John Michael Higgins Movies

The writing and directing team who created Waiting for Guffman and Best in Show turn their satiric eye toward the world of folk music in this sly mockumentary. Irving Steinbloom was one of the great behind-the-scenes figures of the folk music boom of the late '50s and early '60s, and helped to nurture the careers of three of the best known acts of the era. The Folksmen -- Mark Shubb (Harry Shearer), Alan Barrows (Christopher Guest), and Jerry Palter (Michael McKean) -- were an earnest folk trio who sang of America's noble past and the challenges of the future; they split up in the early '70s after a failed attempt to go electric. Mitch & Mickey were a duo in both music and life, comprised of Mitch Cohen (Eugene Levy) and Mickey Devlin (Catherine O'Hara). They sang soulful songs of love until the collapse of their relationship sent Mitch into a deep and incapacitating depression. And The Main Street Singers were a nine-piece vocal group -- a "neuftet," as they prefer it -- who offered energetic good-time music, cranking out nearly 30 albums in the course of a decade; their current incarnation, The New Main Street Singers (played by Jane Lynch, Parker Posey, John Michael Higgins, David Alan Blasucci, Steve Pandis, Christopher Moynihan, Paul Dooley and Patrick Sauber) is still on the road. When it is announced that the legendary Irving Steinbloom has died (the character never appears in the film), his son Jonathan (Bob Balaban) decides that the best way to memorialize his father is through music, and with the help of Mike LaFontaine (Fred Willard) of Hi-Class Management, they set out to bring The Folksmen, Mitch & Mickey, and The New Main Street Singers back together for a special concert at New York's Town Hall. Christopher Guest, Michael McKean, and Harry Shearer -- who previously teamed up for This Is Spinal Tap -- not only perform together as The Folksmen in A Mighty Wind, but composed most of the songs performed onscreen. ~ Mark Deming, All Movie Guide

If a robot spends enough time around humans, can he learn to become one of them? The Martin family purchases a domestic android as a servant and names him Andrew (Robin Williams). Andrew comes to know the man of the house as Sir (Sam Neill), his wife as Ma'am Wendy Crewson, and their daughter as Portia (Embeth Davidtz); before long, the Martins suspect that they do not have an ordinary robot on their hands. Andrew seems capable of expressing emotion and generating original thoughts, and the longer he stays with the Martins, the more strongly these human traits manifest themselves. Over the next 200 years, Andrew becomes less a machine and more a member of the family, until a mechanic (Oliver Platt) tells Andrew that he might be able to turn him into a human being. Based on a short story by renowned science fiction author Isaac Asimov (surprisingly, it's only the second Asimov story to be brought to the screen), Bicentennial Man was directed by Chris Columbus, who previously worked with Robin Williams on Mrs. Doubtfire. ~ Mark Deming, All Movie Guide

Their relationship in danger of dissipating, a couple racing to salvage their marriage invites three other couples to join them at a tropical island resort. Upon arriving at the island paradise to enjoy some carefree fun in the sun, the other couples are disturbed to discover that participation in therapy sessions is mandatory if they hope to remain at the resort. Peter Bilingsley directs a comedy penned by Jon Favreau, produced by Vince Vaughn, and pairing the two Made collaborators onscreen with co-stars Jason Bateman and Faizon Love. ~ Jason Buchanan, All Movie Guide

40-Year-Old Virgin star Steve Carell reprises his role as preening newscaster Evan Baxter in this heavenly sequel to the 2003 Jim Carrey comedy hit. Shortly after television anchorman-turned-U.S. congressman Evan Baxter (Carell) relocates his family from Buffalo to Northern Virginia, God (Morgan Freeman) reveals to him that a devastating flood is coming and the planet is about to be cleansed once again. Later, when Baxter accepts the responsibility of building a great ark and his rapidly changing physical appearance begins to draw media attention, his skeptical family attempts to discern if his actions are driven by delusion or divine intervention. John Goodman, Wanda Sykes, Jonah Hill, and Molly Shannon co-star in a divine comedy of truly epic proportions. ~ Jason Buchanan, All Movie Guide

