Christopher Bauer Movies

Author Sherwood Kiraly pens the screenplay adaptation of his own comedic novel concerning a man (Matthew Broderick) who gets amnesia after suffering a blow to the head and the road trip he embarks on with his Alzheimer's-afflicted uncle (Alan Alda) and high-school sweetheart (Virginia Madsen). Convinced that they will make a fortune by selling an ultra-rare baseball card at a high-profile memorabilia show, the trio sets out on the open road in search of adventure. Bobby Cannavale and Lois Smith co-star in the feature directorial debut of actor-turned-director Terry Kinney. ~ Jason Buchanan, Rovi

A quality-control supervisor and compulsive eavesdropper finds his primary hobby becoming his ultimate curse in director Brad Anderson's (Session 9 and The Machinist) adaptation of a short story by author Mike O'Driscoll. By day, Larry Pearce (Chris Bauer) spends his time listening in on the telephone conversations of his unsuspecting tech support staff. When Larry's son dies unexpectedly, the grieving father suddenly finds his sense of hearing supernaturally heightened to the point where even the smallest sound shakes his whole world. Now, as the raging sounds of the outside world become too overwhelming to bear, all the man who couldn't stop listening wants is a little peace and quiet -- and he's ready to take violent action in order to get it. ~ Jason Buchanan, Rovi

Executive-produced by ER and West Wing veteran John Wells, the weekly serialized drama series Smith focused on a group of highly skilled professional thieves, who covered their tracks by living normal, above-suspicion lives between heists. There was actually no character named "Smith"; this was the designation given by the Feds to the mysterious leader of the criminals, whom the audience knew to be Bobby Stevens (Ray Liotta), who maintained a respectable veneer as a sales representative for a paper-cup company. Ever so often, Bobby would make up an alibi for his dental-assistant wife Hope (Virginia Madsen) and his family, travel to another city, don new clothes and a new identity, and mastermind a high-profile theft with his accomplices, all of whom resided in different, far-flung cities. Bobby's "team" included womanizing hit man Jeff (Simon Baker), Vegas showgirl Annie (Amy Smart), parolee Tom (Johnny Lee Miller), and versatile utility man Joe (Franky G.). Dogging the thieves' trail with Javert-like diligence was the ruthless and sometimes unscrupulous federal agent Dodd (Chris Bauer). Debuting September 19, 2006 on CBS, Smith was among the first casualties of the 2006-2007 season, lasting only three episodes. ~ Hal Erickson, Rovi

Based on the book by Newsweek senior editor David France, the made-for-cable Our Fathers dramatizes the pedophilia scandal that literally tore apart the Catholic Diocese of Boston. The story is set in motion when the Boston Globe gets wind of a determined effort by lawyer Mitchell Garabedian (Ted Danson) to get belated justice for his client Angelo DeFranco (Daniel Baldwin), who as a youngster was repeatedly abused sexually by Father John Geoghan (Steve Shaw). Several of Angelo's contemporaries had previously come forth with stories of Father Geoghan's misdeeds, and the similar outrages of other priests, but they had made the error of complaining to the head of the Boston Diocese, the arrogant Cardinal Bernard Law (Christopher Plummer), who turned a deaf ear to the claims and in some cases went so far as to tell the complainants that they, and not the priests, were somehow to blame. All the while, Law and his colleagues covered up the scandal through a series of covert transfers of the offending priests, allowing the perpetrators to continue their sexual activities with shocking impunity. The film also details a number of related subplots, including the plight of Mary Ryan (Ellen Burstyn), all of whose seven sons suffered from the priests' abuse, and Father Spagnolia (Brian Dennehy), who dared to attack Law's handling of the scandal from his pulpit -- only to have the sexual skeletons in his own closet revealed. Our Fathers made its Showtime cable debut on May 21, 2005. ~ Hal Erickson, Rovi

