Ryan Hurst

This gritty FX drama follows the lives of a chapter of the Sons of Anarchy, an international outlaw motorcycle club akin to the Hell's Angels. The members all ride impressively customized Harleys, but the club is defined by more than just their bikes - they're also arms dealers, illegally importing guns, which they sell to the local street gangs. With a system of authority based on family lines, the dangerous drama of rotating relationships within the club carries powerful baggage, and with the club's ongoing feud with the meth-dealing white supremacist group the Nords, life as a Son of Anarchy is anything but an easy ride. ~ Cammila Albertson, All Movie Guide

One of the best-loved films from the idiosyncratic British film studio Ealing Pictures gets an update from the equally idiosyncratic filmmaking team of Joel and Ethan Coen in this offbeat comedy. Marva Munson (Irma P. Hall) is a spry, elderly woman who attends church regularly, doesn't care for loud noises or harsh language, and is looking for a tenant for the spare room in her house. Enter Goldthwait Higginson Dorr (Tom Hanks), a silver-tongued college professor who moves in and gains Munson's permission to use the basement for rehearsals with his "medieval music ensemble." What Munson doesn't know is that Dorr's latest project is not academic, but criminal. Dorr is masterminding the robbery of a riverboat casino, and the fellow musicians in his ensemble are actually the crew he's assembled to pull off the job: foul-mouthed "inside man" Gawain (Marlon Wayans), clumsy demolitions expert Pancake (J.K. Simmons), quiet strong-arm man Lump (Ryan Hurst), and logistical expert The General (Tzi Ma). Despite the best efforts of Dorr and his cohorts (which aren't very impressive), Munson finds out about their scheme, and when she refuses to accept a share of the take in exchange for her silence, Dorr decides the best solution is to silence her permanently. The gospel tunes which grace the soundtrack to The Ladykillers were coordinated by T-Bone Burnett, who also helped assemble the acclaimed song score for the Coen brothers' O Brother, Where Art Thou?. ~ Mark Deming, All Movie Guide

Executive-produced by Steven Spielberg, the ten-episode, 20-hour miniseries Taken was one of the most ambitious projects undertaken by cable TV's Sci-Fi Network, ultimately costing 40 million dollars -- a price that proved well worth it, inasmuch as the series posted the network's highest-ever ratings. Covering a period from 1947 to the present, the story focused on three different families, each of whom was profoundly affected by extraterrestrial visitation. The Keys family was headed by WWII bomber pilot Russell Keys (Steve Burton), who spent virtually his entire adult life haunted by his "close encounter" with aliens. The Clarkes were originally represented by lonely Texas waitress Sally Clarke (Catherine Dent), who was impregnated by a charming stranger (Eric Close) who turned out to be an alien survivor of the Roswell crash. And the lives of the Crawfords were dictated by ruthless Army officer Owen Crawford (Joel Gretsch), who was determined to prove that the government had covered up the truth about Roswell by dedicating his life to tracking down all space aliens and their half-human descendants. The story was narrated by Allie Keys (Dakota Fanning), a "hybrid" child of the present day, whose story determined the outcome of the final episodes. Boasting impressive computer-generated special effects and eye-popping facial makeup, Taken was seen over a two-week period, beginning December 2, 2002, and ending on December 13. ~ Hal Erickson, All Movie Guide

A man tries to create the woman of his dreams but doesn't quite get what he bargained for in this sci-fi tinged comedy. It's the year 2025, and woman are now in political and economic control of the world, with men reduced to menial labor or clerical work. Guy (Ryan Hurst) works in plastic fabrication; his career isn't going well and he's just been dumped by his girlfriend, who grew tired of trying to turn him into her ideal man. Since sad and lonely guys are a dime a dozen, several firms manufacture humanoid robots that can be programmed to obey any instructions, and Guy decides a robot might work out better for him than a human being. Guy customizes his humanoid to look like Mary, a woman he wooed in Paris without success. On the surface, "Mary" (Daniela Lunklewitz) would seem to be Guy's idea of the perfect woman -- she's beautiful, she cooks and cleans without complaint, she doesn't mind watching sports, and she's willing to have sex as often as Guy would like. However, Guy soon finds himself falling in love with the humanoid -- and Mary, being made out of plastic, is not capable of returning his affection. The Woman Every Man Wants was the first feature from Gabriela Tagliavini, who won the Best Director prize at the 2001 Nodance Film Festival. ~ Mark Deming, All Movie Guide

