Richard Johnson Movies

A woman learns to love life when she finds out she won't be around long in this comedy. Georgia Byrd (Queen Latifah) lives in New Orleans, where she works in the cookware department of an upscale gourmet supply shop. While Georgia carries a torch for Sean (LL Cool J), one of her co-workers, she doesn't have the nerve to tell him, and despite her estimable skills in the kitchen, she lives frugally and doesn't put her talent to use. Georgia's good friend Rochelle (Jane Adams) often tells her that life is short and she needs to live a little, but she doesn't pay her much mind until a visit to the doctor reveals that Georgia has a very rare medical condition, and only has three weeks to live. Throwing caution to the wind, Georgia cashes out her life savings and heads to Europe for a last bit of revelry. She checks into a four-star hotel, trades her drab clothes for haute couture, finds herself flirting with a handsome and powerful politician (Giancarlo Esposito), convinces the head of a cooking supplies firm (Timothy Hutton) that she's a high-powered executive from a rival company, and makes friends with a four-star chef (Gérard Depardieu). But when Sean learns the truth about Georgia's condition, he sets out to find her before their chance at romance has passed. Directed by Wayne Wang, Last Holiday is a remake of a 1950 British comedy, which starred Alec Guinness as a salesman with a few weeks to live. ~ Mark Deming, All Movie Guide

One of the best-loved films from the idiosyncratic British film studio Ealing Pictures gets an update from the equally idiosyncratic filmmaking team of Joel and Ethan Coen in this offbeat comedy. Marva Munson (Irma P. Hall) is a spry, elderly woman who attends church regularly, doesn't care for loud noises or harsh language, and is looking for a tenant for the spare room in her house. Enter Goldthwait Higginson Dorr (Tom Hanks), a silver-tongued college professor who moves in and gains Munson's permission to use the basement for rehearsals with his "medieval music ensemble." What Munson doesn't know is that Dorr's latest project is not academic, but criminal. Dorr is masterminding the robbery of a riverboat casino, and the fellow musicians in his ensemble are actually the crew he's assembled to pull off the job: foul-mouthed "inside man" Gawain (Marlon Wayans), clumsy demolitions expert Pancake (J.K. Simmons), quiet strong-arm man Lump (Ryan Hurst), and logistical expert The General (Tzi Ma). Despite the best efforts of Dorr and his cohorts (which aren't very impressive), Munson finds out about their scheme, and when she refuses to accept a share of the take in exchange for her silence, Dorr decides the best solution is to silence her permanently. The gospel tunes which grace the soundtrack to The Ladykillers were coordinated by T-Bone Burnett, who also helped assemble the acclaimed song score for the Coen brothers' O Brother, Where Art Thou?. ~ Mark Deming, All Movie Guide

Based on the 1969 short story Super-Toys Last All Summer Long, by Brian Aldiss, this science fiction fantasy bears similarities to Pinocchio (1940) and originated as a long-gestating project of director Stanley Kubrick that passed to his friend Steven Spielberg after Kubrick's death. Haley Joel Osment stars as David, a "mecha" or robot of the future, when the polar ice caps have melted and submerged many coastal cities, causing worldwide starvation and human dependence upon robotic assistance. The first mecha designed to experience love, David is the "son" of Henry (Sam Robards), an employee of the company that built the boy, and the grief-stricken Monica (Frances O'Connor). David is meant to replace the couple's hopelessly comatose son, but when their natural child recovers, David is abandoned and sets out to become "a real boy" worthy of his mother's affection. Along the way, David is mentored by a pleasure-providing mecha named Gigolo Joe (Jude Law) and a talking "super toy" bear named Teddy. His adventures take him to the Roman Circus-style "Flesh Fair," where mechas are destroyed for the amusement of humans; Rouge City, where Gigolo Joe narrowly avoids capture by police; and finally a submerged New York City, where David's creator, Professor Hobby (William Hurt) reveals the secrets of the boy's creation. Brendan Gleeson and narrator Ben Kingsley co-star in A.I., which was adapted from Kubrick's treatment by Spielberg, in his first crack at screenwriting since Close Encounters of the Third Kind (1977). ~ Karl Williams, All Movie Guide

Director Billy Bob Thornton explores coming of age in this Western based on Cormac McCarthy's prize-winning novel of the same name. John Grady Cole (Matt Damon) and Lacey Rawlins (Henry Thomas) are young Texan men who seek a more fulfilling life as cowboys in the slowly fading Old West, circa 1949. One night, the duo head for Mexico in hope of finding some adventure and employment, and along the way run into Blevins (Lucas Black), an even younger drifter who has supposedly stolen a horse from private property. Begrudgingly, Cole and Rawlins take him under their wing before they eventually find themselves in Mexico, working for a wealthy landowner (Ruben Blades). His stalwart and beautiful daughter Alejandra (Penelope Cruz) develops a romantic interest in Cole, which threatens the friendship between him and Rawlins, not to mention their living quarters, where Alejandra's watchful aunt (Miriam Colon) warns Cole that she has professed allegiance to her. Cole and Rawlins' thrill-seeking adventures with Blevins and the stolen horse catch up to them, however, and they are held prisoners in a brutal penitentiary, where their cowboy instincts are put to the ultimate test. Cole, meanwhile, wants nothing more than to get back to Alejandra and resume their love affair. The film also features Bruce Dern in a small role as a judge who eventually gives much-desired guidance to Cole. ~ Jason Clark, All Movie Guide

Ridley Scott directed this flawed but involving study of Lt. Jordan O'Neil (Demi Moore), a Navy topographic analyst who is chosen as a test case for the presence of women in combat. Aware that she is making history and knowing that 60% of all male trainees will fail the rigorous training, Lt. O'Neil struggles to prove herself physically and mentally worthy of becoming a Navy SEAL. What she doesn't know is that she is being sold out by hardbitten Texas senator Lillian DeHaven (Anne Bancroft in an amusing turn), who is being blackmailed by the Defense Department with politically fatal base closings unless O'Neil fails the program. The complicated political subplot, however, only distracts from the film's real virtues -- the wonderfully staged scenes of CRT selection training -- and fizzles at its climactic moment. The training scenes are wonderful, however, as the central recruits are pushed to their physical limits by a grueling weeding-out process. Viggo Mortensen is outstanding as Master Chief John James Urgayle, a steely-eyed, tough-as-nails instructor who somehow finds time to quote D.H. Lawrence when he isn't making people eat garbage and beating O'Neil senseless as part of a training exercise. Mortensen and the believably-buffed Moore are terrific, and their scenes of confrontation are the film's high points. Unfortunately, the screenplay by David Twohy and Danielle Alexandra falls down every time it attempts to sidestep a cliche, and the climactic mission (involving a downed satellite in the Libyan desert) positively wallows in a predictable Top Gun muddle. Still, the characters are engaging and those looking for an enjoyable variant on the basic-training subgenre of high-octane modern action films should be pleased. ~ Robert Firsching, All Movie Guide