Harry Morgan Movies

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

Hawkeye (Alan Alda) is forced into a difficult decision: Should he immediately tend to a wounded American patient, or try to save the life of a more seriously injured North Korean prisoner? Hawkeye's actions arouse the Commie-baiting suspicions of xenophobic CIA agent Colonel Flagg (Edward Winter), and stirs up resentment from the best friend of the wounded American GI. The best moment occurs when mild-mannered Radar (Gary Burghoff) stands up to the obnoxious Flagg (coincidentally, this episode represents the final series appearance of Edward Winter). ~ Hal Erickson, All Movie Guide

In the made-for-television film Wild, Wild West Revisited, the classic comedy/espionage/western television series is brought up to date with a story featuring government agents Jim West and Artemus Gordon leaving retirement to battle Miguelito Loveless, who is planning to conquer the earth by cloning world leaders. ~ Stephen Thomas Erlewine, All Movie Guide

The busiest person on this M*A*S*H episode is an adroit Korean jeweler, Mr. Shin (Keye Luke). His knowhow comes in quite handy when an emergency replacement is needed for Margaret's (Loretta Swit) wedding ring, which Klinger (Jamie Farr) unwittingly threw in the trash. But Mr. Shin's biggest assignment is a specialized surgical clamp, without which Hawkeye (Alan Alda) and B.J. (Mike Farrell) might lose a patient. ~ Hal Erickson, All Movie Guide

Zunar J5/90 Doric 4-7, also known as Jake, is an alien cat who crash-lands on earth. He heads off to the nearest scientist to find gold ($120,000 worth!) in order to repair his spaceship. Jake reveals that he can predict the winners in sporting events and soon the military is trying to track him down. The plot becomes more complicated when a wacky veterinarian inadvertently puts Jake into a deep sleep; now he must hide the alien cat from government authorities. The Cat from Outer Space was written by cartoonist Ted Key, who also wrote other Disney family fare, including Gus and The $1,000,000 Duck. ~ Paul Brenner, All Movie Guide

Based on a novel by Tom Willis, the made-for-TV Maneaters Are Loose! also bears a surface resemblance to the 1973 TV film Maneater. On the verge of bankruptcy, suicidal animal trainer David Birk (Steve Forrest) releases his "pets" -- two ferocious Bengal tigers -- into the woods near the small California mountain town of Whitford. It isn't long before several locals have been chewed up by the marauding felines -- and add to this a myriad of local scandals and dirty secrets (including a porno ring masterminded by the town deacon) and a climactic forest fire, and one has all the ingredients for a typical "life's a bowl of rotten cherries" movie of the week. Maneaters are Loose! debuted May 3, 1978, on CBS. ~ Hal Erickson, All Movie Guide

Sgt. Billy Tyler (Henry Brown), a former college football star, loses the will to live when Hawkeye (Alan Alda) and B.J. (Mike Farrell) are forced to amputate his leg. Can the hero-worshipping Radar (Gary Burghoff) save Tyler from being overwhelmed by his own melancholia? Elsewhere, greedy Frank (Larry Linville) turns boxing promoter, arranging a grudge match between Klinger (Jamie Farr) and Zale (Johnny Haymer). ~ Hal Erickson, All Movie Guide

Season six of M*A*S*H was noteworthy for yet another defection from its regular-cast ranks. Long dissatisfied with the artistic limitations of the role of obnoxious Major Frank Burns, actor Larry Linville followed the lead of his former M*A*S*H colleagues Wayne Rogers and Maclean Stevenson by leaving the series to pursue new projects. It was explained in the sixth season opener that Frank Burns had gone AWOL in reaction to marriage of his longtime paramour Margaret "Hot Lips" Houlihan (Loretta Swit) to the dashing (but seldom-seen) Lt. Col. Donald Penobscott, and had been transferred to a stateside hospital. The series' producers were anxious to replace Frank Burns with a character who would remain an antagonist to the nominal "heroes," irreverent Army surgeons Hawkeye (Alan Alda) and B.J. (Mike Farrell). At the same time, it was acknowledged that the series' writers had painted themselves into a creative corner by depicting Burns as stupid and incompetent. His replacement would have to be an eminently qualified and undeniably brilliant surgeon, while at the same time boasting a prickly personality that would drive Hawk and BJ up a wall--and vice versa. Thus was born the character of Major Charles Emerson Winchester II (played by David Ogden Stiers), an aristocratic Boston Brahmin of vast knowledge and expertise, whose surgical skill approached genius, and whose arrogance and disdain for his colleagues would provide an amusing contrast to the casual, carefree slovenliness of the 4077th. Also avoiding the series' previous scripting boondoggle of making Frank Burns thoroughly unlovable, it was established early on that Charles Winchester had his compassionate, humane and even warm moments, despite his haughty, overbearing demeanor. Still in its winning Tuesday-night timeslot, M*A*S*H continued to rank highly in the ratings, though it would slip from fourth to eighth place during its sixth season. Also, this would be the first year since 1973 that M*A*S*H would not win at least one Emmy award, though it was honored with eight nominations. ~ Hal Erickson, All Movie Guide

