Bill Erwin Movies
One of show-businesses busiest grandfatherly figures, actor
Bill Erwin has been appearing in film and television since the early '40s, and as of 2003, he's shown no signs of slowing. His consistently reliable performances in such high-profile efforts as
Somewhere in Time (1980),
Home Alone (1990), and
Forces of Nature (1999) have found
Erwin enduring to become one of the most in-demand supporting players around. A Honey Grove, TX, native who earned his bachelor's in journalism at the University of Texas in Austin in 1935,
Erwin went on to California to complete his Masters of Theater Arts at the Pasadena Playhouse in 1941. Though a stint in World War II would momentarily put his acting career on hold,
Erwin returned stateside to make his film debut in, appropriately enough, the 1941
Phil Silvers comedy
You're in the Army Now. Throughout the years,
Erwin has appeared in numerous stage productions on both coasts, and repeat performances on such television classics as
Gunsmoke,
The Twilight Zone, Growing Pains, and
Seinfeld have ensured
Erwin's popularity with many generations of television viewers. His role in
Seinfeld earned him an Emmy nomination for Best Supporting Actor in a Comedy Series in 1993. From high-profile releases like
Things to Do in Denver When You're Dead (1995) to edgy, low-budget sci-fi movies like
Menno's Mind (1996),
Erwin has done it all, and equally well. Outside of his film work,
Erwin spends his time writing and illustrating cartoons in his North Hollywood home. ~ Jason Buchanan, Rovi

- 1951
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One man's good luck leaves a very bad impression in this comedy. Johnny Dalton (Frank Sinatra) and Mildred Goodhug (Jane Russell) are two tellers working at the same bank who have fallen in love and want to get married. However, neither is making much money, and Johnny doesn't want to set a date until he has some savings in the bank. Emil J. Keck (Groucho Marx), a pal of Johnny's who waits tables at a diner, suggests that it can't be that difficult to "find" some money in a bank, but Johnny prefers to stay on the straight and narrow. However, Johnny enjoys a sudden windfall after he happens upon "Hot Horse" Harris (Nestor Paiva), a racetrack tout being beaten up by ne'er-do-wells, and breaks up the fight. Grateful Harris places a bet on a "can't lose" horse in Johnny's name, and suddenly Johnny is $60,000 richer. But before Johnny and Mildred can enjoy their good fortune, word leaks out that someone has embezzled $70,000 from the bank, and the suddenly prosperous Johnny seems a likely suspect. Double Dynamite was produced under Howard Hughes' supervision at RKO, but bad blood between Hughes and Sinatra led to "Ol' Blue Eyes" receiving third billing for the film's leading role; the film also spent over a year on the shelf before finally hitting theaters. ~ Mark Deming, Rovi
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- Starring:
- Jane Russell, Groucho Marx, (more)

- 1957
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If Jet Pilot seems hopelessly out of date today, imagine how filmgoers in 1957 reacted when this relic from 1949 was taken off the shelf. Many, many years in the making due to the maniacal tinkering by producer Howard Hughes (who reportedly lost $4 million on it - a massive sum back then), the film was deemed unreleasable upon completion; only when Universal-International took over distribution of a handful of RKO Radio productions did it finally see the light of day. John Wayne stars as an air force colonel stationed in an Alaskan outpost only 40 miles or so from the Soviet Union. Wayne is put in charge of Russian jet pilot Janet Leigh, who claims that she wants to defect. Actually, Leigh is a Communist spy, but thanks to Wayne's affectionate attentions she is won over to the side of Democracy. Thus it is that Leigh rescues the Duke when he is kidnapped and nearly brainwashed by her Commie comrades. Jet Pilot was eventually bought back from U-I by Hughes for his personal collection; not only did he buy into the propagandistic plotline, but he was also enthralled by the aerial scenes, some of which were staged by legendary test pilot Chuck Yeager. The 1949 production date for a number of sequences explains not only why so many of the actors look young for 1957, but the existence of several supporting cast members who had died in the interim (such as Jack Overman and Richard Rober). ~ Hal Erickson, Rovi
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- Starring:
- John Wayne, Janet Leigh, (more)

- 1958
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This odd drama features Jack Nicholson, then only 21-years old, in his first feature film. He plays a young delinquent who thinks he may have killed one of the two thugs who were pursuing him. He hides out in a local drive-in where he takes three hostages and barricades himself and them in a storeroom. Police surround the place and try to negotiate with the frightened boy but even his friends cannot reach him. Meanwhile, the media has learned of the situation and soon a TV news crew arrives followed by a crowd of spectators. Soon concessions are being sold, and the event becomes a circus. ~ Sandra Brennan, Rovi
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- Starring:
- Harry Lauter, Jack Nicholson, (more)

