Peter Eyre Movies

The fascinating story of King George VI and Queen Elizabeth is recounted in this British made-for-TV effort. It all begins in 1920, when the then-Duke of York Albert (James Wilby), known affectionately as Bertie, meets and falls in love with the aristocratic, 19-year-old Elizabeth Bowes-Lytton (Juliet Aubrey). Although their marriage makes international headlines, the mild, unprepossessing Bertie knows that he will always play second fiddle to his dashing older brother, the Prince of Wales, in the hearts and minds of the British people. This is never more true than when Bertie's brother ascends to the throne as King Edward VIII in 1936. That same year, however, the new King abdicates so that he may marry the woman of his choice, thereby thrusting the reluctant Bertie into the limelight as Monarch of the British Isles. Spurred on by the love and devotion of his lifelong helpmate Elizabeth, Bertie -- now King George -- proves more than worthy of his new burdens and responsibilities, especially during the darkest days of WWII. Although the King passes on in 1952 (a death hastened by his fondness for tobacco), Elizabeth lives well past the century mark, beloved by her subjects as the mother of the future Queen Elizabeth II and the impulsive Princess Margaret. A co-production of Carlton Television and PBS, Bertie and Elizabeth was telecast in America as part of the Masterpiece Theater anthology on February 4, 2002. ~ Hal Erickson, All Movie Guide

A crusade for decency and truth is mounted by a man gone mad (or has he?) in this made-for-TV adaptation of the classic novel by Miguel de Cervantes. Alonso Quijano decides that it is time to devote his life to battling evil in all its forms; he dubs himself Don Quixote (John Lithgow), obtains a suit of armor, and with the help of his loyal friend and squire Sancho Panza (Bon Hoskins), he sets out to confront the world's ills. Inspired by the lovely Dulcinea (Vanessa Williams) and pursued by a mysterious Duchess (Isabella Rossellini), Quixote fights his battles as he finds them, with Sanson Carrasco (James Purefoy) attempting to find the eccentric old man and send him home before he can do any serious damage to himself or others. Don Quixote was something of a labor of love for John Lithgow, who had been attempting to get a feature film version of the story off the ground for several years. This production received its American premier on the TNT cable television network. ~ Mark Deming, All Movie Guide

The distinguished director/producer/writer team of James Ivory, Ismail Merchant, and Ruth Prawer Jhabvala returns to the works of 19th century novelist Henry James in this adaptation of his tale of love and treachery. Wealthy American art collector Adam Verver (Nick Nolte) is traveling Europe with his daughter Maggie (Kate Beckinsale) following the death of his wife. In their travels, Adam and Maggie encounter Mrs. Assingham (Anjelica Huston), an American socialite who enjoys playing matchmaker, whether or not her subjects are interested. She introduces Maggie to Prince Amerigo (Jeremy Northam), a handsome but penniless member of Italian royalty, and after a bit of prodding, they announce their intention to marry. Mrs. Assingham also pushes Adam into a relationship with Charlotte (Uma Thurman), a close friend of Maggie, and they too decide to wed. However, no one else knows that Amerigo and Charlotte were once lovers, who broke off their relationship because he couldn't marry a commoner with no money. Their passion is eventually too strong to resist, and they embark on an adulterous affair, which becomes even more dangerous when Mrs. Assingham learns of it. The Golden Bowl was Merchant/Ivory/Jhabvala's third film based on a James novel, following The Europeans (1979) and The Bostonians (1984). ~ Mark Deming, All Movie Guide

Marshall Herskovitz directed this look at life in 16th-century Venice, based on Margaret Rosenthal's 1994 book The Honest Courtesan. Positioned outside of the Venetian court, Veronica Franco (Catherine McCormack) hopes to rise above her station, but her interest in nobleman's son Marco Venier (Rufus Sewell) is blocked since his parents forbid their marriage. Following the path taken by her mother, Paola (Jacqueline Bisset), Veronica becomes a courtesan, finding this gives her a niche in the male-dominated society. When Vatican emissaries accuse her of witchcraft, she lashes back, using the trial as a feminist forum to expose the hypocrisies of the period. Filmed in 1996 in Venice and Rome with a variety of working titles (Courtesan, Venice, and The Honest Courtesan). ~ Bhob Stewart, All Movie Guide

Season five of Friends begins in London, a few moments after the wedding of Ross (David Schwimmer) and Emily (Helen Baxendale) -- and a few more moments after Ross nearly wrecked the ceremony by invoking Rachel's (Jennifer Aniston) name. As Emily expresses her desire to escape her marriage vows, Monica (Courteney Cox) and Chandler (Matthew Perry) come to terms with their own romantic passion. Everything comes to a head at Heathrow airport -- but what about pregnant Phoebe (Lisa Kudrow)? ~ Hal Erickson, All Movie Guide

