Fred Essler Movies

In this well-regarded film noir thriller, Joe Barron (Glenn Ford) is a police detective whose wife Lisa (Elke Sommer) has inherited a stock portfolio from her father. Joe and Lisa go on a spending spree, but when their new holdings fail to pay dividends, Joe finds himself deep in debt. Dr. Horace Van Tilden (Joseph Cotten), a rich doctor who caters to high-society clientele, shoots an intruder in his home, and Joe is assigned to investigate; Joe discovers that Van Tilden has a lucrative sideline selling drugs, and that the shooting victim was actually an addict looking for dope. When Joe learns that Van Tilden keeps his drug money in a safe at home, he sees a way to finally pay off his debts, but his partner, Pete Delanos (Ricardo Montalban), gets wind of Joe's scheme and demands a cut of the action. Matters become more complicated for Joe when he learns that the man Van Tilden shot was married to Rosalie (Rita Hayworth), whom he loved many years ago. The Money Trap was directed by Burt Kennedy, who was best known for his witty and unconventional westerns. ~ Mark Deming, All Movie Guide

When people refer to Doris Day as "the world's oldest professional virgin," they generally have the 1962 comedy That Touch of Mink in mind. It isn't that Cathy Timberlake (Day) is above a bit of hanky-panky; it's just that she wants such tangibles as a marriage license and wedding ring first. Thus, when playboy businessman Philip Shayne (Cary Grant) begins actively pursuing Cathy (they "met cute" when Philip's limo splashed mud on the hapless Cathy), she won't say "I will" until he says "I do." She is of the idealistic opinion that she can bring out the best intentions in him, even when he repeatedly tips off his worst intentions by inviting her to accompany him to Philadelphia, Baltimore, and Bermuda. After not a few complications and misunderstands, Cathy finally finagles a proposal out of Philip. The film is essentially much ado about nothing, but it is so well-acted and attractively photographed that the audiences are willing to go along for the ride. The high-powered supporting cast includes Gig Young as Roger, Philip's moralistic financial advisor; Audrey Meadows as Connie, Cathy's wise-cracking roommate; Alan Hewitt as Dr. Gruber, a confused psychiatrist; John Astin as Beasley, Cathy's slimy would-be beau; Dick Sargent as a neurotic honeymooner; and an unbilled Richard Deacon as an all-around letch. Best scene: the baseball-dugout rhubarb involving New York Yankees Mickey Mantle, Roger Maris, and Yogi Berra. ~ Hal Erickson, All Movie Guide

Elvis Presley stars in GI Blues as Tulsa McLean, a soldier stationed in Germany, who pulls strings to stage a big show for his fellow GI's. In the tradition of the musical chestnut The Fleet's In, Tulsa also bets his buddies that he can date "ice princess" entertainer Lili (Juliet Prowse). Song highlights include "Wooden Heart," "Blue Suede Shoes" and the title number. The spectacular box-office performance of G.I. Blues proved that Elvis' popularity had not only survived his Army tenure, but had actually increased. ~ Hal Erickson, All Movie Guide

Singer-comedian Dennis Day is herein cast against type as miserly Alexander Gifford, who after coming into a huge sum of money secretly deposits the cash in five different banks to keep it a secret from his wife, Jennifer (Alice Backes). Alas, she does find out, and tells him that she will divorce him unless she's allowed to freely spend the money. Planning to have his wife murdered, Alexander balks when he discovers that most professional hitmen charge an exorbitant fee -- so he decides to cut corners by pulling off the dirty deed himself. ~ Hal Erickson, All Movie Guide

The Depression-New Deal subtext of the original 1936 My Man Godfrey was understandably dispensed with in this so-so 1957 remake. David Niven steps into the old William Powell role as hobo-turned-butler Godfrey, while June Allyson does her best in the Carole Lombard part as Irene Bullock, the spoiled, impulsive heiress who brings Godfrey into her zany household. The remake follows the original with reasonable fidelity so far as the basics are concerned, with Godfrey, a wealthy lawyer who dropped out of society after an unhappy romance, rescuing the screwball Bullock family from bankruptcy and self-destruction simply by applying a soupcon of common sense. The supporting cast is able, though not as "perfect" for their roles as their 1936 counterparts: the most interesting bit of casting is Jay Robinson, who rose to fame as Caligula in The Robe, as the parasitic "protégé" originally portrayed by Mischa Auer. In keeping with the custom of the times, My Man Godfrey is fitted out with an opening theme song, written by Peggy Lee and Sonny Burke, and performed by Sarah Vaughan. ~ Hal Erickson, All Movie Guide

