William S. Gilmore Movies

Philip Seymour Hoffman, Ethan Hawke, Albert Finney, and Marisa Tomei star in director Sidney Lumet's thriller concerning two brothers who hatch a plan to rob their parent's jewelry store. When the job goes awry, the entire family is set on a collision course with tragedy. Andy (Hoffman) is an overextended broker in desperate need of some cash. His brother, Hank (Hawke), isn't much better off, so when Andy hatches a plan to rob their parent's modest jewelry store, it seems like a foolproof way to make a quick buck. But Andy's trophy wife, Gina (Tomei), is secretly sleeping with libidinous younger brother Hank, and when the robbery proves a complete disaster it isn't long before loyalties start to shift. Now Andy and Hank's father, Charles (Finney), is determined to make the unidentified robbers pay for their crime. What's a father to do when he discovers that the ones he loves have become his worst enemies? ~ Jason Buchanan, All Movie Guide

A kidnapping leads to love for a down-on-his-luck cowboy in this romantic comedy drama from director Terry Moloney. When former rodeo rider Roper Wylie (Mark Collie) hits rock bottom, he quickly schemes to kidnap wealthy Alabama socialite Goodie Blankenship (Coley McCabe) on the assumption that her husband will gladly pay a hefty ransom for her safe return. What Roper doesn't realize is that Goodie's husband and lover have been secretly planning to have her killed for months. As the hapless kidnapper and the jilted wife each begin to sympathize with the other's plight, love soon blossoms and fuels their hunger to take revenge on Goodie's uncaring husband. ~ Jason Buchanan, All Movie Guide

Thomas Michael Donnelly directed this Vietnam drama, filmed in New Zealand and adapted from Tim O'Brien's short story, "Sweetheart of the Song Tra Bong," about a group of army medics in Vietnam. Rat (Kiefer Sutherland) narrates the tale seen in flashbacks: Rat's buddy Fossie (Skeet Ulrich), after learning about a unit that pooled money to bring in a hooker, manipulates the black-market to import his hometown girlfriend, innocent teen Marianne (Georgina Cates). The M*A*S*H-like unit is pleased by her presence, but Marianne finds the war carnage fascinating; she experiments with small-arms fire, goes wandering off into dangerous territory, and becomes friends with a unit of Green Berets, much to the dismay of Fossie. Just when he's on the brink of sending her home, she sets forth on an all-night patrol with the Green Berets. This film and Donnelly's The Garden of Redemption, another war drama, are two/thirds of a planned Showtime trilogy. Locations in New Zealand. Shown at the 1998 Seattle Film Festival. ~ Bhob Stewart, All Movie Guide

Based on the award-winning play by Sam Shepard, this drama offers an unblinking look at a family desperately clinging to the last threads of the American dream. Weston Tate (James Woods) is an alcoholic Viet Nam veteran struggling to hold on to the family's farm; he often brags about his grand plans for the place, but in truth the land is just one step away from foreclosure. His wife Ella (Kathy Bates) is determined to hold her family together, though she often dreams of running away and isn't above sleeping with corrupt land developer Taylor (Randy Quaid) if it will help keep the farm in her family's hands. Their son Wesely (Henry Thomas) has the soul of a poet and dreams of a better life, while his sister Emma (Kristin Fiorella) has inherited her mother's strength, but also her mother's burden in holding the Tates together. Noted filmmaker Bruce Beresford adapted Shepard's play for the screen and served as executive producer; Michael McClary directed. ~ Mark Deming, All Movie Guide

The Sandlot is sparsely narrated by the main character (now an adult) who occasionally drops in on the action to comment on events or help move the story along. Tom Guiry plays Scotty Smalls, the shy new kid on the block who wants to join the rowdy pickup baseball team that plays every day in the neighborhood sandlot. But he doesn't know how to catch a baseball, and his stepfather (Dennis Leary) is too busy to teach him. He tries out for the sandlot gang anyway, and though he isn't very good, it turns out he's lucky: there happen to be only eight of them, and nine makes a team. The summer passes blissfully as Scotty learns to play ball under the wing of Benny Rodriguez (Mike Vitar), the oldest and best player, as well as Ham, Squints, Repeat, and the rest of the kid-eccentrics. The skies darken, however, when Benny literally knocks the stuffing out of the team's only baseball, a sign of impending doom, or worse, bad luck. Wanting to set things right, Scotty returns home and "borrows" his stepfather's ball, which he promptly uses to hit his first home run, knocking the ball clear out of the sandlot into mean old Mr. Mertle (James Earl Jones)'s junkyard, home to Mertle's legendary guard dog The Beast. Scotty admits that he took the ball without asking, and he naively explains that his stepfather will want it back since it had a woman's name written on it: some lady named Babe Ruth. Horror-stricken, the sandlot gang mobilizes to fetch the autographed ball from the clutches of The Beast, building a series of mechanical ball-retrieval machines which get progressively more complicated and preposterous as The Beast's size grows in their imaginations. ~ Anthony Reed, All Movie Guide

Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, All Movie Guide

A virtual remake of its predecessor, Return of the Living Dead (1985), which itself was a tongue-in-cheek rip-off of director George Romero's Night of the Living Dead (1968), this follow-up adheres strictly to a gore and gags formula. Jesse Wilson (Michael Kenworthy), is a young boy being bullied by thugs from the neighborhood when all of them discover a sealed drum containing a zombie corpse. The release of a gas from the container reanimates the dead in a nearby graveyard, thus releasing an army of the undead, which mindlessly crave living human brains. As Jesse tries to contact the military to put a lid on the situation, the zombies are dispatched through a variety of gruesome methods. Two stars of the first film, James Karen and Thom Mathews, return in essentially the same parts, but with different names, as their characters were previously slaughtered. Followed by a third entry in the seires, Return of the Living Dead 3 (1993). ~ Karl Williams, All Movie Guide