- 1959
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First telcast October 16, 1959, this episode stars Dan Duryea as Al Denton, a once-legendary gunslinger fallen on hard times. Now the town drunk and the object of ridicule, Denton dreams of the day that he will regain his skills with a sixgun. That day comes sooner than expected, thanks to a travelling peddler named Henry J. Fate (Malcolm Atterbury) -- but there's a bizarre price tag attached. Written by Rod Serling, this Twilight Zone episode features an impressive cast of future TV-series stars, including Martin Landau as town bully Hotaling, Doug McClure as punkish fast gun Pete Grant, and Jeanne Cooper as faded saloon girl Liz. Incidentally, this dramatic episode was originally intended as a comic story titled "You Too Can Be a Fast Gun," with a timid schoolteacher unexpectedly gaining renown as a gunfighter. ~ Hal Erickson, Rovi
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- Starring:
- Dan Duryea, Martin Landau, (more)

- 1959
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When the body of wealthy Peter Baxter (Anthony Joachim) is found in the charred ruins of his mansion, caretaker James Hing (Benson Fong), who'd been made Baxter's sole heir in his will, is accused of the crime. Hing admits to burning down the mansion, but insists that he did so on the orders of Baxter, who'd planned to fake his death in order to test the loyalty of his heirs. Can it be that someone else got wind of Baxter's scheme and decided to bump him off for real? That's what Perry Mason (Raymond Burr) must find out before the final commercial. This episode is based on Erle Stanley Gardner's novel The Case of the Black Cat, previously adapted as a 1935 theatrical feature, with Ricardo Cortez as Mason. ~ Hal Erickson, Rovi
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- 1959
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In his efforts to find out if school principal Mrs. Rayburn really has a spanking machine in her office, Beaver (Jerry Mathers) gets locked in -- just as school is being dismissed for the weekend. Facing the prospect of two whole days of imprisonment, Beaver sets off an alarm and is rescued by the fire department. Upset by Beaver's unwanted "fame," Ward (Hugh Beaumont) and June (Barbara Billingsley) warn him not to make a public spectacle of himself in the future. Without revealing too much more, it can be noted that this is the classic episode in which the Beav gets his head stuck in an iron fence. ~ Hal Erickson, Rovi
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- Starring:
- Rusty Stevens, Jeri Weil, (more)

- 1960
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Secretary Gladys Dole (played by future Oscar winner Lucille Fletcher) encounters one perilous obstacle after another while running an errand for her employer, best-selling author Mauvis Meade (Beverly Garland). Things get really bad for Gladys when she stumbles upon a dead body in a mountain cabin, and is charged with murder. In his efforts to defend Gladys in court, Perry (Raymond Burr) must contend with the fact that his client has apparently been moonlighting as a go-between for the Mob--not to mention the fact that the murder cabin was rented in Gladys' name. This episode is based on a 1959 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi
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- 1961
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Nearly bankrupt because of his wife's gambling debts, ad executive Herman Albright (Erik Rhodes) tries to forget his problems by hitting on fashion model Grace Frye (Myrna Fahey). Angry and humiliated, Grace consults Perry Mason (Raymond Burr) in an effort to break her contract with Albright's agency. As a result, Mason is on hand to defend Grace on a charge of murdering Albright--who actually may have been a victim of mistaken identity rather than revenge. ~ Hal Erickson, Rovi
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- 1961
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Originally titled "Nobody Here but Us Martians," this darkly comic Twilight Zone episode was a rewrite of (and vast improvement upon) an unfilmed Rod Serling script from 1958, "The Night of the Big Rain." Having spotted what they think is a UFO, two highway patrolmen converge upon a roadside diner, where an interesting cross-section of humanity has gathered. The patrolmen plant the suggestion that one of the patrons is actually a "spy" from another planet, a suggestion scoffed at by such likely suspects as taciturn Mr. Ross (John Hoyt) and scraggly vagabond Avery (Jack Elam). The check-checkmate ending is one of the series' most memorable, thanks to the skillful underplaying of Barney Phillips as the diner's sarcastic counterman. "Will the Real Martian Please Stand Up?" first aired May 26, 1961. ~ Hal Erickson, Rovi
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- Starring:
- John Hoyt, Barney Phillips, (more)

