John Power Movies
- 1949
Often misidentified as The Treasure of Monte Carlo, this low-budget melodrama is tenuously related to the "Monte Cristo" legend as laid down by novelist Alexandre Dumas. Glenn Langan plays Edmund Dantes, a descendant of the original Count of Monte Cristo. Working as an officer on a freighter, Dantes is forced to follow family tradition when he is falsely accused of murder and imprisoned. After escaping, Dantes tracks down the genuine villains to find out why he was set up. Lensed on location in San Francisco, Treasure of Monte Cristo benefits from such reliable supporting players as Adele Jergens (whose duplicity is so transparent that one wonders how the hero could be so stupid), Steve Brodie, and former "East Side Kid" Bobby Jordan. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Langan, Adele Jergens, (more)
- 1944
A scientist discovers that he can live forever by receiving gland transplants every ten years. Unfortunately, the unwilling donors must be killed for him to survive, something that doesn't bother the scientist until he falls in love. The girl, innocent of his grisly secret, falls for him too. Unfortunately, he is due for a new transplant and the endocrinologist who has been doing the operation gets a guilty conscience and refuses to help him any more. Desperate to remain young, the scientist finds someone else. This time though, Scotland Yard gets wind and begins investigating. The girl finds out, and remains true to the scientist causing him to abandon his mad quest for eternal youth. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nils Asther, Helen Walker, (more)
Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. ~ Hal Erickson, All Movie Guide
- Starring:
- Roddy McDowall, Donald Crisp, (more)
As Academy Award-winning films go, Mrs. Miniver has not weathered the years all that well. This prettified, idealized view of the upper-class British home front during World War II sometimes seems over-calculated and contrived when seen today. In particular, Greer Garson's Oscar-winning performance in the title role often comes off as artificial, especially when she nobly tends her rose garden while her stalwart husband (Walter Pidgeon) participates in the evacuation at Dunkirk. However, even if the film has lost a good portion of its ability to move and inspire audiences, it is easy to see why it was so popular in 1942-and why Winston Churchill was moved to comment that its propaganda value was worth a dozen battleships. Everyone in the audience-even English audiences, closer to the events depicted in the film than American filmgoers-liked to believe that he or she was capable of behaving with as much grace under pressure as the Miniver family. The film's setpieces-the Minivers huddling in their bomb shelter during a Luftwaffe attack, Mrs. Miniver confronting a downed Nazi paratrooper in her kitchen, an annual flower show being staged despite the exigencies of bombing raids, cleric Henry Wilcoxon's climactic call to arms from the pulpit of his ruined church-are masterfully staged and acted, allowing one to ever so briefly forget that this is, after all, slick propagandizing. In addition to Best Picture and Best Actress, Mrs. Miniver garnered Oscars for best supporting actress (Teresa Wright), best director (William Wyler), best script (Arthur Wimperis, George Froschel, James Hilton, Claudine West), best cinematography (Joseph Ruttenberg) and best producer (Sidney Franklin). Sidebar: Richard Ney, who plays Greer Garson's son, later married the actress-and still later became a successful Wall Street financier. Mrs. Miniver was followed by a 1951 sequel, The Miniver Story, but without the wartime setting the bloom was off the rose. ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
