Adam Bohling Movies

Actor Nick Moran brings his and James Hicks's play Telstar to the screen, portraying the rise and fall of '60s songwriter Joe Meek, played by Con O'Neill, who returns to the role after a successful stint on-stage in the West End. Kevin Spacey co-stars in the ensemble as Meek's business advisor, Major Banks. ~ Jeremy Wheeler, All Movie Guide

A mechanic in the British drug trade finds himself caught in the middle of some dangerous circumstances in this crime thriller. XXXX (Daniel Craig) is a nameless go-between in the British mob who buys drugs from underground wholesalers and them sells them to street dealers, keeping the system flowing and making a tidy profit in the process. XXXX is looking forward to getting out of the game, and has displayed both smarts and caution in how he's handled his business, but before his overseer Jimmy Price (Kenneth Cranham) will let him go, he has a couple of favors that need to be done. First, Eddie Temple (Michael Gambon) is a mob boss whose daughter has gotten hooked on hard drugs and run away from home; Jimmy needs XXXX to find them girl and bring her to him before Eddie's men can get hold of her. Second, Dragan (Dragan Micanovic) is a Ecstasy wholesaler who has had a large shipment stolen by Duke (Jamie Foreman); Jimmy wants XXXX to get the Ecstasy back to Dragan, but Duke isn't eager to sell and Dragan is becoming impatient. Between these two matters, XXXX isn't so sure he'll get out of the business alive, especially after he finds himself falling for Duke's nephew's girlfriend, Tammy (Sienna Miller). Layer Cake marked the directorial debut for Matthew Vaughn, best known as a producer for Guy Ritchie's lad-centric crime movies. ~ Mark Deming, All Movie Guide

Guy Ritchie, best known for the tough-guy crime comedies Snatch and Lock, Stock and Two Smoking Barrels, goes for a change of pace with this remake of Lina Wertmuller's 1974 comedy-drama, with his wife Madonna in tow. Amber Leighton (Madonna) is the wife of Dr. Anthony Leighton (Bruce Greenwood), the wealthy and successful head of a pharmaceutical company. While Amber seemingly leads a charmed life, it doesn't appear to make her very happy, and she often inflicts her typically foul mood on those around her, especially the hired help. Anthony decides to surprise Amber with a cruise from Italy to Greece, with four of their friends in tow, but Amber doesn't much care for the notion. Amber feels the yacht they've hired is far beneath her standards, and she makes Giuseppe (Adriano Giannini), the first mate of the crew, the primary target of her dissatisfaction. Giuseppe, an ardent leftist, feels nothing but contempt for Amber, but for the sake of his job he can't say a word in response to her attacks. One day, Amber declines an invitation to go diving with her friends, but later changes her mind, demanding that Giuseppe take her to the underwater caves. Giuseppe warns Amber that a storm is brewing, and his prediction proves to be right on the money; soon, Amber and Giuseppe are stranded on a desert island, and suddenly they discover the tables are turned. Giuseppe, a trained fisherman and outdoorsman, knows how to survive on the island, while Amber is utterly helpless, and he forces her to cower under his commands in order to survive; before long, their mutual antagonism has begun to turn into something approaching unfettered lust. Adriano Giannini, who plays Giuseppe, is the son of Giancarlo Giannini, who played the equivalent role in Wertmuller's original film. ~ Mark Deming, All Movie Guide

In 1954, all of England was rocked by a shocking crime that took place in a quiet coastal town and involved a socially upstanding landlady, her smart, newly blossomed teenage daughter, and a handsome but troubled Australian in search of family he had never known. In retelling this true story, first-time filmmaker Philip Goodhew offers a blackly comic and ironic look behind the proper lace curtains of a seemingly normal British household and reveals a seething pit of repressed lust, jealousy and deadly obsession. The tale begins as Harold Guppy (Rupert Graves) leaves a ship and ambles toward the home of his long-lost brother Maurice Guppy (Les Dennis). The reunion is tepid, for Maurice's wife Iris (Elizabeth McKechnie) is suspicious of Harold and unwilling to welcome him into her home. It doesn't help that the callow Harold reveals a troubled, though somewhat cloaked past. Unable to stay with his brother, Harold finds lodging in the home of friendly, late-middle-aged Mrs. Beasley (Julie Walters). With her rhinestoned glasses, boxy dresses, short bouffant, and prim take-charge manner, Mrs. Beasley seems the epitome of 1950s motherhood and good housekeeping. Harold soon meets the rest of the family, the fresh-faced, bright, but rather macabre Joyce (Laura Sadler in her feature-film debut), and Mr. Beasley, a quiet, hen-pecked (the Mrs. hasn't had relations with him in years and forces him to sleep in his own room) WW I survivor who despite his missing leg, still supports his family. Things seem normal enough until a fateful game of spin-the-bottle during Joyce's 14th birthday party reveals an entirely different side to Mrs. Beasley. That night she creeps to Harold's bedroom and pleads with him until he weakens and accepts her advances and they begin to make wild love. The row awakens Joyce who pops into Harold's room and refuses to leave until the would-be lovers allow her into the bed. Thinking her asleep and unaware, Mrs. Beasley and Harold quietly resume their cavorting. Joyce is very much awake and spends the night scheming to get Harold to come to her. Thus begins an inescapable downward spiral for the weak-willed Harold that culminates in a desperate and horrific act of violence. Though it is not difficult to guess that none of the three protagonists will come to a good end, the graphic nature of the story's climax is jarring and out of place in the otherwise low-key and rather dry comedy. That the trio's characters are so broadly drawn, even bordering on cariactures, lessens the impact and the actual horror of the case. Still, Intimate Relations is a well-made film that aptly captures the flavor of post WW II England and contains many memorable lines.That the three try so hard to keep up the appearances of a normal household (Mrs. Beasley insists that Harold call her "Mum," a word he later has tattooed upon his arm) only adds to the bitter humor. ~ Sandra Brennan, All Movie Guide