Todd Everett Movies

After his partner is wounded, an avenging cop goes after the people responsible: a group of backwoods, Southern religiously fanatical racists who pose as Libyan terrorists. Who could possibly be more deserving of vengeance? ~ Kristie Hassen, Rovi

A wilderness-loving man must clear himself of a wrongful murder charge and rescue his daughter who may be sent to an orphanage in this made-for-TV movie. ~ Kristie Hassen, Rovi

In this biting comedy satirizing Hollywood cynicism from writer-director Blake Edwards, Felix Farmer (Richard Mulligan) is a motion picture director whose career is on the skids. Having just completed a family musical that is sure to be a $30 million flop, Felix knows that his days are numbered and tries unsuccessfully to commit suicide. When he recovers, Felix suddenly has a brainstorm and hatches a scheme to buy the film back from his studio and lens new scenes that will turn it into a pornographic movie with big stars, a sure-fire box office winner. In order to pull it off, he'll need to convince his female lead and wife, Sally Miles (Julie Andrews, not coincidentally the director's real-life wife) to defy her wholesome, squeaky-clean public image by baring her breasts on film. S.O.B. (1981) was the final film of legendary actor William Holden. ~ Karl Williams, Rovi

A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, Rovi

A surprisingly long and worthwhile film, The Education of Sonny Carson is based on a true story. Rony Clanton stars as Carson, a product of the Brooklyn ghetto. After several years of gang and drug activities, Sonny is sobered by his horrendous experiences in prison. He puts his priorities in order and finds a "born again" purpose in life under his new name, Iwina Lmiri Abubadika. The film ends in the 1970s, long before Abubadika's controversial involvement in New York politics. ~ Hal Erickson, Rovi

Inasmuch as Windflowers was also released as The Story of a Draft Dodger, it isn't difficult to figure out when it was filmed. This 1960s time capsule stars John Kramer as Paul Ramsey, who assumes an alias and goes on the run when Uncle Sam sends him "greetings." The film covers six years in Ramsey's life, charting his disenchantment with the Establishment and his gradual radicalization. Surprisingly, the word "Vietnam" is not mentioned once. Written, directed and edited by Adolfas Mekas, Windflowers sometimes resembles an experimental project cooked up by a college drama department. ~ Hal Erickson, Rovi