In this drama, two U.S. Marines who stood side by side on the field of battle are reunited in a court of law. Attorney Hayes Hodges (Tommy Lee Jones) once aspired to a career as an officer, but a serious injury in Vietnam put an end to his military future, leaving him bitter and resentful. Col. Terry L. Childers (Samuel L. Jackson) fought alongside Hodges and once saved his life; when Childers is threatened with a court martial for ordering his troops to fire on civilians during a raid on an American embassy, Hodges is the only lawyer that he can trust, and the case gives Hodges a chance for revenge against the military system that he feels has wronged him. Rules of Engagement also features Kim Delaney, Ben Kingsley, Blair Underwood, and Anne Archer. ~ Mark Deming, All Movie Guide

Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States. Capt. Miller gets the assignment, and he chooses a translator, Cpl. Upham (Jeremy Davis), skilled in language but not in combat, to join his squad of right-hand man Sgt. Horvath (Tom Sizemore), plus privates Mellish (Adam Goldberg), Medic Wade (Giovanni Ribisi), cynical Reiben (Edward Burns) from Brooklyn, Italian-American Caparzo (Vin Diesel), and religious Southerner Jackson (Barry Pepper), an ace sharpshooter who calls on the Lord while taking aim. Having previously experienced action in Italy and North Africa, the close-knit squad sets out through areas still thick with Nazis. After they lose one man in a skirmish at a bombed village, some in the group begin to question the logic of losing more lives to save a single soldier. The film's historical consultant is Stephen E. Ambrose, and the incident is based on a true occurance in Ambrose's 1994 bestseller D-Day: June 6, 1944. ~ Bhob Stewart, All Movie Guide

Kevin Costner directed and stars in this adaptation of David Brin's science fiction novel The Postman (1985), first published in 1982 issues of Isaac Asimov's Science Fiction Magazine. Costner's return to directing after his Oscar-winning Dances With Wolves(1990) is a futuristic epic depicting the aftermath of a destructive war. Some 16 years from the present day, America has been turned into a wasteland of separated communities minus a national government. A vagabond (Costner) who travels through these little villages performing Shakespeare is captured by marauders known as the Holnists, and thrown into a totalitarian labor camp run by a Hitler-like dictator, General Bethlehem (Will Patton).

Making an escape, the drifter, known to some as "Shakespeare," stumbles across an abandoned U.S. Postal Service jeep and dons the dead postal-worker's uniform. With a scheme simply to get food, he sets out to deliver 15-year-old mail, proclaiming himself The Postman, and discovers that residents accept his lies about a restored United States government because they desperately need something to believe in. This hope leads to the thought that perhaps the United States of America could indeed be restored, so an unusually inspired young man, Ford (Laren Tate) is deputized with the "Neither snow, nor rain..." oath to become the country's second Postman. At the town of Pineview, the attractive Abby (Olivia Williams), who has an impotent husband, asks The Postman to impregnate her. After Abby's husband is killed during a raid by Bethlehem, she is taken prisoner but injures Bethlehem and makes an escape. Pregnant, she spends the winter nursing the wounded Postman in a snowbound cabin. When spring comes, they emerge to discover that Ford has organized an entire squad of mail deliverers who regard The Postman as a mythical hero. The Postman reluctantly accepts his messianic role in the rebirth of the country, even as it becomes clear that the rebel force must ultimately battle and defeat the Holnist army in order to regain the American Dream. ~ Bhob Stewart, All Movie Guide