This unusual biography of the renowned Spanish artist Pablo Picasso is a Merchant-Ivory film. The team of director James Ivory, producer Ismail Merchant, and screenwriter Ruth Prawer Jhabvala has been responsible for many period dramas, including A Room with a View and Howard's End. The story of Picasso's remarkable misanthropy is told as experienced by his mistress Francoise Gilot (Natasha McElhone). Francoise was Picasso's lover from 1944 to 1954, and they had two children together, Claude and Paloma. The film shows Picasso (Anthony Hopkins) as a notorious womanizer, with flashbacks revealing his relationships with his wife Olga (Jane Lapotaire), the artist Dora Marr (Julianne Moore), and Marie-Therese Walter (Susannah Harker), an earthy type who sees the artist only on Sundays. Hopkins powerfully portrays Picasso as an artistic genius with an appalling habit of using and abusing women. He not only cheats on his wife but two-times his mistresses. Francoise has survived an abusive relationship with her father (Bob Peck), and she is 40 years younger than Picasso when they become lovers. The film was supposed to be based on Gilot's book Life with Picasso, but the filmmakers were unable to get the rights to it, so they settled for basing the film on Arianna Huffington's Picasso: Creator and Destroyer. The movie also uses imitations rather than Picasso's real paintings. ~ Michael Betzold, All Movie Guide

Created by Steven Radosh, the British series Think Tank was a straightforward quiz program, virtually bereft of the "bells and whistles" normally associated with the genre. On each of the series' 52 half-hour episodes, two teams competed for cash prizes by answering general-knowledge questions. The program's title arose from its deployment of an isolation booth, preventing the players from hearing the answers given by their rivals. Think Tank debuted over Britain's Channel 4 in 1995. ~ Hal Erickson, All Movie Guide

In this action adventure, author Bernard Cornwell's fictional Major Sharpe takes his men on a search for Aztec treasure. ~ Sandra Brennan, All Movie Guide

Debuting over Britain's Sky One satellite service in 1993, Games World was a weekly 25-minute competition between some of England's best young computer-game players. The kids underwent a series of elimination rounds before squaring off for a final, winner-take-all contest. Naturally, the names of dozens of computer-game manufacturers were bandied about, in the fine old spirit of "promotional consideration." Over 100 episodes of Games World were toted up before the series' cancellation in 1996. ~ Hal Erickson, All Movie Guide

Independent filmmaker Sally Potter's gender-bending epic, which views four centuries of sexual politics through the eyes of a sex-switching main character, is based on the 1928 novel by Virginia Woolf. The androgynous title character is played with delicate quietude by Tilda Swinton. The story begins during the reign of the aging Queen Elizabeth I (Quentin Crisp, in a droll turn recalling his The Naked Civil Servant). Queen Elizabeth takes a shine to the attractive young Orlando and seeks out his sexual favors. In return, Elizabeth grants him a large estate, commanding him, "Do not fade, do not wither, do not grow old." Orlando takes the queen at her word and doesn't. When Elizabeth dies, Orlando becomes attracted to Sasha (Charlotte Valandrey), the daughter of a Russian diplomat, but she rebuffs his advances. Crushed, Orlando accepts an ambassadorship to Constantinople. After witnessing the killing of a man in battle, Orlando undergoes a change of sex, becoming a woman and returning to England, where she hobnobs with 18th-century geniuses like Jonathan Swift, Alexander Pope, and John Addison. Walking through a garden labyrinth, the time frame shifts to the 19th century, and Orlando falls in love with a handsome American (Billy Zane). Now in the 20th century, Orlando gives birth to his child and continues on. ~ Paul Brenner, All Movie Guide

Nick Diamond (Colin Dale) is a private detective hired by a South American midget to guard a box containing a rare treasure. When Nick is jailed, his kid brother Tim (Dursley McLinden) is called on to take the case. Tim dodges bullets and escapes from being bound and gagged while battling hard-nosed cop Boyle (Jimmy Nail) and the shadowy thugs out to get the treasure. Susanna York plays the chanteuse Lauren Bacardi in this film-noir styled children's crime drama. ~ Dan Pavlides, All Movie Guide

Director James Ivory brings his subdued, "Masterpiece Theater" style to a forbidden subject -- homosexual love. Maurice is based on E.M. Forster's suppressed 1914 novel that was held back from publication until after his death. The film takes place at Cambridge, before World War I, when homosexuality was outlawed in Great Britain. Clive (Hugh Grant), an aristocratic Englishman with a life of privilege, suddenly shocks his close friend Maurice (James Wilby) by declaring his love for him. Maurice is initially stunned by the pronouncement, but in the end finds himself giving Clive a passionate kiss and telling him that he loves him as well. Clive, in the stiff-upper-lip British manner, considers their love to be more of an intellectual concept, but Maurice becomes passionate about the affair. Clive, afraid of being exposed as a homosexual, backs off and breaks up with Maurice for marriage, family, and politics. Maurice is crestfallen, but then he has a passionate affair with Clive's gamekeeper, Scudder (Rupert Graves), and Maurice and Scudder decide to risk their reputations by openly living together as lovers. ~ Paul Brenner, All Movie Guide