Don Henderson Movies

Former Monty Python members Terry Jones, Eric Idle, John Cleese, and Michael Palin were reunited by director Jones for this live-action adaptation of the 1908 children's fantasy classic by Kenneth Grahame (1859-1932). The actors have only slight physical changes to suggest animal characteristics, plus tails protruding from their Edwardian-style costumes. In pre-WW I England, fascist Weasels prowl the countryside, forcing modest Mole (Steve Coogan) from his underground home after the Weasels acquire the meadow from wealthy, waddling Mr. Toad (Jones). Toad's inheritance is leaking away because of his fascination with the recently invented motorcar. After Mole takes shelter with refined Rat (Idle), the two set out for Toad's cavernous mansion. Toad crashes into another vehicle, but unfortunately, his attorney (Cleese) has nothing nice to say in Toad's defense. Toad's behavior in court prompts the judge (Stephen Fry) to give him a century-long jail sentence. Rat and Mole plan to spring Toad with the help of the hibernating Badger (Nicol Williamson), but Toad simultaneously puts his own escape plan into motion. Back at Toad Hall, the Weasels construct a dog-food factory and intend to destroy the main house by blowing it up-so the threatened animals make plans to retake Toad Hall.

Crew members who worked on past Python films include James Acheson (production/costume design) and John Du Prez (original music and songs). Lawrence Van Gelder (New York Times) reviewed, "The Wind in the Willows, brimming with verbal and visual wit and imagination, driven by high adventure, reveling in English eccentricity, enlivened by bursts of song, unafraid of ideas and filled with color and splendid performances, exposes most other movies intended to attract children as out-and-out pap." This film should not be confused with the 1996 animated adaptation which also has Michael Palin in the cast. Filmed at Burnham Beeches (in Buckinghamshire, England). Other earlier versions: the second half of Disney's animated The Adventures of Ichabod and Mr. Toad (1949); live-action by the Minneapolis Children's Theatre (1983); stop-motion animation for British TV (1983); 1982 stop-motion animation by John Semper (Spider-Man); and Rankin-Bass animation for U.S. TV (1987). ~ Bhob Stewart, All Movie Guide

Franz Kafka's classic tale of Josef K., a bank clerk who is placed on trial for an unnamed, unknowable crime, is given a faithful, if not overly literal, treatment in this drama. Knowing only that he has been charged, Josef naturally sets out to defend himself, but soon finds himself deeply mired in a battle against an incomprehensible government bureaucracy. Following Orson Welles's adaptation of the book by some three decades, director David Jones chooses to avoid the earlier film's expressionistic approach. Instead, he sets Josef's travails against a realistic background that specifically recalls Eastern Europe during the early 20th century, the time of the book's writing. Similarly, the screenplay by famed British playwright Harold Pinter, whose own darkly absurd vision owes much to Kafka, hews closely to the original text. This faithful approach helps ground the story in historical reality, and allows for a good use of brooding Prague locations. However, many critics have found this approach less effective than the low-budget abstraction of Welles' version, which is more successful at highlighting the universality and symbolic nature of the tale. ~ Judd Blaise, All Movie Guide

Husband and wife producers Richard Goodwin and Christine Edzard return to the same milieu as in their epic version of Little Dorrit in The Fool. This slight story stars Derek Jacobi as Mr. Frederick, a theatrical clerk in the London of 1857, who concocts a monetary scam to bilk the rich. In order to carry off this deception, Mr. Frederick passes himself off as the well-heeled Sir John. But problems arise after he is recognized by some theater people, and he begins to take his false identity a bit too seriously. ~ Paul Brenner, All Movie Guide

Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the "career" of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale....In short, all of Munchausen's fabulous lies are here presented as "truth," played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli's Venus and an extended unbilled cameo by Robin Williams -- that is, by the head of Robin Williams -- as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette. ~ Hal Erickson, All Movie Guide