- 1961
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Robert Colbert makes his first appearance as Brent Maverick, yet another cousin of frontier gambler Bart Maverick Jack Kelly) (Colbert sports the same costume worn by former series regular James Garner, a rather blatant move by Warner Bros. to create a "new" Bret Maverick). Riding into the town of Sunburst along with Bart, Brent is immediately thrown in jail--merely for owning the deck of cards used in a poker game. It appears on surface that Sunburst is a "temperance" town, where gambling and gunplay is strictly outlawed, and all the saloons close at sundown. But in truth, the town fathers have gone out of their way to make strangers feel unwelcome in order to to cover up a crime committed 20 years earlier--and they're willing to commit murder to make certain their dirty little secret is never revealed. ~ Hal Erickson, Rovi
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- 1962
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In his never-ending efforts to outmaneuver Elliot Ness (Robert Stack), bootlegger Joe Lassiter (J.D. Cannon) commissions architect Harry Gordon (Milton Selzer) to build a "Ness-proof" brewery. The finished product is perched atop a six-story warehouse, undetectable to anyone at street level. Though Ness finds out about the brewery, he curiously makes no move to put it out of business--and even provides supplies for the brewers. What exactly is Ness up to? And what will happen to the hapless Harry Gordon once he has outlived his usefulness? An ironic ending caps this fact-based yarn. ~ Hal Erickson, Rovi
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- 1962
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In this violent western, a Mexican gunslinger is permanently disabled while trying to save his boy from the hangman's noose. After the incident, the former gunfighter is sentenced to four years in prison. Following his release, he gets revenge upon the lawman responsible for his conviction by abducting eight people. He informs the sheriff that he will kill one hostage every ten minutes until he comes to see him. Following the death of three people, the sheriff finally agrees, the story ends on a brutal and ironic note. ~ Sandra Brennan, Rovi
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- 1963
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A young Robert Duvall dominates this episode in the role of melancholy trumpet player Eddie Moon. Bootlegger Lew Kagan (Robert Duvall) pays a visit to the nightclub where Eddie is working, intending to become the exclusive liquor supplier to club owner "Goose" Gander (Will Kuluva). Taking one look at Kagan's beautiful wife Bunny (Kathy Nolan), Eddie falls hopelessly in love--and when he sees Kagan slapping Bunny around, he swears vengeance against the brutish gangster, thereby setting in motion the events that will lead inexorably to the episode's shattering climax. To be sure, series star Robert Stack shows up as Elliot Ness, but Robert Duvall is the actor that the viewer remembers long after the final credits have faded. ~ Hal Erickson, Rovi
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- 1963
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Jack Lemmon stars as Hogan, who lives a bachelor's dream as the manager of an apartment building that caters only to single women. Hogan likes to romance his tenants, and he sets his sights on a newcomer named Robin (Carol Lynley). Robin and her boyfriend David (Dean Jones) have moved in together, intending to see how compatible they are while maintaining a platonic relationship. This arrangement is the result of a suggestion from Irene (Edie Adams), a marriage counselor who is subletting her apartment to Robin while living with her own boyfriend, Charles (Robert Lansing). Irene thinks that Robin and David need to discover whether they are suitable as marriage partners without letting sex cloud their judgment. Hogan finds out about the arrangement and schemes to get David away so he can seduce Robin. The film is based on a hit stage play by Lawrence Roman. ~ Michael Betzold, Rovi
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- Starring:
- Jack Lemmon, Carol Lynley, (more)

