Piera Degli Esposti Movies

This passionate romance from Italian director Giuseppe Piccioni concerns Guido Montani (Valerio Mastandrea) , a top-tiered writer and the recipient of an elitist literary award. Motivated by his towering success, Guido taps into a lifelong aspiration to learn to swim, and enrolls in swimming lessons at a local pool. In so doing, his path criss-crosses with that of Giulia (international star Valera Golino) a beautiful woman who projects the utmost grace and finesse in the water. A relationship gestates between the two, but Guido senses that Giulia is concealing unusual and dark secrets about her past - beginning with the fact that she is an ex-convict. ~ Nathan Southern, Rovi

Award-winning filmmaker Paolo Sorrentino (The Family Friend) writes and directs this cinematic portrait of seven-time Italian prime minister Giulio Andreotti, whose controversial legacy peaked when he was tried for Mafia ties and subsequently acquitted. A leader with close ties to the Vatican, Andreotti was also tried and acquitted for the murder of an Italian journalist, and remains a senator for life. ~ Jason Buchanan, Rovi

Ernesto (Sergio Castellitto of Va Savoir) is a successful artist and devout atheist who finds out that his mother, whom he despised, is being considered for sainthood. Ernesto's young son, Leonardo (Alberto Mondini), influenced by his religion teacher, has developed a fear of God, whom he tries to shoo away like a pest. "If He's everywhere," Leonardo reasons, "then I'm not free -- even for a second." Ernesto's estranged wife, Irene (Jacqueline Lustig), encourages Leonardo's faith, and seems to be on the side of Ernesto's family, who are greedily clamoring to get Ernesto to participate in the canonization process. His mentally unstable brother, Egidio (Donato Placido), who will speak only to Ernesto, murdered their mother years earlier, and holds the key to her beatification. At a party, Ernesto insults a deranged monarchist, Conte Bulla (Toni Bertorelli), who then challenges him to a duel. Ernesto goes to complain to Leonardo's religion teacher, expecting to find an ugly old woman, and instead finds Diana (Chiara Conti), an impossibly beautiful young woman who admires his work. Ernesto meets the Cardinal (Maurizio Donadoni), and tells the man that his mother was "stupid" and "had no passion." "Loving someone is the best way to declare my atheism," he declares. But as he gets caught up in all the intrigue, Ernesto recognizes a connection to his hated mother that he cannot escape; he has the same mocking smile. Marco Bellocchio's My Mother's Smile was shown at the 2002 New York Film Festival and at the 2002 Cannes Film Festival, where it won a Special Mention for the Prize of the Ecumenical Jury. ~ Josh Ralske, Rovi

This film depicts three episodes in the life of the highly eccentric, unabashedly homosexual Italian filmmaker Per Paolo Pasolini. Pasolini was best known to Americans for his film The Gospel According to St. Matthew. However, in his native Italy, he was at least as well known for his writing and poetry as for his filmmaking. In the first episode, Pasolini (Marco Cavicchioli) waxes poetic about the beauty of young men during a visit to Sicily. The second and more interesting segment concerns a meeting with a young man who visits Pasolini thinking that though he is an old has-been, Pasolini may be able to do him a favor. Pasolini twigs to the boy's intentions, and a sparring session ensues. The final episode shows him picking up a young man at Rome's train station and the events that led to his beating death in 1975. ~ Clarke Fountain, Rovi

Physician Robert Briand (Robin Renucci) runs a leper colony in the 15th century that takes in new residents who suffer from the ravages of syphilis. When the beautiful Marie-Blanche (Isabelle Pasco) is brought to the grim, prison-like facility, Robert finds she displays no apparent signs of disease. He risks everything when he falls in love with the woman and makes plans to run away with her. Erland Josephson plays Robert's father, with Piera Degli Esposti as Robert's faithful assistant Terese. ~ Dan Pavlides, Rovi

This sometimes confusing erotic drama about the incestuous relationship of a mother and daughter is based on the autobiography of Italian theater actress Piera Degli Esposti though it focuses more on her mother Eugenia (Hanna Schygulla). The liberated Eugenia and her spaced-out, husband (Marcello Mastroianni) -- a professor -- live in a small provincial Italian town, where Eugenia is noticed as she zooms around on her bicycle and chats up strangers at the train station. While still no more than a grown child, Piera -- in tight dresses -- goes with her mother for a threesome when she engages in sexual relations with other men and subsequently suffers both from poor health and the lack of a normal home. The shadow of the future already clouds the household when Eugenia is committed again and again to the psychiatric clinic. By the time Piera has become an adult, both of her parents are in separate mental hospitals -- and both (even the father) are still sexually eccentric, to say the least. (Hanna Schygulla) won the "Best Actress" award at the 1983 Cannes Film Festival for her portrayal of Eugenia. ~ Eleanor Mannikka, Rovi

A couple with marital problems hopes to find new spirit living in a haunted house in this arcical comedy. Pasquale (Vittorio Gassman) and Maria (Sophia Loren) are a couple who are married, but not at all happily; he's a chronically unemployed musician, she can't stand her husband, and they've both decided they'd be better off dead. However, when their suicide pact goes wrong and both are still alive, Maria decides to pay a visit to Alfredo (Mario Adorf), who ran the orphanage where she was raised. Alfredo has had a lustful eye on Maria ever since she was a teenager, and he sees the current turn of events as a perfect opportunity to break up her marriage. Alfredo offers to "help" the couple by having them housesit at an old mansion which is said to be haunted; unknown to them, Alfredo has secreted himself away in the house in order to drop clues that ghosts walk. Adding to the confusion, Pasquale decides to make some extra money by renting out one of the rooms to a streetwalker, Sayonara (Margaret Lee), which leads Maria to suspect that her husband is either the new lodger's customer or her pimp. Marcello Mastroianni also makes a cameo appearance. ~ Mark Deming, Rovi