Dale Evans Movies

A tuneful Roy Rogers Western, Along the Navajo Trail finds Dale Evans' Lazy A Ranch under siege from nasty J. Richard Bentley (Douglas Fowley), who is in cahoots with a greedy oil company aiming to erect a pipeline through the property come what may. Drifter Rogers, who is really a U.S. Marshal in disguise, eventually gets the goods on the villains with the assistance of Nestor Paiva's band of Mexican gypsies, comedy sidekick George "Gabby" Hayes, and vivacious Estelita Rodriguez. ~ Hans J. Wollstein, All Movie Guide

Bells of Coronado was another of Roy Rogers' always-entertaining Republic "specials," blessed with script and production values that would have done any "A" picture proud. Roy plays an undercover insurance investigator who hopes to ascertain the whereabouts of a vein of gold ore--and to solve the murder of the vein's owner. It follows, as night follows day, that the least-likely suspect is the criminal mastermind. Before Roy finds this out, though, he must contend with the villain's principal henchmen, played by former Our Gang kid Clifton Young. Dale Evans, Pat Brady, and Foy Willing and the Riders of the Purple Sage all do their usual, which is all anyone could ask. Given second billing, just below Roy and just above Dale, is Trigger, "The Smartest Horse in the Movies." ~ Hal Erickson, All Movie Guide

The Bells of San Angelo was the second Republic Roy Rogers western to be filmed in the "new" Trucolor process (actually the old Magnacolor process). Set in the modern west, the story involves a silver-smuggling racket headed by rotten Rex Gridley (John McGuire). In a novel scripting touch, Roy Rogers doesn't outwit the villains-and in fact is soundly beaten by the bad guys halfway through the film. It's up to heroine Lee Madison (Dale Evans), a writer of fanciful cowboy novels, to save the day! By taking Roy Rogers off his "King of the Cowboys" pedestal, Bells of San Angelo succeeds in humanizing this western icon, and the film is all the better for it. ~ Hal Erickson, All Movie Guide

Having previously introduced Cole Porter's hit song "Don't Fence Me In" in Hollywood Canteen, Roy Rogers performs the song once again in this same-named Republic "special." When he's not singing, Rogers is dealing with nosy female journalist Toni Ames (Dale Evans), who hopes to learn the truth about Wildcat Kelly a notorious outlaw who flourished back at the turn of the century. Said outlaw has supposedly been dead for 40 years, but garrulous old-timer Gabby Whittaker (Gabby Hayes) offers to give Toni the lowdown on Kelly. After a series of convoluted complications, Roy and Toni discover what the audience has suspected all along: Gabby Whittaker and Wildcat Kelly are one in the same. Perhaps because of its saleable title, Don't Fence Me In was treated with more industry respect than most Roy Rogers westerns, earning excellent reviews and choice play-dates. ~ Hal Erickson, All Movie Guide

In this comedy, set in WW II, a Venezuelan rubber planter's son must travel to New York to try and secure a loan for the expansion of the family business. There he encounters an impoverished American girl whose fortune lies frozen in England until the war ends. To make ends meet, she rents her apartment to the Venezuelan and becomes his personal maid. Mayhem ensues as the two get involved in merry mix-ups, fall in love, fall out of love, and fall in love again. Eventually, she helps him get the loan he needs. ~ Sandra Brennan, All Movie Guide

This musical comedy stars radio star Al Pearce has a double role playing himself and Elmer Blurt, the leader of a small-town band that struggles toward stardom in the big city. Their journey begins when Elmer decides to eject their female singer because she isn't really right. Unfortunately, her angry father is their sponsor and when he finds out, he withdraws all support. Fortunately, an aspiring singer learns of the band's plight and decides to pay for them to hit the Big Apple, but only on the condition that she become the new singer. Thanks to a successful radio performance, the band gets a lucrative gig at a major nightclub. Songs include "Straighten Up and Fly Right," "Don't Be Afraid to Tell Your Mother," "Hitch Old Dobbin to the Shag Again" and "Put on Your Old Grey Bonnet." ~ Sandra Brennan, All Movie Guide

One of the better Roy Rogers vehicles of its period, Home in Oklahoma casts Rogers as a crusading frontier newspaper editor. Forsworn to find the murderers of a prominent cattle rancher, Roy teams up with big-city journalist Connie Edwards (Dale Evans) and grizzled ranch foreman Gabby Whittaker (Gabby Hayes). Following the trail of clues like a Sagebrush Sherlock, Rogers exposes a rival rancher (never mind which one-his identity is obvious to seasoned mystery fans) as the culprit. Musical highlights include Roy and Dale's rendition of the novelty tune "Miguelito." Chalk up another winner for the star-director team of Roy Rogers and William Witney. ~ Hal Erickson, All Movie Guide