The nine-episode inaugural season of the ESPN poker drama Tilt was heralded by a preview special, taking viewers behind the scenes of the production and detailing various important plot points (without giving away any significant twists or turns). The series proper, which lasts nine episodes, begins with professional gamblers Eddie (Eddie Cibrian), Clark (Todd Williams), and Miami (Kristin Lehman) tensely prepping for their high-stakes showdown with poker king Don "The Matador" Everest (Michael Madsen) at the World Poker Championships, which will be held at Las Vega's Colorado Casino, owned by the fiercely (one could say maniacally) honest Bart "Lowball" Rogers (Don McManus). Before the big game, Eddie tries to infiltrate The Matador's inner circle, hoping to pick up the great man's arsenal of strategies. The Matador likes Eddie's style and invites him to join his entourage, which sets Miami and Clark to worrying that their master plan to topple The Matador will be schneidered before it begins. Adding to the intrigue is the hot romance between Eddie and The Matador's daughter, Dee Everest (Amelia Cooke), and a murder investigation conducted by vengeful out-of-town sheriff Lee Nickel (Chris Bauer). Meanwhile, outside the poker arena, such unpleasantries as deceit, duplicity, and death constantly rear their ugly heads. And, can it be possible that the above-suspicion Lowball has actually allowed some cheating to pass by undetected in his establishment? Matters continue to develop in this same hectic pace until the final confrontation between The Matador and...who? ~ Hal Erickson, Rovi

A man sets out to find the son he didn't know he had and winds up getting answers to some questions he never asked in this comedy drama from director Jim Jarmusch. Don Johnston (Bill Murray) is an emotionally blank middle-aged man who has never married and lives a quiet, comfortable life thanks to shrewd investments in computers (though he doesn't use one himself). After being given his walking papers by his latest girlfriend, Sherry (Julie Delpy), Don receives an anonymous letter informing him he fathered a son 19 years ago, and that the boy wants to find his dad. Not sure what to do, Don shows the note to Winston (Jeffrey Wright), a neighbor who fancies himself an amateur detective. With Winston's help, Don narrows the list of possible mothers down to four women, and with a mixture of reluctance and resigned determination he sets out to find them. Armed with a CD of traveling music from Winston, Don pays unannounced visits to Laura (Sharon Stone), an oversexed widow with a libidinous teenage daughter (Alexis Dziena); Dora (Frances Conroy), a stuffy real estate agent; Penny (Tilda Swinton), an aging biker with no happy memories of Don; and Carmen (Jessica Lange), a self-styled analyst for pets whose outward eccentricity disguises a firm inner stability. ~ Mark Deming, Rovi

The Baltimore "drug wars" enter a new phase (with a few diversions along the way) as The Wire launches its second season of 12 hour-long episodes. Although he was instrumental in weakening the Barksdale drug empire during the previous season, narcotics-division detective James McNulty (Dominic West) ruffled too many high-ranking feathers in the process, and has been demoted and reassigned to the Baltimore Police Harbor Unit. Swallowing his pride, McNulty is able to unearth a hotbed of corruption and duplicity within the Dockworker's Union, his investigation sparked by the recovery of a woman's body floating in the harbor -- which in turn leads to the recovery of 13 other corpses, all female. This season, the fly in the ointment vis-à-vis the "negotiations" between the good guys and the bad guys is Ziggy Sobotka (James Ransome), the loose-cannon son of the Union's secretary treasurer, Frank Sobotka (Chris Bauer). These new plot developments do not in any way eclipse the Baltimore PD's ongoing campaign to bring the drug-dealing Barksdale family to its knees. In fact, one of the predominant subplots involves the willingness of the Barksdales' main rival, Omar Little (Michael K. Williams), to testify in court...if he lives that long. The season's final episode is titled "Port in a Storm" -- and be assured that this port will be tragically elusive to several of the main characters. ~ Rovi

Various lives intersect to curious results in this sometimes surreal tale of life in Silverlake, from the duo who scripted crazy/beautiful and The Tuxedo. As Chinese-food restaurant and donut shop owner Cyr's (Brian Cox) obsessive-compulsive leanings begin to get the best of him, his workers' lives seem to be falling into a bizarre state of disrepair. Manager Sung (Alexis Cruz) soon begins to tire of Cyr's increasingly odd tendencies, and fortune-cookie message scribe Dwight's (Jamie Kennedy) girlfriend has recently decided to end their relationship; leaving Dwight to vent his frustrations by penning various inappropriate message for the restaurant's fortune cookies. When Mitchell discovers a fortune that reads "You will meet the girl of your dreams" and subsequently runs into a prospective female, his unyielding affections are seemingly rejected, crushing the lonely soul's hopes for love. Meanwhile, Ernie (Chris Bauer) and Olive's (Christina Kirk) marriage seems to be heading south for reason's yet unknown, and a successful businessman (Michael Hitchcock) grows increasingly distressed when he loses his job after losing his cool at a business dinner. ~ Jason Buchanan, Rovi

