Nicholas Hoult Movies

The beloved fairy tale Jack and the Beanstalk gets the big-screen treatment courtesy of director Bryan Singer (Valkyrie) and screenwriters Darren Lemke (Shrek Forever After), Christopher McQuarrie (The Usual Suspects), and Dan Studney in this fantasy adventure about a naïve farm boy who attempts to rescue a beautiful princess from a race of vengeful giants. When Jack (Nicholas Hoult) inadvertently opens a passageway that allows giants to cross into our reality, the towering titans stake their claim on the world of humans. Should they succeed, Jack's kingdom will be but the first of many to fall. Now, in order to save his people and rescue a noble princess, Jack must summon every ounce of bravery to drive out the invading giants. ~ Jason Buchanan, Rovi

The 1981 mythological fantasy adventure Clash of the Titans is resurrected in this remake from Incredible Hulk director Louis Leterrier. Discovered at sea as an infant by a weary fisherman, demigod Perseus (Sam Worthington) grows up with no real knowledge of his celestial origins until his watchful guardian, Io (Gemma Arterton), informs him that he is the offspring of Zeus (Liam Neeson). When Zeus' brother Hades (Ralph Fiennes) casually wipes out Perseus' family, the grieving son vows to show the gods just what kind of damage humankind can inflict on its creators. Before long, Perseus and a small group of soldiers are venturing out into the desert in order to find a way to stop the Kraken, a terrifying force of nature that an indignant Hades has vowed to unleash upon man should they fail to offer up beloved princess Andromeda (Alexa Davalos) as a sacrifice. Along the way, the soldiers encounter a trio of frightening witches with second sight, contend with Hades' devoted servant Calibos (Jason Flemyng), battle giant scorpions, and come face to face with Medusa (Natalia Vodianova), the dreaded gorgon whose gaze has the power to turn men into stone. ~ Jason Buchanan, Rovi

A man struggles to get a grip on a life that's spinning out of control in this emotional comedy drama. Dave Spritz (Nicolas Cage) is a television weatherman on a high-profile Chicago news program. Professionally, Dave is doing just fine -- he makes great money for a job that demands little effort, and he has a shot at an assignment with a network morning news and chat show. But Dave's personal life leaves a lot to be desired -- his father, respected author Robert Spritzel (Michael Caine), is in failing health, he's divorced from his wife, Noreen (Hope Davis), and his relationship with his children is tenuous at best, especially his overweight daughter, Shelly (Gemmenne de la Pena). If Dave is to land his new job, he'll have to move to New York City, and with his time in Chicago running short, he dedicates himself to trying to salvage his ties with his family before it's too late, though he discovers this is even harder than he imagines. ~ Mark Deming, Rovi

In 1954, all of England was rocked by a shocking crime that took place in a quiet coastal town and involved a socially upstanding landlady, her smart, newly blossomed teenage daughter, and a handsome but troubled Australian in search of family he had never known. In retelling this true story, first-time filmmaker Philip Goodhew offers a blackly comic and ironic look behind the proper lace curtains of a seemingly normal British household and reveals a seething pit of repressed lust, jealousy and deadly obsession. The tale begins as Harold Guppy (Rupert Graves) leaves a ship and ambles toward the home of his long-lost brother Maurice Guppy (Les Dennis). The reunion is tepid, for Maurice's wife Iris (Elizabeth McKechnie) is suspicious of Harold and unwilling to welcome him into her home. It doesn't help that the callow Harold reveals a troubled, though somewhat cloaked past. Unable to stay with his brother, Harold finds lodging in the home of friendly, late-middle-aged Mrs. Beasley (Julie Walters). With her rhinestoned glasses, boxy dresses, short bouffant, and prim take-charge manner, Mrs. Beasley seems the epitome of 1950s motherhood and good housekeeping. Harold soon meets the rest of the family, the fresh-faced, bright, but rather macabre Joyce (Laura Sadler in her feature-film debut), and Mr. Beasley, a quiet, hen-pecked (the Mrs. hasn't had relations with him in years and forces him to sleep in his own room) WW I survivor who despite his missing leg, still supports his family. Things seem normal enough until a fateful game of spin-the-bottle during Joyce's 14th birthday party reveals an entirely different side to Mrs. Beasley. That night she creeps to Harold's bedroom and pleads with him until he weakens and accepts her advances and they begin to make wild love. The row awakens Joyce who pops into Harold's room and refuses to leave until the would-be lovers allow her into the bed. Thinking her asleep and unaware, Mrs. Beasley and Harold quietly resume their cavorting. Joyce is very much awake and spends the night scheming to get Harold to come to her. Thus begins an inescapable downward spiral for the weak-willed Harold that culminates in a desperate and horrific act of violence. Though it is not difficult to guess that none of the three protagonists will come to a good end, the graphic nature of the story's climax is jarring and out of place in the otherwise low-key and rather dry comedy. That the trio's characters are so broadly drawn, even bordering on cariactures, lessens the impact and the actual horror of the case. Still, Intimate Relations is a well-made film that aptly captures the flavor of post WW II England and contains many memorable lines.That the three try so hard to keep up the appearances of a normal household (Mrs. Beasley insists that Harold call her "Mum," a word he later has tattooed upon his arm) only adds to the bitter humor. ~ Sandra Brennan, Rovi