Barbara Ewing Movies

Brothers of the Head was adapted from Brian Aldiss' novel by screenwriter Tony Grisoni, and marks the narrative feature debut of Keith Fulton and Louis Pepe (Lost in La Mancha), who have structured Aldiss' story as a mock documentary. Twins Luke and Harry Treadaway star, respectively, as conjoined twins Barry and Tom Howe, joined at the torso. They were essentially purchased from their family as teens in the 1970s by a sleazy showbiz impresario, Zak Bedderwick (Howard Attfield), who planned to turn them into rock stars. Manager Nick (Sean Harris) kept the volatile Barry in line, sometimes violently, while musician Paul (Bryan Dick) taught the introspective Tom how to play the guitar, and helped the brothers write their songs. A documentary filmmaker, Eddie (Tom Bower), was hired to record the process. Their first live performance was a near disaster, as the rowdy pub crowd didn't welcome the sight of the two young men coming on-stage with their arms around each other, but Barry, the charismatically angry frontman, shocked the crowd by exposing the joint between them as he ripped into a snarling performance of their first single, "Two-Way Romeo," and the legend of their group, the Bang Bang, was born. As the proto-punk group's fame grew, Laura (Tania Emery), a young journalist, came to write an article about them, and quickly developed a romantic relationship with Tom, causing friction between the brothers. The film features interviews with some of the characters in the present day, and clips from an imagined unfinished Ken Russell film about the twins, starring Jonathan Pryce and Jane Horrocks. The music of the Bang Bang, performed by cast members and the band Crackout, was written and produced by Clive Langer. Brothers of the Head was shown at the 2006 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

Nicol Williamson stars as a Liverpool/Irish layabout who inherits a business from his father. Even in his executive togs, Williamson remains out of step with society. Already a surly sort, Williamson becomes even less likeable as the film progresses, especially when seeking to avenge a long-ago slight against his father. The film is a belated but still compelling entry in Britain's "Angry Young Man" cinematic cycle, with the "protagonist" remaining on top at the expense of his soul. Reckoning was based on The Harp That Once, a novel by Patrick Hall. ~ Hal Erickson, All Movie Guide

The Torture Garden is an "omnibus" chiller, adapted from four short stories by Robert Bloch (Psycho). Each is introduced by Burgess Meredith, playing a sinister carnival barker by the name of Dr. Diabolo. The doctor's audience consists of five people, four of whom are apprised of their ultimate fates as Diabolo weaves his stories. In "Enoch," a young playboy falls under the spell of a cannibalistic cat. In "Terror Over Hollywood," a famous movie star is revealed to be an android. In "Mr. Steinway," the "villain" is a killer piano. And in "The Man Who Collected Poe," the title character murders another collector over a valuable Poe manuscript--only to receive retribution from ol' Edgar himself. If we told you anything about the fifth person in Meredith's audience, we'd be giving away the ending, wouldn't we now? The individual episodes tend to rise and fall depending upon the strength of their stars. Among those present in Torture Garden are horror-flick regulars Jack Palance, Peter Cushing, Robert Hutton, Michael Ripper and Niall McGinniss. No, this isn't a Hammer Production; it was put together by Hammer's principal British rival of the 1960s, Amicus Films. ~ Hal Erickson, All Movie Guide