Mathieu (Robin Renucci) is called on by the French government to investigate murders in the Asian community of Paris in this routine thriller. With Chinese and Vietnamese engaged in a bloody slaughterfest, the key to the mystery lies with the orphan girl (Marguerite Tran) who Mathieu helped to escape during the fall of Saigon in 1975. Now a beautiful young woman, Mathieu is reunited ten years later with the refugee, and together they attempt to solve the case. He uncovers a CIA plot that has carried over from the last days of the Vietnam War and that is related to the Paris murders. ~ Dan Pavlides, All Movie Guide

Winning a trip to the Disneyland of 1959, the Doctor (Sylvester McCoy) and Melanie (Bonnie Langford) collide en route with a satellite. The would-be vacationers end up in a Welsh holiday camp called the Shangri-La -- which is presently under siege by the Bannermen, a pair of genocidal assassins who have targeted another vacationer, Chimeron princess Delta (Belinda Mayne). American funnyman Stubby Kaye guest stars as Mr. Weismuller, while British TV game show host Ken Dodd appears briefly as the Tollmaster. Written by Malcolm Kohll, the three-episode "Delta and the Bannermen" began its original BBC run on November 2, 1987. ~ Hal Erickson, All Movie Guide

Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.

Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.

Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide

The Island, a turgid action drama directed by Michael Ritchie, revolves around the adventures of Maynard (Michael Caine), a newspaper reporter who tries to solve the mystery of the Bermuda Triangle. Maynard, and his son crash-land on a remote island ruled by a gang of pirates who kill anyone who intrudes there. From beginning to end, The Island is slow, uninvolving and very bloody. The terrible script by Peter Benchley, who also wrote Jaws, is jagged and the dialogue is cliched. The film was an economic disaster and is only of interest because of a good score by Ennio Morricone. ~ Linda Rasmussen, All Movie Guide

George Lucas' mythological popcorn movie is a two-hour roller-coaster ride that has passed into movie legend. The story, for the tiny number of people not familiar with it, concerns a farm boy named Luke Skywalker (Mark Hamill) who discovers that the used robot recently purchased by his family plays back a message from one Princess Leia (Carrie Fisher), begging for help from Obi-Wan Kenobi. Luke asks his father's friend Ben Kenobi (Alec Guinness) about this, and he discovers that Ben and Obi-Wan are one and the same. Kenobi tells Luke of the battle of the rebels against the ruling Empire and the spiritual energy called "The Force." Soon Luke, Kenobi, and a mercenary named Han Solo (Harrison Ford) join forces to rescue Princess Leia from the Empire's mammoth warship, the Death Star, controlled by evil genius Darth Vader (David Prowse, with the voice of James Earl Jones). George Lucas has frequently cited the influence of several films on Star Wars, particularly Akira Kurosawa's The Hidden Fortress and Yojimbo and John Ford's The Searchers, as well as the original Flash Gordon serials. After Star Wars became a success, Lucas announced his intention to turn the film into a series, originally totalling nine films (later pared back to six). Consequently, most reissue prints now feature the title Star Wars: Episode IV -- A New Hope, with The Empire Strikes Back (1980) and Return of the Jedi (1983) serving as Episodes Five and Six in the serial, and Star Wars: Episode I -- The Phantom Menace (1999) going back to the myth's beginnings. ~ Mark Deming, All Movie Guide

The villain was the hero of this 16-episode British drama series. Stephen Yardley starred as William "Spider" Scott, a wily cat burglar known to the coppers as the "XYY Man." Dogging Spider's trail every inch of the way was stalwart Detective Sergeant George Bulman (Don Henderson), who scored such a hit with viewers that he was spun off into his own series, Strangers and Bulman. The XYY Man originally aired in the U.K. from 1976 to 1977. ~ Hal Erickson, All Movie Guide

A sultry artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing both male and female lovers. Seems the only person who has any chance of stopping the reign of terror is her father (John Carradine), also a vampire. ~ John Bush, All Movie Guide