his sidekick Professor Sharpe (Ralph Cotterill), they find Jerboa (Imogen Annesley), and take her to Sydney to appear in a small role in a horror film. Soon members of her tribe disguised as nuns try and rescue the she-werewolf. Olga Gorki (Dasha Blahova) changes into a lupine monster as she pirouettes on the stage of the Sydney Opera House. The feature works as a parody of its two predecessors. ~ Dan Pavlides, All Movie Guide

In a slightly padded but well-acted and relevant drama, an Australian mining company and a group of aboriginals go to court to settle a dispute over sacred land that the company wants to mine. When the Ayers Mining Company sets out to begin construction of its mine with bulldozers and earth-movers, the Aboriginals physically block the work because the site is exactly where the green ants will gather to dream (a 40,000-year-old legend) and it cannot be disturbed. The company tries the usual means of getting their way -- through bribes and arguments -- but nothing budges the men who came to defend the land. Once in court, it is quickly apparent that tribal laws and customs and beliefs are very different than Western laws -- and how the issue will be resolved is sticky indeed. ~ Eleanor Mannikka, All Movie Guide

This stunning, post-apocalyptic action thriller from director George Miller stars Mel Gibson as Max Rockatansky, a policeman in the near future who is tired of his job. Since the apocalypse, the lengthy, desolate stretches of highway in the Australian outback have become bloodstained battlegrounds. Max has seen too many innocents and fellow officers murdered by the bomb's savage offspring, bestial marauding bikers for whom killing, rape, and looting is a way of life. He just wants to retire and spend time with his wife and son but lets his boss talk him into taking a peaceful vacation and he starts to reconsider. Then his world is shattered as a gang led by the evil Toecutter (Hugh Keays-Byrne) murders his family in retaliation for the death of one of its members. Dead inside, Max straps on his helmet and climbs into a souped-up V8 racing machine to seek his bloody revenge. Despite an obviously low budget and a plot reminiscent of many spaghetti Westerns, Mad Max is tremendously exciting, thanks to some of the most spectacular road stunts ever put on film. Cinematographer David Eggby and stunt coordinator Grant Page did some of their best work under Miller's direction and crafted a gritty, gripping thrill ride which spawned two sequels, numerous imitations, and made Mel Gibson an international star. One sequence, in which a man is chained to a car and must cut off a limb before the machine explodes is one of the most tense scenes of the decade. The American version dubbed all the voices -- including Gibson's -- in a particularly cartoonish manner. Trivia buffs should note that Max's car is a 1973 Ford Falcon GT Coupe with a 300 bhp 351C V8 engine, customized with the front end of a Ford Fairmont and other modifications. ~ Robert Firsching, All Movie Guide

In order to raise the money for his "breakthrough" film Breaker Morant, Australian director Bruce Beresford dashed off the guaranteed audience pleaser Money Movers. Terence Donovan masterminds a bank-vault heist that will potentially net his gang 20 million Australian dollars. The scheme predictably goes sour, but this conclusion is reached via a most unexpected fashion. Ed Devereaux, best known to American audiences for his leading-man gig on the TV series Skippy, the Bush Kangaroo, is second billed as "Dick Martin" (no, not the American TV-comic Dick Martin). Money Movers was based on a novel by Devon Minchin. ~ Hal Erickson, All Movie Guide

The suffocating repressiveness of the Victorian era is superbly realized by director Bruce Beresford in The Getting of Wisdom. Thirteen-year-old Laura (Susannah Fowle), an incorrigible free spirit from the Australian outback, is enrolled in a prestigious girl's boarding school. The indoctrination process is a rough one, and Laura very nearly loses her individuality and sense of self-worth. When she does mature, however, it is on her terms, and not the school's. Intriguingly, The Getting of Wisdom is based on the reminiscences of a 19th-century female writer who used the pen name of Henry Handel Richardson. Despite its somber dramatic overtones, the film contains moments of uninhibited humor, a trademark of director Beresford. ~ Hal Erickson, All Movie Guide

An offbeat Australian comedy filmed in that country and in Canada, this is not the documentary its title suggests. Its unlikely protagonist is a mild-mannered window peeper named Dead-Eye Dick (Max Gillies). Dick spies on a Mexican couple. The husband is very jealous and is about to discover that his wife has a lover when Dead-Eye Dick rescues the lover, whose moniker is Mexico Pete (Serge Lazareff). The worldly Pete counsels the shy Dick on his problems approaching women. Dick claims that he's waiting for an Alaskan Eskimo named Nell. Pete and Dick decide to travel to Alaska to find this fantasy woman, and they have several wacky misadventures along the way. This mostly overlooked ripple in the Australian New Wave was produced, directed, and written by Richard Franklin. ~ Michael Betzold, All Movie Guide