Mockumentary mastermind Christopher Guest turns his satirical eye away from dog shows, small-town theater, and folk music to offer a hilarious take on Hollywood award season in this comedy focusing on trio of actors whose lives are turned upside down when they discover that their performances in an independent film are generating a sizable buzz in the entertainment industry. Jay Berman (Guest) is in the process of directing his first feature film -- an intimate family drama set in the 1940s and detailing the tempestuous reunion of an estranged Jewish family that is reluctantly drawn together to celebrate Purim at the behest of their dying matriarch. The cast soon comes down with an infectious case of award fever when rumors on the Internet claim that "Purim" stars Marilyn Hack (Catherine O' Hara), Victor Allan Miller (Harry Shearer), and Callie Webb (Parker Posey) may be delivering Oscar-caliber performances. When "Hollywood Now" co-anchors Chuck Porter (Fred Willard) and Cindy Martin (Jane Lynch) perpetuate the buzz on national television, the entire film crew starts to see stars in their eyes. Subsequently convinced that they have a sleeper hit on their hands, unit publicist Corey Taft (John Michael Higgins), talent agent Morley Orfkin (Eugene Levy), and producer Whitney Taylor Brown (Jennifer Coolidge) immediately cave to requests from Sunfish Classics president Martin Gibb (Ricky Gervais) to alter the film so that it may appeal to a larger audience. Now, while "Purim" screenwriters Lane Iverson (Michael McKean) and Philip Koontz (Bob Balaban) are forced to watch helplessly as their original screenplay is plundered in order to cash in on the positive buzz, awards season draws near and the production takes a most unexpected turn. ~ Jason Buchanan, All Movie Guide

Santa's black-sheep brother gets a much-needed shot at redemption in this holiday comedy reuniting actor Vince Vaughn and director David Dobkin (Clay Pigeons, Wedding Crashers). It's not easy being the brother of a benevolent and beloved saint, and no one knows that better than Fred Claus (Vaughn). After struggling for years to live up to the example set by his younger sibling Nicholas (Paul Giamatti), Fred has finally given up. These days Fred is working as a repo man taken to stealing the items he repossesses, and his shady tactics have just landed him in jail. While Mrs. Claus vehemently insists that Fred fend for himself, Nicholas refuses to sit idly by as his brother rots in jail and agrees to set bail if Fred will repay the debt by coming to the North Pole and help make toys for the upcoming Christmas season. But Fred isn't nearly as productive as your average elf, and he's got quite an attitude to boot. With Christmas fast approaching and Fred threatening to sideline Nicholas' entire finely tuned operation, the brother that always struggled to get out from under his sibling's substantial shadow finds out just how far the patience of a saint can be pushed before jolly old Santa reaches his breaking point. ~ Jason Buchanan, All Movie Guide

Ridley Scott directed this flawed but involving study of Lt. Jordan O'Neil (Demi Moore), a Navy topographic analyst who is chosen as a test case for the presence of women in combat. Aware that she is making history and knowing that 60% of all male trainees will fail the rigorous training, Lt. O'Neil struggles to prove herself physically and mentally worthy of becoming a Navy SEAL. What she doesn't know is that she is being sold out by hardbitten Texas senator Lillian DeHaven (Anne Bancroft in an amusing turn), who is being blackmailed by the Defense Department with politically fatal base closings unless O'Neil fails the program. The complicated political subplot, however, only distracts from the film's real virtues -- the wonderfully staged scenes of CRT selection training -- and fizzles at its climactic moment. The training scenes are wonderful, however, as the central recruits are pushed to their physical limits by a grueling weeding-out process. Viggo Mortensen is outstanding as Master Chief John James Urgayle, a steely-eyed, tough-as-nails instructor who somehow finds time to quote D.H. Lawrence when he isn't making people eat garbage and beating O'Neil senseless as part of a training exercise. Mortensen and the believably-buffed Moore are terrific, and their scenes of confrontation are the film's high points. Unfortunately, the screenplay by David Twohy and Danielle Alexandra falls down every time it attempts to sidestep a cliche, and the climactic mission (involving a downed satellite in the Libyan desert) positively wallows in a predictable Top Gun muddle. Still, the characters are engaging and those looking for an enjoyable variant on the basic-training subgenre of high-octane modern action films should be pleased. ~ Robert Firsching, All Movie Guide