Guillaume Canet

Acclaimed director Claude Berri (Jean de Florette) helms the whimsical romantic comedy Ensemble, c'est tout (Hunting and Gathering, 2007). A box office blockbuster in France, the picture follows the romantic couplings that form in the lives of several lonely Parisian singles. The lead characters include: an emotionally fragile, exhausted cleaning lady named Camille (Audrey Tatou) who is suffering from anorexia; a well-to-do young man named Phillibert struggling with his own sexual orientation (Laurent Stocker) but who begins to drift toward heterosexuality and a stable relationship with a woman; and Phillibert's rebellious pothead roommate Franck (Guillaume Canet), who can never quite breach the possibility of committing to one woman, or come face to face with his dream of opening a French restaurant - until he meets Camille and the pieces begin to fall into place. Writer-director Berri adapted the novel by Anna Gavaldi. ~ Nathan Southern, All Movie Guide

The story of how an ordinary guy became the greatest hero of the French space program comes to the screen in this satiric sci-fi comedy. While some folks train all their lives to become astronauts, Stephane (Kad) becomes one the easy way -- along with Yanis (Guillaume Canet), he's one of two French civilian who win a special lottery that entitles them to spots aboard Europe's new space shuttle and a visit to their sister space station. The voyage is being headed up by humorless Col. Beaulieu (Olivier), with Capt. Soizic (Marina Fois) as his second in command. The voyage is to be the last for the longtime head of mission control (Andre Dussollier), but between the antics of the two hapless amateurs and the presence of an unfriendly alien aboard the shuttle, his swan song turns out to be anything but a smooth ride. Un Ticket Pour L'espace (aka Ticket To Outer Space was written by cast members Kad and Olivier, and directed by Eric Lartigau who had previously collaborated with the comedians on Mais qui a tue Pamela Rose? ~ Mark Deming, All Movie Guide

Director Danis Tanovic picks up where the late-Krzysztof Kieslowski left off by taking on the second installment of Kieslowski's "Heaven," "Hell," and "Purgatory" trilogy (the first was adapted by Run Lola Run director Tom Tykwer) with this tale of a family whose dark past returns with a vengeance. Loosely modeled by screenwriter Krzysztof Piesiewicz on the second act of Dante's Inferno, Hell tells the story of sisters Sophie (Emmanuelle Béart), Céline (Karin Viard), and Anne (Marie Gillain), whose lives were turned upside down when their father was imprisoned and their mother was rendered a wheelchair-bound mute. As the estranged sisters are slowly brought back together by a mysterious and handsome stranger who is somehow involved with the tragic events of the past, the questions that had for years gone unanswered slowly begin to drift into focus. ~ Jason Buchanan, All Movie Guide

As one brother (Vincent London) is proving himself as a soldier, the other (Guillaume Canet) is noting the last requests of his dying mother, a respected herbalist within the community. Though Arnaud (Canet) promises to carry on the family tradition, his plans are thwarted by a vicious band of horsemen who beat him into a three-day coma. When he wakes unable to speak or recognize his family, his wife (Melanie Doutey) sends a mercenary to find Thomas (London). Guillemette (Douty) and Thomas set off in hopes of finding a book containing the plant know-how they need in order to honor the late herbalist's wishes, but the tradition is primarily oral, and the books available on the subject are closely guarded by the clergy. Though Guillemette herself cannot read, she realizes her family's future depends on the existence of such a book. Making things even more complicated is the romance blossoming between Guillemette and Thomas, despite the shared relationship with Arnaud. This costume drama is set in southern France during the middle of the 13th century, and was directed by Pierre Jolivet. ~ Tracie Cooper, All Movie Guide

Vidocq (1775-1857) was a noted French detective who was one of the great trailblazers of modern criminal investigation; he's been credited with establishing the first private investigation firm, and pioneered a number of scientific techniques that are still being used today. Vidocq was also a master of disguise and a former thief with no small sense of adventure, and his exploits have been fodder for a number of novels, plays, and motion pictures in France; Vidocq is a high-tech retooling of his legend that employs cutting-edge digital technology to bring a new visual dazzle to his story. Vidocq (Gerard Depardieu) dies an unexpected death while battling his arch-nemesis the Alchemist, and Boisset (Guillaume Canet), an opportunistic journalist, sets out to write his life story, convincing Nimier (Moussa Maaskri), Vidocq's partner, that he had made arrangements with the great man himself to collaborate on such a book before his death. Boisset begins interviewing Vidocq's cohorts, but it seems someone is following the reporter, as his interview subjects have a habit of dying sudden and violent deaths shortly after sharing their stories. As it turns out, the deaths are tied into a case Vidocq investigated, in which a number of people were killed by lightning -- lightning that was conjured up by none other than the Alchemist. Shot on high-definition digital video equipment to allow special effects artists greater latitude to manipulate the images, Vidocq also features Ines Sastre, Andre Dussollier, and Edith Scob. ~ Mark Deming, All Movie Guide