Given the omnipresence of the Motion Picture Production Code in 1940, the second film version of Robert E. Sherwood's Waterloo Bridge would have to be laundered and softened to pass muster. In the original, made in 1931, the heroine is nothing more or less than a streetwalker, patrolling London's Waterloo Bridge during World War I in hopes of picking up the occasional soldier. She falls in love with one of her clients, a young officer from an aristocratic family. Gently informed by the young man's mother that any marriage would be absolutely impossible, the streetwalker tearfully agrees, letting her beau down gently before ending her own life by walking directly into the path of an enemy bomb. In the remake, told in flashback as a means of "distancing" the audience from what few unsavory story elements were left, the heroine, Vivien Leigh, starts out as a virginal ballerina. Robert Taylor, a British officer from a wealthy family, falls in love with Vivien and brings her home to his folks. This time around, Taylor's uncle (C. Aubrey Smith), impressed by Vivien's sincerity, reluctantly agrees to the upcoming marriage. When Taylor marches off to war, Vivien abandons an important dance recital to bid her fiance goodbye, losing her job as a result. Later, she is led to believe that Taylor has been killed in battle. Thus impoverished and aggrieved, she is given a motivation for turning to prostitution, a plot element deemed unecessary in the original-which indeed it was. Now the stage is set for her final sacrifice, though the suicidal elements are carefully weeded out. Waterloo Bridge was remade for a second time in 1956 as Gaby, with Leslie Caron and John Kerr. ~ Hal Erickson, All Movie Guide
- Starring:
- Vivien Leigh, Robert Taylor, (more)
- 1940
The schizophrenic screenplay of The Earl of Chicago is rendered even more bizarre by the uneven performance by Robert Montgomery. He plays Silky Kilmont, a Runyonesque American gangster who inherits a British title (Earl of Gorley) and mansion. Taking charge of his new estate, Silky has an amusing time trying to acclimate himself to the customs of the "landed gentry". Things take a sinister turn when Silky discovers that his trusted attorney Doc Ramsey (Edward Arnold) is actually a bigger crook than he is. In a rage, Silky murders Ramsey, then goes into what appears to be a catatonic shock, refusing to defend himself at his murder trial. Blood finally tells at the climax when Silky Kilmont, aka the Earl of Gorley, meets his fate with a dignity and decorum worthy of his aristocratic forebears. The queasy atmosphere of the film is heightened by its utter lack of romance; outside of character actress Norma Varden, there are barely any women in the film at all. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Montgomery, Edward Arnold, (more)
- 1939
In the 1830s, despite the development of the steamboat at the outset of the 19th century, all trans-Atlantic travel was still done by sailing ships. David Gillespie (Douglas Fairbanks Jr.) is first mate on one of the fastest of such ships, commanded by Captain Oliver (George Bancroft), but he is sickened and wary of the loss of life of sailing men caused by the limitations of sail. He meets John Shaw (Will Fyffe), a Liverpool-based machinist who insists that he has a design for an engine and a ship that will allow safe trans-Atlantic travel by steam power, and the two go into partnership -- but Gillespie must contend with the resistance of Shaw's headstrong and skeptical daughter, Mary (Margaret Lockwood), as well as the resistance of bankers and other shipbuilders to the new ideas he represents. All of this pleases Mary, who, despite her love of her father and attraction to Gillespie, regards herself as practical-minded and wants her father safely back working for his old employer on a steady salary, instead of pursuing what she regards as impossible goals. Gillespie gets the backing and Shaw builds his engine, but his ship is burned in an accidental fire, and all looks lost until a sympathetic backer proposes fitting the engine to an existing vessel, and suddenly Shaw is a real threat to the shipping establishment. They try to stop him in the courts, and when that fails, the race is on from Liverpool to New York, between Shaw's steam-powered ship and Gillespie's sail-driven former ship, with Mary aboard to look out for her father and Gillespie, and the future of ocean travel in the balance. ~ Bruce Eder, All Movie Guide
- Starring:
- Margaret Lockwood, Douglas Fairbanks, Jr., (more)
- 1939
