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Pen Medina Movies

 
2007  
 
Produced to mark the twentieth anniversary of the largely non-violent People Power revolution that forced Ferdinand Marcos into exile, Imagine Nation is comprised of twenty short films from twenty leading Filipino filmmakers and offers a more personalized summary of the country as opposed to a formal commentary on the state of the nation. Featured filmmakers include Ogi Sugatan, Neil Daza, Poklong Anading, and Dennis Empalmado. ~ Jason Buchanan, Rovi

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Starring:
Ping MedinaBella Flores, (more)
 
2007  
 
The unmarried owners and operators of a ramshackle funeral home specializing in coffin rentals must fight to keep their business afloat when the powers that be attempt to shut the shady business down in order to construct a new church. For Guido and Pining, death is a lucrative business. While their modest funeral parlor is a popular hangout for the dregs of society, owner Guido generally goes about his business embalming bodies while make-up specialist Pining ensures that the dearly departed have a pleasant appearance for their big sendoff. The back alley behind the mortuary is usually populated by prostitutes, ex-convicts, and other unsavory types, leading the municipal authorities to speclate that they might be able to neighborhood up if the current building were razed and a new church was erected in its place. ~ Jason Buchanan, Rovi

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Starring:
Joel TorreJaclyn José, (more)
 
2001  
 
Veteran filmmaker Joel Lamangan directs this harrowing journey of one young lad negotiating through the jungles a maximum-security prison in the Philippines. An orphan raised among distant relatives in the slums of Manila, Sonny Corpus (Cogie Domingo) likes little more than hanging out with his buddies Celso, Jimmy, and Rodel. When Celso cons Sonny into participating in a robbery along with his friends, Jimmy and Rodel end up dead along with an old lady. Unable to prove his innocence of the crime (Celso pulled the trigger) and unable to prove his minor status, Sonny gets pinned with the crime and sentenced to death. Sonny quickly learns the rules and hierarchies of the prison -- Mio is the boss who recruits Sonny as a pusher for his illicit smuggling business. His trusted henchman Gabino (Pen Medina) is quietly plotting a palace coup and tries to win Sonny over with gifts and favors. Yet when Sonny makes it clear that he's loyal to Mio, Gabino exacts an awful revenge. Later, Sonny is taken in by Lolo Sinat (Eddie Garcia), an aging gangster whom everyone in prison respects. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi

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Starring:
Eddie GarciaCogie Domingo, (more)
 
2000  
 
Ritualistic rapes and pagan sacrifices are at the center of this melodramatic Filipino film, directed by Carlos Siguion-Reyna. Thanks to an El Nino-inspired drought, a remote village's crop withers and dies. Villagers fear the re-emergence of a long-quiescent death cult that demands the oblation of young maidens. When newly-arrived priest Father Joey (Tonton Gutierrez) notices a marked decrease in his congregation, everyone fears the worst. ~ Jonathan Crow, Rovi

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Starring:
Eva Darren
 
2000  
 
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A fisherman's wounded spirit begins to give out as he loses his hold on his livelihood in this drama from the Philippines. Fredo (Cesar Montano) is a fisherman who has endured more than his share of hardship in life; his wife and child both perished in a boating accident, and today Fredo approaches each trip to the sea with the angry determination of a man out for revenge. Fredo commands a crew of young people from poor families as he takes his rattletrap ship into the ocean in search of fish that live along the reefs, snaring catch with an illegal netting system. Not all of Fredo's youthful sailors are willing to put up with his abusive arrogance, however, and even his father Dado (Pen Medina) and close friend Botong (Jhong Hilario) have grown weary of Fredo's tirades. Fredo's body is beginning to betray him as well, and as he and his crew damage the sea's reef beds in search of fish, no one is certain how much longer he will be able to continue. Muro-Ami was shot primarily at sea, and is distinguished by its fine photography and vivid portrayal of the fisherman's life. ~ Mark Deming, Rovi

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Starring:
Cesar MontanoPen Medina, (more)
 
1999  
NR  
A three-hour epic on the life and struggles of poet and patriot Jose Rizal, the national hero and martyr of the Philippines, this film was commissioned to mark the 1998 centennial of the country's independence from Spanish colonial rule. Rizal was a remarkably educated man; not only was he a writer, but he was also a painter, sculptor, doctor and surgeon, teacher, natural scientist, economist, engineer and theologian. He was an excellent fencer and marksman; he studied at colleges in Europe, America and Asia, traveled to many different nations and could speak twenty-two languages. He was a champion of his country's independence, a Filipino Gandhi who faced the firing squad at the age of thirty-five for inciting rebellion. He was the instigator of the Philippine revolution of 1896-98, the first national uprising against a colonial power in Asia. He also wrote two books, Noli me tangere and El Filibusterismo, which sought to increase his people's political awareness. Director Marilou Diaz-Abaya deliberately avoids a historical lesson. The Rizal of her story Cesar Montano is thinking back on his life and writings from his prison cell in the fortress of Santiago; the characters that appear are a blend of the real people, friends and enemies as well as those he created in his books. The script is solid, with a contribution by Diaz-Abaya's long time collaborator, Ricky Lee; the soft tones of the cinematography helps to create an atmosphere of magic appropriate to the story of a legendary hero, and the acting by Cesar Montano is quite remarkable. Jose Rizal was screened as part of the Panorama section of the 49th International Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi

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Starring:
Cesar MontanoJoel Torre, (more)
 
1998  
 
The Philippines' most cerebral filmmaker, Marilou Diaz-Abaya, ventures into the realm of instinct and emotion in this unusual story about a male midwife. In a remote fishing village during the American occupation, young Pepito grows up with no choice but to learn the trade of his mother, despite obvious embarrassment and prejudices. The real test of maturity comes when he ventures from the island (the nest, the navel) to the mainland (the real world). The script, which won the prestigious literary award Palanca, relies heavily on first-person narration to give the film a lyrical tone which, at times, lets the narration do the work of telling the story. However, Diaz-Abaya manages to get outstanding performances from her actors with her economical, understated direction. Despite its rather slow pace, In the Navel of the Sea is an important film for the career of Diaz-Abaya, reflecting her determination to seek the challenge of new directions. ~ Gönül Dönmez-Colin, Rovi

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Starring:
Jomari YllanaElizabeth Oropesa, (more)
 
1997  
 
In this soap opera melodrama from the Philippines, prostitute Ligaya (Rosanna Royce) works for flesh-peddler Lolay (Chanda Romero). After farmer Polding (John Arcilla) visits the whorehouse, he extends a "respectable" way of life to the skeptical Ligaya. But no sooner does she move in with Polding than she is denounced by his mother, raped by his stepfather, and subjected to humiliations by both past clients and Polding himself. Shown at the 1997 Toronto Film Festival this film is also known as They Call Me Joy. ~ Bhob Stewart, Rovi

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Starring:
Rosanna RocesJohn Arcilla, (more)