- 1964
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Based on eyewitness testimony, a nasty old man named Justin Briggs (John Anderson) is convicted of the murder of one Eddie Fry--who is not only very much alive, but is actually fugitive Richard Kimble (David Janssen). Now miles away from Briggs' town, Kimble could conceivably keep quiet and avoid arrest by allowing Briggs to be executed. Instead, Kimble's essential decency gets the better of him, and returns to reveal that reports of his death were highly exaggerated. Unfortunately, by this time Briggs himself has been killed while trying to escape--and his hotheaded son Roy (David Macklin) is determined to get even with Janice Cummings (Dianne Foster), whose testimony sent his dad to prison. ~ Hal Erickson, Rovi
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- 1966
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After meticulously planning a Baltimore bank robbery, four men--Hogan (Ralph Meeker) Collins (Don Quine), Cowboy (Albert Salmi and Breese (Paul Bryar)--steal only a few thousand dollars. Inspector Erskine (Efrem Zimbalist Jr.) wants to know why the thieves were willing to settle for so paltry a sum. Doing a bit of digging, Erskine learns of a legendary bank robber who would likewise pull small robberies just for practice, in preparation for one big, spectacular heist. Now the Inspector must second-guess the thieves and prevent them from making their final haul. ~ Hal Erickson, Rovi
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- 1966
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Now posing as "Ed Sanders", Kimble (David Janssen) shows up at an electronics demonstration being held in a shopping mall, where he witnesses security guard Pete Dawes (Howard Da Silva) gunning down a teenage thief. Now Kimble must save an innocent man from being accused of the shooting--but he dares not make a move out of the mall for fear of being arrested. Caught in the middle of this dilemma is camera-store employee Marcia (Lois Nettleton), who has offered to provide Kimble a safe harbor from the authorities. ~ Hal Erickson, Rovi
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- 1966
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Art-gallery owner Francis Clune (Donald Murphy) is the victim of theft and fraud, while his girlfriend Bobbie Dane (Francine York) is nearly killed by a "careless" motorist. The couple's woes are exacerbated when both are charged with killing a detective (Allan Melvin) and a hijacker (Peter Mamakos). Determined to prove the innocence of Francis and Bobbie, Perry Mason (Raymond Burr), literally puts his own life on the line. This is the second Perry Mason episode based on Erle Stanley Gardner's 1952 novel The Case of the Moth-Easten Mink, previously filmed under that title in 1958 (and incidentally, the painting identified as "Sausalito Sunrise" had likewise appeared in at least two earlier episodes!) ~ Hal Erickson, Rovi
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- 1967
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In the series' first and only "sequel" episode, Eileen Heckert returns as free-spirited nun Sister Veronica, a character she'd previously introduced in the Season One episode "Angels Travel on Lonely Wounds". Wounded in his last skirmish with the law, fugitive Richard Kimble (David Janssen) seeks the aid of Sister Vernoica, who is currently working at St. Mary Magdalene School, a home for delinquent girls. Kimble hopes that the Sister can help him follow up a reported sighting of the "One-Armed Man" who killed Kimble's wife. Unfortunately, two things are working against the success of Kimble's mission: Sister Angelica is now gravely ill, and one of her students, a troubled girl named Vicki (Adrienne Hayes, is planning to turn the fugitive over to the cops. ~ Hal Erickson, Rovi
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- 1970
- R
Taken from the autobiography of the world's first transsexual, George Jorgensen (John Hansen) is a woman trapped in a man's body who opts for surgery and hormone treatments to make him a woman. Events of his childhood are covered, showing young George preferring dolls over contact sports. Inducted into the Army, the sexually confused George learns to hide his emotions during his military experience. He travels to Denmark where a pioneering team of doctors agree to perform the surgical process for the first time ever. His kindly aunt in Denmark (Joan Tompkins) gives George the name of Christine after her late daughter. Hansen is unconvincing as a woman, and there are several passages in this biographical drama that lead to unintentional hilarity. ~ Dan Pavlides, Rovi
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- Starring:
- John Hansen, Joan Tompkins, (more)

- 1971
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Posing as a psychic, silver-tongued con artist Charles Ridgeway (Fritz Weaver) specializing in relieving his wealthy clients of their jewels and other valuables. Ridgeway's current pigeon is widow Carol Stanford (Dana Wynter), who is desperate to make contact with the spirit of her dead son. FBI Inspector Erskine (Efrem Zimbalist Jr.) intends to stop Ridgeway before Mrs. Stanford loses her most cherished possessions--to say nothing of her life. This episode marks one of the earliest TV appearances of Ed Begley Jr.. ~ Hal Erickson, Rovi
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- 1973
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In this made-for-TV pilot, a government agent must stop a rogue operative from releasing a lethal virus. ~ Jason Ankeny, Rovi
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- 1974
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Season Three of The Waltons begins with the first half of a two-part story (originally telecast as a single, two-hour episode). The great Beulah Bondi (she was James Stewart's mom in It's a Wonderful Life) guest stars as Aunt Martha, the elderly sister of Grandpa Walton (Will Geer). The US Government has evicted Martha and her family from their home, which is slated for demolition to make way for the Blue Ridge Parkway. Although she has been compensated with a new house and patch of land, Martha refuses to budge--and Grandpa and John-Boy (Richard Thomas) are pressed into service to halt the Government construction crew in its tracks. ~ Hal Erickson, Rovi
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- 1974
- R
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Three teenage candy stripers find adventure in love within the walls of the local hospital in this silly exploitation vehicle. Marissa (Maria Rojo) is a hotheaded Mexican girl who has been ordered by the principal of her high school to serve ailing patients in the hopes that she might learn some discipline. Dianne (Robin Mattson) is a modern dance enthusiast who wants to go on to medical school. Sandy (Candice Rialson) has hot pants and can't say no; her head is turned and her blouse removed by doctors, patients, and a rock star who visits the hospital's sexual dysfunction clinic. Along the way the girls find love, save a wrongfully accused man from a robbery rap, and uncover a college basketball drug scandal. ~ Fred Beldin, Rovi
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- 1974
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In the conclusion of a two-part story (originally telecast as a single two-hour episode), the Walton men have gathered at the home of Grandpa Walton's elderly sister Martha (Beulah Bondi), whom the government has evicted in so as not to impede construction of the Blue Ridge Parkway. Although certain authorities have promised to reconsider the eviction, certain others go back on their word--and now the Waltons and the Feds are facing each other down, both sides fully armed. As the lone voice of reason in this standoff, John-Boy (Richard Thomas) does his best to avoid unnecessary bloodshed...only to be the first one caught in the crossfire! ~ Hal Erickson, Rovi
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