It started as a 1960 Roger Corman horror comedy, filmed in two days; it then inspired a lavish 1982 Broadway musical with music and lyrics by Alan Menken and Howard Ashman. Finally in 1986, Little Shop of Horrors (1960) graduated into a multimillion-dollar, all-star film musical. Rick Moranis plays nebbishy Seymour Krelborn, who works in a rundown flower shop on Skid Row. While his boss (Vincent Gardenia) bemoans the lack of business, Seymour seeks a way of bringing the shop -- and himself -- fame and fortune. He purchases a strange plant from an even stranger oriental street vendor (Vincent Wong), naming the plant after his girlfriend Audrey (Ellen Greene, one of the few carry-overs from the Broadway version). Gradually, Seymour learns to his horror that "Audrey II" (given the voice of R&B performer Levi Stubbs) craves blood and flesh. With each of Audrey II's "FEEED MEEE"s, Seymour must scare up human food to satisfy the plant's appetite. One such victim is dentist Steve Martin, a leather-jacketed Elvis type (the dentist's ultra-masochistic patient played by Jack Nicholson in the 1960 original is here impersonated by Bill Murray). The lighthearted tone of the film darkens as Audrey II grows in monstrosity, but the unhappy ending of the Broadway version is avoided herein. ~ Hal Erickson, All Movie Guide

A remake of Jacques Tourneur's noir classic Out of the Past (1947), in this version a labyrinthine web of corruption touches on the world of pro football. When an injury-riddled body causes pro football player Terry Brogan (Jeff Bridges) to be cut by his team, Jake Wise (James Woods), a shady gambler friend, hires him to locate his spoiled, erratic girlfriend Jessie (Rachel Ward). Terry's attempt to glean Jessie's whereabouts from the girl's coldly aristocratic mother (Jane Greer) leads to a lucrative counteroffer to keep Jessie away from Jake if he finds her. After refusing, Terry heads for scenic Cozumel, where he eventually runs down the stunning young woman. A mutual attraction quickly develops and the pair are less than eager to return to California. Painfully, Terry tells Jessie about his involvement in a betting scandal which has put him under Jake's control. Meanwhile Jake, who is angered by the delay, senses that something is going on, and sends Terry's conditioning coach, Sully (Alex Karras), to find the couple. When he finally locates them, sweatily making love in a Mayan temple, tragedy ensues, spinning the ill-fated Terry into a world of boundless deceit and corruption. ~ Michael Costello, All Movie Guide

Initially titled The Far Shore, the made-for-TV Another Woman's Child was co-produced by Linda Lavin, who also starred. Lavin and Tony LoBianco play a long-married couple who are confronted with a flash from the past. Young Jenny O'Hara shows up at the couple's doorstep, announcing that she is LoBianco's illegitimate daughter. Once over the initial shock, the couple makes arrangements to adopt O'Hara, but complications ensue when the girl's natural mother takes a hand in things. Another Woman's Child was first telecast January 19, 1983. ~ Hal Erickson, All Movie Guide

Although it is far from a perfectly contrived drama, Defiance has its moments of high emotions and rising fear. Tommy (Jan Michael Vincent) takes up temporary housing in a New York neighborhood plagued by a violent gang, the Souls. Tommy is waiting for his next assignment as a seaman and though he tries to avoid the gang and his neighbors, it does not work. Soon he is single-handedly battling the Souls and not only changing their attitudes, but the attitudes of his previously intimidated neighbors as well. They quickly back him up as the one person who can make the neighborhood safe again. ~ Eleanor Mannikka, All Movie Guide

Beau Geste, the classic adventure story of a young man's dangerous journeys as part of the French Foreign Legion, becomes the subject of broad parody in this slapstick comedy. The original tale, best known to film lovers from William Wellman's 1939 classic, tells of several brothers who join the Foreign Legion after claiming responsibility for the mysterious disappearance of an invaluable family heirloom. Eventually, brothers Beau and Digby find themselves in conflict with their vicious commander, leading to a potential mutiny. The plot here is similar, with Michael York assuming Gary Cooper's role as Beau, and first-time director Marty Feldman co-starring as Digby. However, following the lead of former collaborator Mel Brooks, Feldman plays strictly for laughs, loading the story with jokes ranging from the satirical to the vulgar. A cast of notables keeps things lively, with Peter Ustinov and Ann-Margret mocking their own images as the sadistic commander and lusty Geste stepmother. ~ Judd Blaise, All Movie Guide

This misunderstood film is a satirical western, written, directed, and produced by Ralph Nelson, which he adapted from the book by James Graham (a pseudonym for Jack Higgins) In a restless Central American nation in the 1920s, Van Horne (Robert Mitchum), a defrocked American priest, hides a gun in his Bible and a knife in his crucifix. He rescues Emmet Keogh (Ken Hutchinson), who is being held by a group of rapacious bandits who are angry that Keogh has taken a mute native girl, Chela (Paula Pritchett), away from them. Keogh, an Irishman, and his friend Jennings (Victor Buono), a British rum-runner, are captured along with Van Horne by Colonel Santilla (John Colicos), a revolutionary leader. The colonel offers to set the three men free and send them safely to the U.S. -- if they agree to kill Tomas De La Plata (Frank Langella), the crazed local strongman. De La Plata was driven mad by Santilla's followers, who murdered his father, raped his mother, and tormented his sister into suicide. Van Horne dons his priestly garb and reopens the church in De La Plata's village, thereby setting up the trap to lure in the madman. ~ Michael Betzold, All Movie Guide