Maverick auteur Andrzej Zulawski directs this flamboyant adaptation of classic French novel La Princesse de Cleves, complete with dirt bike races, hot sex, and naked hockey players. Talented Canadian photographer Clelia (Sophie Marceau) lands a financially lucrative job in Paris at a rumor-mongering tabloid called La Verite run by Rupert MacRoi (Michel Subor). Though she finds most of her coworkers to be disillusioned and perverse, she happens upon Cleve (Pascal Greggory), a bumbling middle-aged children's book publisher. Cleve is days away from marrying MacRoi's daughter to bolster his flagging publishing house. Nonetheless, Clelia and Cleve retire to his office to make love almost immediately upon meeting. Though MacRoi has already bought his company, Cleve breaks off his wedding plans and proposes to Clelia. Enter Nemo (Guillaume Canet), a sexy young photographer who promptly propositions her upon their first encounter. In spite of her ferocious sexual attract to Nemo, Clelia marries Cleve and resolutely keeps to her wedding vows in the face of her suitor's continued advances. Madame de la Fayette's novel, from which this film draws inspiration, has already been adapted twice: the 1961 version was directed by Jean Delannoy and starred Marina Vlady, and the 1999 take, entitled The Letter was directed by Manoel de Oliveira and featured Chiara Mastroianni. ~ Jonathan Crow, All Movie Guide

For his first major project after the overwhelming success of Titanic, Leonardo Di Caprio took a risky path in this adaptation of Alex Garland's acclaimed novel, directed by Danny Boyle. Richard (Di Caprio) is an American backpacking through Asia with a handful of friends from Europe. While in Bangkok, he meets a mad Scotsman who calls himself Daffy Duck (Robert Carlyle). Shortly before Mr. Duck kills himself, he gives Richard a crude map to a place in Thailand that he claims is paradise on earth: beautiful, unspoiled, and uninhabited. For lack of anything better to do, Richard and his companions try to locate the spot, which, after a dangerous and taxing journey, takes them to a beach as beautiful as Duck said it would be. Richard and his friends settle in, but before long they discover that they are not alone; a large group of fellow travelers has already dug themselves in, and they have established a community with the same social evils that Richard was hoping to leave behind. Just as important, there is an army of natives who grow marijuana in the nearby hills and do not appreciate the presence of these visitors. The Beach proved controversial during production, partly due to production delays and shifting release dates, partly due to environmental concerns after crew members bulldozed parts of the Thai island of Phi Phi Le for the planting of non-native trees. ~ Mark Deming, All Movie Guide

Patrice Chereau (Queen Margot) directed this French drama about a train trip to an artist's funeral. Friends of painter Jean-Baptiste Emmerich (Jean-Louis Trintignant, seen in flashbacks) gather at a Paris railroad station for a four-hour journey to Limoges, where Emmerich wanted to be buried. The dozen travelers include art historian Francois (Pascal Greggory) and his lover Louis (Bruno Todeschini), who develops an interest in teenage Bruno (Sylvain Jacques). Traveling parallel with the train is a station wagon with Jean-Baptiste's body, and this vehicle is driven by Thierry (Roschdy Zem), husband of Catherine (Dominique Blanc), who's on the train with their daughter. Francois plays a taped interview with Jean-Baptiste, revealing his sexual appeal to both men and women. Lucie (Marie Daems) is convinced that she was his main love. Also on board is his nephew, Jean-Marie (Charles Berling) and Jean-Marie's estranged wife, Claire (Valeria Bruni-Tedeschi), After the funeral in "Europe's largest cemetery," the storyline continues in the mansion of Jean-Baptiste's brother, Lucien (also played by Trintignant). With hand-held camerawork for almost two-thirds of the film, the production involved two extra cars connected to a real scheduled train, headed one way in the morning and returning in the afternoon, with cast and crew logging some 12,000 kilometers over two weeks. Source music runs the gamut from James Brown to Jim Morrison. The title refers to the dying words uttered by the painter -- which actually are the last words spoken by filmmaker Francois Reichenbach who died in 1993 (and appropriated here by his friend, co-scripter Daniele Thompson). One of Francois Reichenbach's best-known films (and subject of an entire book) is the documentary Medicine Ball Caravan (aka We Have Come for Your Daughters,1971), a curious effort to duplicate the success of Woodstock (1970) by simply inviting a large number of musicians, hippies, and counterculture types aboard a cross-country train and filming the result. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

This French-German-Belgian thriller, reminiscent of Misery (1990) and The Collector (1965), begins after Fred Astaire-fan Clement (Jean Rochefort) invites comic-book artist Luc (Guillaume Canet) to Sunday dinner with Clement and his wife Violette. Luc's girlfriend Margot announces her pregnancy, prompting Luc to forget about the invitation, but Clement insists that Luc join him. After Luc arrives and sees that Violette is only a life-size plastic doll, he decides to leave but gets clobbered on the head. Awakening, he finds he's been handcuffed to the bathroom sink and gagged. Cruelties ensue, with crazed Clement getting visionary advice from both Astaire and Violette. Award-winning composer-arranger-orchestrator Philippe Haim made his feature directorial debut with this drama, and music is very much a part of the film from Haim's score and music-box melodies to tap dancing, honky-tonk piano, and a full musical comedy production number. ~ Bhob Stewart, All Movie Guide