Marc Chapiteau Movies

Jacques Rivette's epic-scale meditation on art, politics and relationships is an eight-part, 740 minute drama that begins as an examination of two Parisian theater companies. Lili (Michele Moretti) is a member of an experimental troupe preparing a radical new interpretation of Aeschylus's Seven Against Thebes, while Thomas (Michel Lonsdale) is in charge of a state-funded group who are rehearsing another work by the same ancient Greek playwright, Prometheus Unbound. Drifting in and out of the orbit of these two groups are Sarah (Bernadette Lafont), an author and longtime friend of Thomas; Colin (Jean-Pierre Léaud), a deaf street musician; Frederique (Juliet Berto), a sexy confidence woman, and the bohemian owner of a knick-knack shop who often changes her name (Bulle Ogier), among many others. Colin tries to search out the meaning of a strange note handed to him by a mysterious stranger, while Frederique becomes party to a similar message. As it happens, both learn of the possible existence of a secret society of thirteen powerful individuals who are the true rulers of Paris, but neither is sure if the group exists in history or the present day, and they have very different notions of what to do with this information. Jacques Rivette originally screened Out 1 as a work in progress (titled Out 1: Noli Me Tangere) at a pair of screenings in Paris in the fall of 1971; it was originally conceived as a project for television, but became a theatrical film after it was rejected by French broadcasters. While a four-hour version, Out 1: Spectre, began making the rounds of film festivals in 1974, the film didn't appear in its full twelve-hours-plus version until 1989, when a new cut of Out 1 appeared at the Rotterdam Film Festival. The final cut of Out 1 appeared with English subtitles in London in 2006, and has subsequently been screened in Vancouver, New York City and Chicago. ~ Mark Deming, Rovi

The loosely interrelated romantic difficulties of six people living in Paris provide the framework for the drama Nos Vies Heureuses/Our Happy Lives. Cecile (Cecile Richard) is an impulsive bohemian who documents the lives of her friends with her camera. One of her closest friends is Emilie (Camille Japy), who is trying to work her way through a dying relationship with her boyfriend Antoine (Alain Beigel), even though he still seems to have feelings for her. Julie (Marie Payen) is on the rebound from a busted romance and falls for Ali (Sami Bouajila), a Moroccan who washes dishes in a restaurant and is having trouble staying in France. Ali's boss, a chef named Lucas (Jean-Michel Portal), has just watched his marriage crash and burn and is starting to ask himself serious questions about his sexual identity. The first feature after a series of highly praised short films from director Jacques Maillot (and quite a feature at 147 minutes), Nos Vies Heureuses/Our Happy Lives was shown in competition at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi

Thomas (Sylvain Joubert) works on his grandfather's land, boxes in his spare time, and dreams of becoming a veterinarian. He is equally happy to beat up trespassing hippies or thieves when they come onto the land. When he is seriously injured during an anti-nuclear demonstration, he seeks death rather than live as a disabled man. This drama was first shown on French television before being released to movie theaters. ~ Clarke Fountain, Rovi

Former high-school teacher Rene Gilson directs this French film, one of the few of its time-period to deal with a politically sensitive subject. Set in a French high school during the late '60s, it concerns the protests by students over archaic teaching methods and situations, and over the nearly universal chauvinism of their course content (France is first and best, now and always). Though the story is told through discussions between the students and confrontations with teachers (including a teacher played by Gilson himself), reviewers did not find its talkiness tiresome. ~ Clarke Fountain, Rovi