Paul Everton Movies

In this crime drama, a fading movie star plays a similar character in her farewell film, a B crime-drama about a lonely-hearts club that masks a racketeering operation. ~ Sandra Brennan, All Movie Guide

Gene Tierney portrays a beautiful but unstable woman who marries successful novelist Cornel Wilde. Tierney wants to spend all her time with her new husband, but finds it impossible to do so thanks to his work and the frequent visits of family and friends. When Wilde's crippled younger brother (Darryl Hickman) comes to the couple's summer house to stay, Ms. Tierney indirectly causes the boy to drown. Later, upon discovering that she's pregnant, Tierney deliberately falls down the stairs, choosing to miscarry rather than share her husband's affections with an infant. When it becomes clear that family friend Jeanne Crain is attracted to her husband, Ms. Tierney commits suicide, making her death appear to be murder and framing Crain for the "crime." In court, Ms. Crain is mercilessly grilled by prosecuting attorney Vincent Price, who happens to be Tierney's ex-lover! Filmed in lush Technicolor, Leave Her to Heaven is based on the best-selling novel by Ben Ames Williams. ~ Hal Erickson, All Movie Guide

Producer Darryl F. Zanuck had high hopes that Wilson would immortalize him in the manner that Gone With the Wind did for David O. Selznick. The notion of bringing the life story of Woodrow Wilson, 28th president of the United States, to the big screen was a labor of love for Zanuck, and accordingly the producer lavished all the technical expertise and production values he had at his disposal. Though Alexander Knox seems a bit too robust and overnourished for Wilson, his is a superb performance, evenly matched by those of Ruth Nelson as Wilson's first wife Ellen, Geraldine Fitzgerald as second wife Edith, Thomas Mitchell as Joseph Tumulty, Sir Cedric Hardwycke as Henry Cabot Lodge, Vincent Price as William Gibbs McAdoo, Sidney Blackmer as Josephus Daniels, and the rest of the film's enormous cast. The story begins in 1912, a time when Wilson is best known as the head of Princeton University and the author of several books on the democratic process. Urged into running for Governor of New Jersey by the local political machine, Wilson soon proves that he is his own man, beholden to no one-and that he is dedicated to the truth at any cost. From the governor's office, Wilson is nominated as the Democratic presidential candidate, an office he wins hands-down over the factionalized Republicans. The sweetness of his victory is soured by the death of his wife Ellen, but Wilson ultimately finds lasting happiness with Edith Galt. When World War I breaks out in Europe, Wilson vows to keep America out of the conflict, despite pressure from such political foes as Henry Cabot Lodge (who is depicted as a thoroughly unsympathetic power broker). After being elected for a second term, however, Wilson finds it impossible to remain neutral, especially in the wake of the Lusitania sinking. Reluctantly, he enters the war in April of 1917. Deeply disturbed by the mounting casualties, Wilson decides that, after the Armistice, he will press for a lasting peace by helping to organize a League of Nations. Unfortunately, the isolationist congress, urged on by Lodge and his ilk, refuses to permit America's entry into the League. His health failing, Wilson nonetheless embarks on a whistle-stop tour, imploring the public to support the League of Nations and Wilson's 12-point peace program. During this campaign, he is felled by a stroke, whereupon Mrs. Wilson begins acting as liason between the president and the rest of the country (the commonly held belief that Edith Galt Wilson virtually ran the nation during this crisis is soft-pedalled by Lamar Trotti's script). All hopes for America's joining the League of Nations are dashed when, in the 1920 election, the Republicans gain control of the White House. The film ends as the ailing but courageous Woodrow Wilson bids farewell to his staff and walks through the White House doors for the final time. Idealistically ignoring the negative elements of the Wilson regime (notably his attitudes toward racial relationships), Wilson is not so much a biography as a paean to the late president. Though too long and overproduced, the film survives as one of Hollywood's sturdiest historical films of the 1940s. However, audiences did not respond to Wilson as Zanuck had hoped; the film was a terrific flop at the box office, so much so that it was for many years forbidden to speak of the project in Zanuck's presence. Still, Wilson garnered several Academy Awards: best original screenplay, best color art direction (Wiard Ihnen), best color cinematography (Leon Shamroy), best sound recording (E. H. Hansen), best film editing (Barbara McLean) and best color set decoration (Thomas Little). ~ Hal Erickson, All Movie Guide

