Ron Faber Movies

Two people are shot, one fatally, in a restaurant restroom. It may be that only one of them was the intended target -- or perhaps both victims were shot by mistake. Once he is in custody, the killer pleads not guilty, claiming that he was in a "dissociative state" at the time of the murder. The DA's office soon discovers that the accused is not the only member of his family to have employed this unorthodox legal strategy. ~ Hal Erickson, Rovi

This exercise in patriotic, high-tech action centers on a select group of Navy commandos and their battles against a Middle East terrorist group. This particular squadron is led by a pair of rivals: cocky, fiery Hawkins (Charlie Sheen) and stoic, unflappable Curran (Michael Biehn). When an anti-terrorist mission goes awry, allowing an enemy leader to escape with a supply of stolen American missiles, both men are certain that, given another chance, they can redeem themselves and the squad. Their rivalry plays out against a background of high-powered amphibious battles, allowing the film to revel in dangerous stunts and advanced weaponry. Joanne Whalley-Kilmer provides brief romantic relief as a journalist with important information, but the focus remains on the macho interplay between Hawkins and Curran. Co-written by former Navy Seal Chuck Pfarrer (with Gary Goldman), the film presents authentic details about the elite unit, but the bulk of Navy Seals tends to rely on familiar combat film conventions. Viewers seeking rapidly paced action sequences will not be disappointed, though other viewers may be less likely to overlook the predictable storyline and routine characters. ~ Judd Blaise, Rovi

This Emmy-winning made-for-TV movie, based on a book by Oscar-winning screenwriter Barry Morrow (from his true story), stars Mickey Rooney in the title role of a mentally-challenged adult who has spent his life holed up in a bleak institution. When documentary filmmaker Morrow (Dennis Quaid) and his family invite him into their home to stay with them, Bill is given his first taste of independence in the real world. Together, Bill and the Morrows unexpectedly teach each other valuable lessons about life and themselves. The film was so popular that it spawned a sequel two years later called Bill: On His Own. ~ Matthew Tobey, Rovi

In the conclusion of a two-part story, any hopes of Kojak (Telly Savalas) enjoying a day off are dashed when a dead body is found in the trunk of a white Rolls Royce. Now the overworked detective must tear Manhattan apart in search of a woman (Kitty Winn) who has killed her husband, abandoned her child, and is now determined to commit suicide. And all the while, Kojak's romantic rendezvous with his lady friend Laura Martinson (Maud Adams) is repeatedly--and frustratingly--postponed. ~ Hal Erickson, Rovi

Novelist William Peter Blatty based his best-seller on the last known Catholic-sanctioned exorcism in the United States. Blatty transformed the little boy in the 1949 incident into a little girl named Regan, played by 14-year-old Linda Blair. Suddenly prone to fits and bizarre behavior, Regan proves quite a handful for her actress-mother, Chris MacNeil (played by Ellen Burstyn, although Blatty reportedly based the character on his next-door neighbor Shirley MacLaine). When Regan gets completely out of hand, Chris calls in young priest Father Karras (Jason Miller), who becomes convinced that the girl is possessed by the Devil and that they must call in an exorcist: namely, Father Merrin (Max von Sydow). His foe proves to be no run-of-the-mill demon, and both the priest and the girl suffer numerous horrors during their struggles. The Exorcist received a theatrical rerelease in 2000, in a special edition that added 11 minutes of footage trimmed from the film's original release and digitally enhanced Chris Newman's Oscar-winning sound work. ~ Hal Erickson, Rovi