American-International's Hot Rod Girl is a whole lot less exploitaitonal than its title. Chuck Connors stars as Ben, a policeman who hopes to stem an outbreak of juvenile delinquency. Overcoming great obstacles--most of them created by prejudiced adults--Ben hopes to build a drag strip, where hot-rodding teenagers will be allowed to race their motors in safety. The title character, Ben's pretty sister Lisa, is played by Lori Nelson. Among the hot-rodders in Hot Rod Girls is a young Frank Gorshin (here billed as Frank J. Gorshin), who ten years later would reteam with director Leslie H. Martinson on the set of the theatrical-feature version of TV's Batman. ~ Hal Erickson, All Movie Guide

Evelyn Nesbit Thaw, the real-life personality so brilliantly (albeit briefly) portrayed by Elizabeth McGovern in Ragtime (1981), is given the full biopic treatment in 20th Century Fox's The Girl in the Red Velvet Swing. Since the real Mrs. Thaw served as technical advisor for the film, it isn't surprising that the controversial Evelyn comes across as being more sinned against that sinning. Joan Collins stars as Evelyn, the gorgeous chorine and original "Gibson Girl" who becomes the romantic bone of contention between ageing architect Stanford White (Ray Milland) and slightly unbalanced young millionaire Harry K. Thaw. Setting up Evelyn in a plush apartment, the lecherous White insists that she "perform" for him on the red velvet swing of the title (allegedly, Evelyn swung naked above the slavering White, though she's fully clothed in the film). Eventually, Thaw marries Evelyn, but cannot prevent White from continuing his romantic overtures. Things come to a head in 1906, on the roof of Madison Square Garden. As Evelyn sings and dances in a stage musical, the insanely jealous Thaw walks up to White, pulls out a pistol, and, in full view of the audience, pumps several bullets into the older man. Though Thaw manages to avoid the gallows by pleading insanity (he was eventually released), Evelyn's reputation is permanently besmirched, leaving her little choice but to capitalize upon her notoriety on the vaudeville stage (actually, Evelyn pursued a moderately successful film career before losing all her money to bad investments in the 1920s). By purifying the character of Evelyn Nesbit and thoroughly vilifying Stanford White, The Girl in the Red Velvet Swing is hardly 100 percent accurate; still, the film is immensely entertaining, thanks to the enthusiastic performances of the three stars. ~ Hal Erickson, All Movie Guide

Fish-market worker Johnny O'Hara (James Arness) is named as a suspect when his boss -- with whom he had a dispute the previous day -- is shot to death in an apparent robbery. When he's arrested, his family appeals to their old friend James Curtayne (Spencer Tracy), who was once a renowned criminal attorney but is now in civil practice. He resists their entreaties until he realizes that no decent attorney will handle the case properly; his daughter (Diana Lynn) watches with alarm, however, for we soon learn that Curtayne is an alcoholic, and that the major factor in his life that pushed him over the edge was the stress of having someone's life in his hands. He discovers soon enough just how much Johnny's life is in his hands when his client refuses to level with him about his real whereabouts on the night of the murder. He also realizes as the trial starts precisely how rusty he is in the courtroom, and the old stresses return -- and with them, his drinking. Curtayne not only manages to lose the case but destroys his career when he tries to buy off a larcenous prosecution witness. His client facing a death sentence and his own life and career in ruins, he's seemingly hit bottom, but then new evidence surfaces, of a nature that not even the ambitious prosecutor (John Hodiak) can ignore. Recognizing that his client was actually innocent and also acting in his silence -- however stupidly -- from the noblest of motives, Curtayne is willing to redeem himself by putting his own life on the line, confronting a killer who has taken more than one life without any compunction whatsoever, and who has no reason to spill anything.

The People Against O'Hara was a well-made, largely location-shot crime drama set in New York City, but it wouldn't have been nearly so prestigious a movie were it not for the presence of Spencer Tracy in the role of Curtayne. Ironically enough, he only agreed to do the film on the condition that his friend Pat O'Brien, who hadn't been in a major studio release in a couple of years, be given a large role, which he got as the lead detective on the case, and O'Brien and Tracy get a couple of really good scenes together. The film also includes an unbilled appearance by Charles Bronson, who was still working as Charles Buchinski in 1951, and is highlighted by a superb prominent supporting performance by William Campbell, who seems to quietly relish every nuance of his portrayal of a totally slimy character. ~ Bruce Eder, All Movie Guide