Actor Harry Morgan takes on role of director for this episode.. During the absence of Col. Potter, Frank (Larry Linville) demands that Hawkeye (Alan Alda) be court-martialed for mutiny. Conducting a preliminary hearing, Col. Carmichael (Ned Wilson) hears both sides of the events which led up to Hawkeye's arrest. As usual, the outcome is none too satisfactory for Frank--in fact, it's downright humiliating when all the facts are revealed. ~ Hal Erickson, All Movie Guide

Everybody knew that Maclean Stevenson would not return to M*A*S*H when the series inaugurated its fourth season in the fall of 1975; after all, Stevenson's character, Col. Henry Blake, had been abruptly killed off at the end of season three, so any sort of return was out of the question. It did, however, come as something of a surprise to the series' loyal viewers that another of the leading characters, irreverent surgeon Trapper John, was also missing from the fourth season roster. The reason? Actor Wayne Rogers, who'd played Trapper since the series' debut in 1972, had ankled the project in the middle of a contract dispute; he was tired of playing second fiddle to costar Alan Alda (aka Hawkeye Pierce), and wanted to spread his wings with a series of his own. Thus, season four opened with the first of M*A*S*H's one-hour "special" episodes, the better to establish the character of Trapper John's assistant, Capt. B.J. Hunnicut (Mike Farrell. More clean-cut and level-headed that the Rabelaisian Trapper, B.J. nonetheless proved to be every bit as capricious and irreverent as his predecessor, especially when cooking up schemes to embarrass the gimlet-eyed, humorless Frank Burns (Larry Linville and the chronically thin-skinned Margaret "Hot Lips" Houlihan (Loretta Swit) As for Col. Blake's replacement, the series' producers decided not to emulate the youngish, laid-back Maclean Stevenson, and instead went with an older, more "Regular Army" character. Harry Morgan, who'd appeared as a guest star during M*A*S*H's third season, was added to the cast as crusty but lovable Colonel Henry Potter, an old Cavalry man who managed to maintain the dignity of the Service and the decorum of the O.R. without ever sacrificing his humanity or sense of humor. Potter also proved to be a "good fit" insofar as company clerk Radar O'Reilly was concerned. Without ever consciously or blatantly doing so, Potter and Radar fell into a warm father-son relationship, which would make Radar's inevitable exit from the series five seasons later all the more poignant. Another development within the M*A*S*H family was the ascention of actor Jamie Farr to full "series regular" status. Introduced as an intended one-shot during season one, Farr's character, cross-dressing Corporal Max Klinger (who of course donned women's clothing in hopes of being discharged from the Army on a Section 8) proved popular enough to warrant additional "guest" appearances, and by the time the 1974-75 season had rolled around, Farr was being billed at the beginning of each episode, rather than merely among the "featured" cast in the closing credits. The "look" of M*A*S*H continued to deepen and mellow during season four, with the "zany" and "serious" aspects achieving a more even balance, thereby lessening the need for that intrusive recorded laughtrack that CBS insisted upon (though the track would not disappear altogether for several seasons to come). This was also the year that the series briefly digressed from its standard format to offer a half-hour "documentary" episode, in which the staff of the 4077th were interviewed by a TV war correspondent (Clete Roberts). Shot in black-and-white, this episode closed out the series' fourth season in the spring of 1976. By that time, M*A*S*H had won the fifth of its Emmy awards, the prize going to Stanford Tischler and Fred W. Berger, who had written the 60-minute opener "Welcome to Korea". Unfortunately, though the series was still popular, it has slipped from fifth to 14th place in the overall ratings, thanks to CBS' misguided decision to move the series from Tuesday to Friday evenings opposite the NBC ratings-grabber Chico and the Man. At least CBS acknowledged its error early on; in December of 1975, M*A*S*H was shifted back to Tuesdays, where it would remain a fixture for the next two years. ~ Hal Erickson, All Movie Guide

The Apple Dumpling Gang stars Bill Bixby as Russell Donovan, a slick frontier gambler. In Runyon-esque fashion, he is compelled to look after three precocious oprhaned kids. He can't handle the responsibilities alone, so he agrees to an in-name-only marriage to hoydenish stagecoach driver, Magnolia Dusty Clydesdale (Susan Clark). Fortuitously, they discover that a mine belonging to the kids' late father is worth millions. This brings several disreputable characters into the storyline: bumbling "nice" bandits Theodore Ogelvie and Amos (Don Knotts and Tim Conway), and deadly "bad" bandits headed by Frank Stillwell (Slim Pickens). Based on a novel by Jack M. Bickham, The Apple Dumpling Gang was successful enough to spawn a sequel-not to mention several future screen teamings for Don Knotts and Tim Conway. ~ Hal Erickson, All Movie Guide

Finding that he hasn't much time left to live, a man makes needed changes in his life with the help of an angel in this Disney feature. ~ Kristie Hassen, All Movie Guide