Yet another Roy Rogers Western whose title refers to a song, In Old Amarillo actually takes place in and around Amarillo of 1951. Fired by cattleman George Hills (Minor Watson), foreman Clint Burnside (Roy Barcroft) plans to avenge himself by ruining Hills' wastrel son, Philip (Ken Howell). Along with local saloon owner Mike Carver (William Holmes), Burnside is also attempting to buy up all the area's ranches during a prolonged drought. When Roy Rogers, Hills' new foreman, suggests that the ranchers come together and use modern rainmaking equipment, including airplanes armed with dry ice, Burnside and Carver lure Philip into committing a bit of sabotage. At first Roy accuses the young man of shooting down the rainmaking aircraft but then discovers that he was forced to pilot the attacking plane by Burnside, the real killer, who is himself killed in a climactic fistfight. ~ Hans J. Wollstein, All Movie Guide

This gentle, tuneful western is one of cowboy crooner Roy Rogers' best and most successful films; it is also his personal favorite. The fanciful tale tells how Rogers obtained his magnificent horse Trigger and begins with horse trader Rogers as he prepares to breed his best mare with his best friend's glorious Palomino stallion. Trouble comes in the form of a villainous gambler who has similar plans for his own mare. He attempts to rustle the stud, but the attempt fails, the stallion escapes and breeds with Roger's mare. Angrily, the gambler shows up and shoots the beautiful horse, leaving Rogers to shoulder the blame. Fortunately, Roy and his impregnated mare flee. Later she gives birth to Trigger who helps Rogers get revenge after he grows up. ~ Sandra Brennan, All Movie Guide

In his last screen appearance, bandleader Glenn Miller plays--are you sitting down?--a bandleader. The film's main plot involves small-town girl Ann Rutherford, who impulsively marries George Montgomery, a trumpeter in the Miller band. Rutherford soon finds that she isn't particularly suited for life on the road, nor is she prepared for the petty jealousies and backstabbings prevalent among the other orchestra wives (Lynn Bari, Carole Landis et. al.) She eventually leaves Montgomery, an event which coincides with the breakup of the band. But both the band and the marriage are salvaged through the benign conspiratorial schemes of Glenn Miller and a repentant Rutherford. Those who aren't interested in the various plots and subplots in Orchestra Wives will be captivated by the endless supply of blue-ribbon tunes, including I Got a Gal in Kalamazoo, At Last, and Serenade in Blue. Guest stars include Tex Beneke, The Modernaires and the Nicholas Brothers. Watch for an uncredited Jackie Gleason as a bass player and Dale Evans as Ann Rutherford's friend in the soda-fountain scene. ~ Hal Erickson, All Movie Guide

In Roy Rogers' final big-screen effort, the cowboy hero plays a U.S. Border Patrolman assigned to prevent a herd of diseased cattle from crossing over from Mexico. ~ Jason Ankeny, All Movie Guide

John Wayne stars as Lt. Col. Kirby Yorke, whose devotion to duty has cost him his marriage to his beloved Kathleen (Maureen O'Hara). Yorke gets word that his son, Jeff (Claude Jarman Jr.) -- whom he hasn't seen in 15 years -- has been dropped as a cadet from West Point, and that he lied about his age to enlist in the cavalry, in an effort to redeem himself. By chance, the boy is then assigned to his father's post. Once more, as a function of his duty as a cavalry officer, Yorke must sacrifice his love of family -- he cannot show any preferential treatment to the boy, or exhibit any sign of love and affection. But Jeff is too strong to be injured by his father's actions, and already enough of a man that he is befriended by two older recruits, troopers Tyree (Ben Johnson) and Boone (Harry Carey Jr.), who watch out for him while taking him in as a virtual equal. Yorke's resolve is further tested when his estranged wife, Kathleen, arrives at the post, the better to look after her son -- and possibly to buy back the boy's enlistment, which Yorke, as commanding officer in a remote post with a critical shortage of men, can't and won't permit. After an attack by the Apaches, Yorke orders the post's women and children to be moved to safety, and Jeff is assigned as part of the troop conducting the caravan, despite his wish to participate in the planned action against the Apaches. The caravan is attacked, and the wagon with the children is taken by the Apaches to their encampment in a deserted village across the Rio Grande in Mexico. Yorke has been given permission by General Sheridan (J. Carrol Naish) to take his men into Mexico in pursuit of the Apaches, but the punitive expedition is now a rescue mission, as the Indians' night-time vengeance dance is the prelude to certain slaughter of the children at daybreak. As part of the mission, it's up to Tyree, the slyest man in the troop, to infiltrate the enemy camp, and he chooses Jeff and Boone as the two men he wants with him on this dangerous mission. ~ Bruce Eder, All Movie Guide