Aircraft plant worker Robert Cummings is accused of sabotaging his factory and causing the death of a co-worker. Actually, Cummings is the fall guy for a clever ring of Nazi spies, headed by above-suspicion American philanthropist Otto Kruger. Our hero goes on a cross-country chase after genuine saboteur Norman Lloyd, all the while pursued himself by the police. Along the way, he acquires a reluctant "travelling companion" in the form of Priscilla Lane, who at first despises Cummings and intends to turn him over to the authorities at the first opportunity, but who gradually comes to realize that the boy is innocent. Alfred Hitchcock intended Saboteur to be the American equivalent to his British The 39 Steps, employing such details as the solid-citizen villain, the handcuffed hero, the unwilling blonde heroine, and any number of stopovers with a variety of offbeat characters (a travelling "freak" show, a compassionate blind man, a grizzled old prospector who turns out to be one of the spies, etc.) ~ Hal Erickson, All Movie Guide

The first of director Frank Capra's independent productions (in partnership with Robert Riskin), Meet John Doe begins with the end of reporter Ann Mitchell's (Barbara Stanwyck) job. Fired as part of a downsizing move, she ends her last column with an imaginary letter written by "John Doe." Angered at the ill treatment of America's little people, the fabricated Doe announces that he's going to jump off City Hall on Christmas Eve. When the phony letter goes to press, it causes a public sensation. Seeking to secure her job, Mitchell talks her managing editor (James Gleason) into playing up the John Doe letter for all it's worth; but to ward off accusations from rival papers that the letter was bogus, they decide to hire someone to pose as John Doe: a ballplayer-turned-hobo (Gary Cooper), who'll do anything for three squares and a place to sleep. "John Doe" and his traveling companion The Colonel (Walter Brennan) are ensconced in a luxury hotel while Mitchell continues churning out chunks of John Doe philosophy. When newspaper publisher D.B. Norton (Edward Arnold), a fascistic type with presidential aspirations, decides to use Doe as his ticket to the White House, he puts Doe on the radio to deliver inspirational speeches to the masses -- ghost-written by Mitchell, who, it is implied, has become the publisher's mistress. The central message of the Doe speeches is "Love Thy Neighbor," though, conceived in cynicism, the speeches strike so responsive a chord with the public that John Doe clubs pop up all over the country. Believing he is working for the good of America, Cooper agrees to front the National John Doe Movement -- until he discovers that Norton plans to exploit Doe in order to create a third political party and impose a virtual dictatorship on the country. The last of Capra's "social statement" films, Meet John Doe posted a profit, although Capra and Riskin were forced to dissolve their corporation due to excessive taxes. ~ Hal Erickson, All Movie Guide

Richard Dix is his usual strong, silent self in RKO Radio's Men Against the Sky. Dix plays a washed-up pilot who designs a revolutionary new plane. Realizing that he is persona non grata in the aviation industry due to his irresponsibility and alcoholism, Dix allows his sister Wendy Barrie to take credit for the "wonder" plane. Preliminary tests of the aircraft prove disastrous, but Dix establishes the viablity of his design by flying the plane himself, a spectacular act of self-sacrifice that has the salutary effect of restoring his tattered reputation. Among the aircraft seen in Men Against the Sky is the plane used by Howard Huges to establish a new transcontinental record when he flew from California to New Jersey in less than 7 1/2 hours. The film was scripted by Nathaniel West, better known for his trenchant Hollywood novel Day of the Locust. ~ Hal Erickson, All Movie Guide

A wedding ceremony is rudely interrupted by a bank robbery next door, the bridegroom is shot and the best man is accused of being the culprit. All this takes place during the first five minutes of Triple Justice, George O'Brien's final western for RKO. Brad Henderson (O'Brien) is innocent, of course, but is forced to clear his good name and reputation by tracking down not only the three real bank robbers but also their secret boss, Deputy Sheriff Harry Woods). Along the way, Brad falls in love with lovely (Virginia Vale), the sister of neophyte outlaw Bud McTaggart), and finds himself the center of attention of three equally charming senoritas, (The Lindemann Sisters, who perform a couple of standard Mexican ballads. Miss Vale) also takes time out for a song, Fred Ross and Ray Whitley's "Lonely Rio. ~ Hans J. Wollstein, All Movie Guide