Noted baseball fan Billy Crystal directed this made-for-cable drama set in the summer of 1961, as two of the strongest hitters in the major leagues, Mickey Mantle (Thomas Jane) and Roger Maris (Barry Pepper), find themselves neck and neck in a battle to break Babe Ruth's long-standing record for most home runs in a season. Both men were playing for the New York Yankees at the time, and as the two men came within grasping distance of Ruth's record, their loyalty as friends and teammates was put to the ultimate test. 61 also features Richard Masur, Bruce McGill, Anthony Michael Hall, and Renee Taylor; the scenes set in Yankee Stadium were filmed at Michigan's Tiger Stadium, shortly after the Detroit Tigers shuttered the venerable playing field and relocated to a newer facility. ~ Mark Deming, Rovi

The true story of the world's first submarine and its maritime usage by the Confederacy during the U.S. Civil War. ~ Rovi

Once upon a time, pursuing wolves frighten horses drawing a carriage, and it tumbles down a hill. Dying, the pregnant woman inside orders her grieving husband Frederick (Sam Neill) to cut the baby from her womb, so that at least it might live. Years later, the infant is now headstrong young Lilli (Taryn Davis), who is resentful of her father's upcoming marriage to Claudia (Sigourney Weaver). Claudia is devoted to the memory of her own mother and installs a magic mirror that belonged to her in a wardrobe in her private room. More time passes; Lilli is now an adult, but her relationship with the now-pregnant Claudia has never improved, though Claudia has never done her any ill. Claudia loses her baby, and on the same night, gazes into her mother's mirror, which shows her an image of herself young and beautiful. She determines to rid herself of Lilli. Lilli is walking near the forest when Claudia's mute brother Gustav (Miroslav Taborski) draws a knife and chases the frightened young woman into the forest. She evades him, so he kills a pig and takes the heart to a delighted Claudia, who believes it to be Lilli's heart. She has Gustav put the heart in a stew cooking in the kitchen, and that night as she dines with Frederick, Lilli eats the stew with great pleasure. Later, Frederick and some men search for Lilli in the rainy forest.

Lilli takes refuge from wolves in a ruined castle, where she's confronted by seven vagabonds who've banned together to seek a lost gold mind. Will (Gil Bellows), scarred during the Crusades, is around Lilli's own age and resents her presence, but the older Lars (Brian Glover) is friendlier to her. The mirror tells Claudia that Lilli is still alive, so in the forest where Claudia keeps a shrine to her dead baby, she casts a spell designed to kill her stepdaughter. Lilli, helping the men in their mine, is almost smothered in a cave-in; she's rescued, but one of the men dies. The mirror again tells Claudia that Lilli still lives. Whirling in a black gown, Claudia conjures a wind that strikes the forest; giant trees topple all around Lilli and the men, killing Lars, but Lilli still lives. So the mirror now transforms Claudia into a bald old hag, and she goes into the forest herself. She offers an apple to Lilli, who takes one bite and falls into a trance that no one can tell from death. She's placed in a stained-glass coffin and lowered into the ground, but the agonized Will, who's fallen in love with her, lifts her from the coffin and a piece of apple falls from her mouth. She returns to life, and they all head for the castle. She arrives in time to interrupt Claudia in the act of slashing Frederick's throat, then confronts Lilli in a room full of mirrors. (There's a hint that Claudia had a part in the death of Lilli's mother.) Lilli stabs not Claudia but her mirror image. It bursts apart, shredding and burning Claudia to death.

This bold movie out-grims the Brothers Grimm, telling their oft-told tale as a horror movie/adventure -- and it works. In fact, the weakness of the movie is precisely that the story is so familiar, but the changes wrought by the writers and director keep it fresh for most of its length. It's handsomely designed, using real locations and costumes that are never too grand for the setting. Weaver is clearly having a great time as the not-so-wicked stepmother who eventually becomes a vengeful witch. Especially for a fairy tale, the characters are complex and not necessarily always likable; even Lilli (who is never called "Snow White") has a hard edge, and her "Prince Charming" is a bitter, scarred commoner. It's a shame this attractive, imaginative film didn't have any theatrical release in the United States; originality, especially in a field as well-ploughed as fairy tales, should be encouraged. ~ Bill Warren, Rovi