Michael Penn Movies

An aging farmer fights to keep the home that is rightfully his after fleeing from a nursing home and discovering that his son has leased the family farm to his old nemesis. Placed in a nursing home by his son and promptly forgotten, Abner Meecham (Hal Holbrook) realized that waiting to die was no way to live. Determined to enjoy his last days, Abner packed his bags and set his sights on the family farm. At least there he could die on his own land, in familiar surroundings. But Abner is in for a rude awakening, because upon returning home he discovers that his son has leased the farm to Lonzo Choat. Abner never cared much for Lonzo, and when Lonzo refuses to leave, Abner takes up residence in an old tenant shack on the property. Before long, their dispute becomes volatile, each man believing himself to be in the right, and refusing to back down from his position. Betrayed by his son and haunted by dreams of his beloved deceased wife, Abner draws a line in the sand in an attempt to reclaim his life. As threats are made and tension begins to brew, it's only a matter of time before the situation turns savage. ~ Jason Buchanan, Rovi

Television and the big screen may come calling, but Patton Oswalt hasn't abandoned the stand-up stage. In this Comedy Central special, the cheerfully sarcastic comedian comments on politics ("Obama... And Time Travel... And Coolness... And the Last Racist"), technology ("Grocery Robots"), exercise ("Treadmill"), mind-altering substances ("Whiskey and Weed and L.S.D."), and a variety of subjects in between. ~ Kimber Myers, Rovi

A thirtysomething single mother whose boundless potential was squandered through a series of failed relationships and a misguided effort to help her younger sister succeed in life finds the fruits of her labors finally coming together in director Christine Jeffs' dark family comedy. Back in high school, the future looked pretty bright for Rose Lorkowski (Amy Adams); not only was she the cheerleading captain, but she was also dating the star quarterback. Flash forward a little over a decade, and Rose is working overtime in hopes of getting her son into a better school. Her sister, Norah (Emily Blunt), is still living at home with their father, Joe (Alan Arkin), a failed salesman whose penchant for jumping into get-rich-quick schemes has left the family without a financial net to fall back on. Rose may be down, but she certainly isn't out, and when she hatches a plan to launch a crime-scene cleanup business, the money starts rolling in. Sure, cleaning up murder scenes and suicide sites may not be the most glamorous job in the world, but death is a fairly profitable business, and as the phone keeps ringing, Rose and Norah finally begin to experience the closeness of sisterhood that has eluded them all these years while also providing their family with true security. ~ Jason Buchanan, Rovi

A successful 30-year-old (Zach Braff) with a the perfect girlfriend (Jacinda Barrett) and a lucrative outlook on life struggles with the increasing pressures of adulthood as he weighs the merits of settling down with the woman who loves him against risking it all to be with a comely co-ed (Rachel Bilson) in director Tony Goldwyn's remake of Gabriele Muccino's 2001 comedy drama. Crash and Million Dollar Baby screenwriter Paul Haggis adapts a script originally penned by Italian filmmaker Muccino, and Casey Affleck, Blythe Danner, Eric Christian Olsen, and Tom Wilkinson co-star. ~ Jason Buchanan, Rovi

Mr. Show alumnus Bob Odenkirk's directorial debut, Melvin Goes to Dinner, is based on the play Phyrogiants! by Michael Blieden, who also adapted the script for the screen and stars in the film's titular role. Melvin has just broken up with his girlfriend, Trenice (Melora Walters), and has met up with his friend Joey (Matt Price) and two women, Alex (Stephanie Courtney) and Sarah (Annabelle Gurwitch), whose relationship to the men remains ambiguous. From there, the bulk of the action takes place around a table at a restaurant, as the four bare their innermost secrets and discuss everything from ghosts to stewardesses to masturbation. The film was shot simultaneously on five hand-held cameras in order to capture the essence and idiosyncrasies of the constantly overlapping conversations. Featuring appearances by Odenkirk, David Cross, Maura Tierney, and Jack Black in an unbilled cameo as a mental patient, and a score by Michael Penn, Melvin Goes to Dinner was the winner of the Audience Award for First Film at the 2003 South by Southwest Film Festival, the Best American Feature Award at the 2003 Avignon Film Festival, and the Best Picture Award at the Phoenix Film Festival. ~ Matthew Tobey, Rovi

While set within the milieu of the Los Angeles adult film industry, Boogie Nights is less a film about pornography than the serio-comic story of a group of misfits, losers, and lost souls who are embraced by Jack Horner (Burt Reynolds), a director who makes "adult films, exotic motion pictures." In 1977, while hanging out at a disco, Jack spots Eddie (Mark Wahlberg), the new busboy at the club, and tells him he's convinced "there's something wonderful inside those jeans waiting to get out." Jack knows his business well and his expert eye has not betrayed him; Eddie is a pornographer's dream -- good looking, remarkably endowed, and willing and able to do as many takes as might be needed. The product of a woefully dysfunctional upbringing, Eddie is not terribly bright but is very ambitious and eager to prove he has a "special something" to share with the world. Eddie changes his name to Dirk Diggler and quickly becomes the biggest star in hardcore. Working alongside "Dirk" in Jack's films are Amber Waves (Julianne Moore), a porn actress who applies her misplaced maternal instincts to anyone who needs nurturing; Rollergirl (Heather Graham), a cheerful but blank-faced high school drop-out who never removes her roller skates; Reed Rothchild (John C. Reilly), a none-too-bright actor, aspiring magician, and failing songwriter; Buck (Don Cheadle), a black actor fascinated with cowboy iconography who wants to open a stereo shop; Scotty J (Philip Seymour Hoffman), a stocky and awkward soundman infatuated with Dirk; Little Bill (William H. Macy), Jack's assistant director, who has trouble dealing with his wife's brazen infidelity; and Colonel James (Robert Ridgely), Jack's backer, who has a weakness for young girls. In the brief, late-'70s moment when porn was chic and sex films seemed poised to break into the mainstream, Dirk becomes a star and Jack a respected name. But a few years later, drugs and pride have taken their toll on Dirk and many of his friends, while the advent of the VCR radically changes the adult movie business; Jack goes from being a "filmmaker" to manufacturing and wholesaling videocassettes, a wealthy but emotionally broken man. In his second film, wunderkind director Paul Thomas Anderson juggled a broad range of characters in a manner reminiscent of Robert Altman's ensemble films, making Boogie Nights a sad but funny story of a makeshift family of damaged people and what happens before and after their brief moment in the sun. ~ Mark Deming, Rovi