Glenn Ford stars as American pilot Martin Ordway, who joins an expedition to scale a treacherous Swiss mountain peak. Each of the climbers has a special reason to reach the top. Dissolute French author Paul DeLambre (Claude Rains) is searching for a purpose in life; guide Andreas (Oscar Homolka) is doing his job; British naturalist Nicholas Radcliffe (Sir Cedric Hardwicke) hopes to uncover new forms of flora and fauna; Carla Alton (Alida Valli) wants to conquer the mountain that claimed her father's life; Ordway has fallen in love with Alton and wants to be near her; and ex-Nazi Mr. Hein (Lloyd Bridges) hopes to escape his past. As the climb progresses, each member of the party reveals his or her true character, and it isn't always pretty. Originally slated to be produced by Adrian Scott and directed by Edward Dmytrk, The White Tower was assigned to Sid Rogell and Ted Tetzlaff when Scott and Dmytrk were blacklisted. Another future blacklistee, Paul Jarrico, adapted his screenplay from a novel by James Ramsey Ullman. ~ Hal Erickson, All Movie Guide

So far as their fans were concerned, Mario Lanza and Kathryn Grayson could have stood up against a blank wall and sung uninterruptedly for 96 minutes in Toast of New Orleans. MGM, however, adhered to the policy that all movies must have plots. This one finds Lanza playing Pepe Abellard Duvalle, a shrimp fisherman from Louisiana's bayou country, while Grayson plays Suzette Micheline, a famed opera singer. After he witnesses an impromptu duet between Pepe and Suzette at an outdoor restaurant, Suzette's manager Jacques Riboudeaux (David Niven) decides to groom Pepe for singing stardom. In so doing, Jacques has put the kibosh on his own romance with Suzette, but that's why he gets third billing. Toast of New Orleans is a typical Joe Pasternak production, all bright smiles, lilting songs and happy people in Living Technicolor. ~ Hal Erickson, All Movie Guide

Temptation is an appropriately moody romantic melodrama, providing a golden opportunity for some memorable histrionics by star Merle Oberon. Set in Egypt (courtesy of the Universal backlot), the film casts Oberon as Ruby, the new wife of wealthy archaeologist Nigel (George Brent). Unbeknownst to her husband, Ruby has had quite a checkered past, involving several divorces and gosh only knows how many extramarital affairs. While Nigel is out digging up an ancient mummy, Ruby takes up with Baroudi (Charles Korvin), a slick but impoverished Egyptian opportunist. When Baroudi threatens to leave Ruby unless she puts her husband out of the way, she methodically begins to poison the unwitting Nigel. Only in the last few minutes does Ruby realize that she's throwing her life away -- not to mention her husband's -- for a no-good heel, setting the stage for a spectacular revenge-and-retribution finale. Temptation was International Pictures' final production before its merger with Universal. ~ Hal Erickson, All Movie Guide

In this romantic comedy, a soldier is granted a two-week furlough and returns home to discover that his girlfriend is engaged to someone else. At first, on the advice of her friends, the girl tries to hide her betrothal from the soldier, but it is not long before she recalls why she loved him in the first place. Conflict ensues when he discovers her deception. Eventually, they manage to straighten out the situation and things come out alright. ~ Sandra Brennan, All Movie Guide

Masterfully directed by Fritz Lang, Scarlet Street is a bleak film in which an ordinary man succumbs first to vice and then to murder. Christopher Cross (Edward G. Robinson) is a lonely man married to a nagging wife. Painting is the only thing that brings him joy. Cross meets Kitty (Joan Bennett) who, believing him to be a famous painter, begins an affair with him. Encouraged by her lover, con man Johnny Prince (Dan Duryea) Kitty persuades Cross to embezzle money from his employer in order to pay for her lavish apartment. In that apartment, happy for the first time in his life, Cross paints Kitty's picture. Johnny then pretends that Kitty painted to portrait, which has won great critical acclaim. Finally realizing he has been manipulated, Cross kills Kitty, loses his job, and because his name has been stolen by Kitty, is unable to paint. He suffers a mental breakdown as the film ends, haunted by guilt. Kitty and Johnny are two of the most amoral and casual villains in the history of film noir, both like predatory animals completely without conscience. Milton Krasner's photography is excellent in its use of stark black-and-white to convey psychological states. Fritz Lang is unparalleled in his ability to convey the desperation of hapless, naïve victims in a cruelly realistic world. ~ Linda Rasmussen, All Movie Guide