This entry in MGM's "Crime Does Not Pay" series focuses on customs evasion. It shows how even wealthy people, not just career criminals and smugglers, attempt to evade paying customs tax on items they bring back from overseas. ~ Brian Gusse, All Movie Guide

In this third of RKO's "Mexican Spitfire" series, star Lupe Velez doesn't get any further west than Reno, Nevada. Lupe feels that her straightlaced husband (Donald Woods) is neglecting her, and thus seeks a divorce. Reliable old Uncle Matt (Leon Errol) shows up to straighten things out, which means that for the umpteenth time in this series he'll disguise himself as the veddy British Lord Epping. Before everything straightens itself out, Uncle Matt finds himself in dutch with his own wife. We all know that Lupe and her hubby will get together: otherwise there wouldn't be a fourth "Mexican Spitfire" picture. ~ Hal Erickson, All Movie Guide

Silent-screen leading lady Dolores Costello adds a touch of class to the threadbare Jack Holt vehicle Whispering Enemies. Reportedly inspired by recent headlines, the story deals with corporate intrigue in the cosmetic business, with Stephen Brewster (Holt) and Laura Crandall (Costello) representing two rival beauty-product firms. Brewster's company is destroyed via rumors of impropriety spread by Crandall's minions. Resorting to the same tactics, Brewster turns the tables on Crandall, and before long it is she who is out of work. But the balance of power shifts once more, with Crandall getting the goods on Brewster by fadeout time. Relieving the tedium of the the tug-o-war plotline is the brash comedy relief of Pert Kelton. ~ Hal Erickson, All Movie Guide

In this drama, a New York physician takes a much-needed vacation down South. Unfortunately, he encounters a nurse working in the backwoods and ends up helping her to combat an epidemic that rages through the mountain communities. The doctor she works for prefers traditional herbs to modern medicine. At first the locals resent the big city doctor's intervention, but when he stops the scourge, they change their opinions. ~ Sandra Brennan, All Movie Guide

Directed with customary haste by Woody Van Dyke, Stand Up and Fight is an excellent dual vehicle for veteran Wallace Beery and up-and-coming Robert Taylor. Set in the American west in the mid-19th century, the story concerns the efforts of empire-building Blake Cantrell (Taylor) to construct a railroad across the wide open spaces. Cantrell is faced with obstacles at every turn, none more obstreperous than stagecoach-line owner Captain Boss Starkey (Beery), The film traces Cantrell's progress from drunken roisterer to pioneering visionary, and Starkey's parallel transition from deadly foe to trusted friend. The villlain of the piece is slave-trader Arnold (Charles Bickford), who exploits his friendship with Starkey to Cantrell's disadvantage. Romance enters the picture in the form of Southern belle Susan Griffith (Florence Rice), who has almost nothing to do but look demure and lovely in a series of attractive period costumes. ~ Hal Erickson, All Movie Guide

Cecil B. DeMille takes us back to the 1860s, then rebuilds the first intercontinental railroad in Union Pacific. The real-life spectacle is occasionally interrupted by the fictional adventures of railroad overseer Joel McCrea, postmistress Barbara Stanwyck (with an incredible Irish brogue), and McCrea's best pal Robert Preston. Unfortunately Preston has fallen in with Brian Donlevy, who is dedicated to destroying the Union Pacific railroad on behalf of a crooked political cartel. During an Indian attack, McCrea and Preston fight side by side to save Stanwyck, prompting Preston to turn honest. On the day in 1869 that the "Golden Spike" is to be driven at Promontory Point, Preston is killed saving McCrea from Donlevy's bullets. Union Pacific owes a great deal to John Ford's 1924 film on the same subject, The Iron Horse, even restaging one or two major action sequences from the earlier film. This DeMille spectacular was a big hit with audiences of 1939, who craved a booster shot of flag-waving now and again. ~ Hal Erickson, All Movie Guide