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Salvador R. Espinoza Movies

1989  
R  
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Sylvester Stallone tries his luck with his first cop buddy movie in Tango and Cash, directed by Andrei Konchalovsky. Stallone is Ray Tango, a Los Angeles narcotics cop who dresses in fancy suits, wears wire-rim glasses, and talks to his stockbroker more than he talks to his mother. Kurt Russell is Gabriel Cash, another Los Angeles narcotics cop who has long, disheveled blonde hair and dresses in worn-out sweatshirts. Together, Tango and Cash are the two best narcs in LA, which causes drug baron Yves Perret (Jack Palance) no end of distress. Since Yves controls a billion-dollar drug empire, Tango and Cash have to be taken out of the picture in some way. So Yves arranges for Tango and Cash to be framed for a crime. But the duo accepts a plea bargain that will give them 18 months in a minimum-security prison. Unfortunately, Yves arranges for their destination to be diverted to a maximum-security hell-hole where Yves's minions proceed to torture Tango and Cash --although they still have time to trade quips with each other. Ultimately, they escape from their torture chamber and seek out Yves and his gang. ~ Paul Brenner, Rovi

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Starring:
Sylvester StalloneKurt Russell, (more)
 
1989  
R  
Sharing little in common with Robert Wiene's expressionist classic The Cabinet of Dr. Caligari (aside from the name and a series of stills from the film during the opening titles), this brain-damaged, perverse fever dream is set in the Caligari Insane Asylum (CIA), a nightmare labyrinth of impossible angles and colors, within which the fabled mesmerist's kinky granddaughter (Madeleine Reynal) rules with an iron hand, a phallic-looking syringe, and a hot-pink PVC dress. Caligari's associates -- including a leering therapist (Fox Harris) and a clone-like doctor/nurse team -- are loonier than their own patients...and in this place, that's saying a lot. Most of the unnameable experiments taking place have to do with the doc's desire to transplant her grandfather's synaptic fluid into her own brain to acquire his genius. She also has a peculiar fascination for prize patient Mrs. Van Houten (Laura Albert), a repressed housewife with horrifying sexual fantasies involving doors with giant tongues and razor-wielding madmen. (When asked to describe her life in two words, Van Houten replies matter-of-factly, "unending torment.") Basically a catalogue of surreal, psychosexual shock images, this is the second feature from director Stephen Sayadian (aka Rinse Dream), whose porno epic Cafe Flesh also melded sci-fi themes and post-modern expressionism; this is essentially more of the same, minus the explicit sex. One wonders why he bothered. ~ Cavett Binion, Rovi

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Starring:
Madeleine ReynalFox Harris, (more)
 
1986  
R  
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Down and Out in Beverly Hills is an updated remake of the 1932 Jean Renoir film Boudu Saved From Drowning. Philandering businessman Dave Whiteman (Richard Dreyfuss) rescues scraggly tramp Jerry Baskin (Nick Nolte) from drowning himself in Dave's swimming pool. Much against his will, Jerry is invited to enjoy the hospitality of Dave, his social-climbing wife, Barbara (Bette Midler), and their sexually ambivalent son, Max (Evan Richards). The hapless hobo bonds only with the family dog, Matisse, which fascinates Barbara to the point that she's willing to share her bed (and a few other things) with him. Dave is twice cuckolded when Jerry makes out with the maid (Elizabeth Peña), with whom he has been carrying on a torrid -- and noisy -- affair. He plans to wreak revenge on the tramp, but several plot twists result in Dave and Jerry becoming bosom companions. Little Richard appears as the family's easily irritated next-door neighbor. Down and Out in Beverly Hills was the R-rated film that compelled Disney to create its adult-oriented Touchstone Films division. The property was later cleaned up for TV consumption and converted into a short-lived Fox-network sitcom. ~ Hal Erickson, Rovi

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Starring:
Nick NolteRichard Dreyfuss, (more)