The old David Belasco theatrical warhorse Zaza, which starred Mrs. Leslie Carter way back in 1899, had already been filmed by Pauline Frederick in 1915 and by Gloria Swanson in 1923 when this Claudette Colbert version hit the screens in early 1939. Doing her own singing and dancing, Colbert plays the title character, a saucy fin de siecle Parisian cabaret performer who falls in love with wealthy rogue Dufresne (Herbert Marshall). Quitting show biz to be with Dufresne for all time, Zaza is taken aback to discover that he's already married. Sorrowfully she returns to the stage, singing a farewell to Dufresne before an audience that seems to include everyone in Paris. Bert Lahr steals the show as Zaza's zany but golden-hearted music-hall partner; in fact he's a lot livelier than the near-comatose Herbert Marshall, who seems preoccupied with more important matters throughout the film. Screenwriter Zoe Akins did her best to make the "naughty" Belasco original conform to the stringent censorship standards of 1939. Still, the Hays Office found plenty with which to nitpick: Commenting on Zaza's angry exclamation "Pig! Pig! Pig! Pig! Pig!", the Hays folks demanded "Delete two 'Pigs'." ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Herbert Marshall, (more)
- 1939
The Our Gang kids must raise 37 cents to pay off neighborhood bully Tommy "Butch" Bond. After earning a dollar for taking care of an injured dog, the kids hit upon a sure-fire moneymaking scheme; they'll "rescue" every dog in town, thereby collecting a dollar from each grateful owner. Naturally, the pet owners are upset when their pooches mysteriously disappear, and before long the gang is in hot water with the cops. Originally released on July 1, 1939, Dog Daze is a substandard Our Gang one-reeler that even the presence of guest star Scotty Beckett (repeating his "Cousin Wilbur" characterization) cannot rescue from mediocrity. ~ Hal Erickson, All Movie Guide
- Starring:
- George "Spanky" McFarland, Carl "Alfalfa" Switzer, (more)
- 1939
The fourth cinematic version of the novel Raffles, the Amateur Cracksman by E.W. Hornung, this romantic caper is a virtual remake of the 1930 version. David Niven stars as A.J. Raffles, a famed cricket player of English society's upper crust. Secretly, however, Raffles is a skilled cat burglar known as "The Amateur Cracksman" to Scotland Yard, which has been unable to catch him. Known for returning the items he's filched, Raffles is about to give up a life of crime because he's fallen for Gwen (Olivia de Havilland), a rich society girl. But first Gwen's brother, Bunny (Douglas Walton), needs help to extricate himself from a gambling debt that will be satisfied nicely by the valuable necklace owned by royal Lady Melrose (May Whitty). At a party thrown by Melrose, a rival thief and a detective (Dudley Digges) stand in Raffles' way, although the nimble and perturbed master criminal has a master plan that will result in the least possible harm coming to all involved. ~ Karl Williams, All Movie Guide
- Starring:
- David Niven, Olivia de Havilland, (more)
- 1937
Claudette Colbert is a young freethinking woman living in Salem, Massachusetts during the notorious 17th century "witch trials". Colbert falls in love with adventurer Fred MacMurray, causing no end of scandal with the Puritan townsfolk. A hateful little girl (Bonita Granville) pretends to be "possessed", thereby convincing the Salemites that Claudette is a witch. Tried and convicted of sorcery, the poor girl is sent to be burned at the stake, but is rescued in the nick of time by MacMurray, who convinces the townsfolk that they've been the victim of a hoax. Maid of Salem earned a footnote in entertainment history in 1937 when it was booed off the screen of New York's Paramount theatre by fans who wanted to see the evening's real attraction--a performance by Benny Goodman and his orchestra. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Fred MacMurray, (more)
- 1937
After several overlong "Hopalong Cassidy" westerns, Rustler's Valley brings things back under control with a short-and-sweet running time of 58 minutes. William Boyd, George "Gabby" Hayes and Russell Hayden are back respectively as Hoppy, Windy and Lucky. This time, a powerful railroad tycoon frames an innocent young man on a robbery charge. The villain is in cahoots with an equally unscrupulous lawyer, played by Stephen Morris (better known as Morris Ankrum). With Hopalong Cassidy on the job, however, the baddies are foiled in near-record time. Of interest is the fact that the rail baron is played by 26-year-old Group Theatre veteran Lee J. Cobb, a full decade before his stage triumph in Death of a Salesman. Rustler's Valley comes to a thrilling climax as a rock-slide wipes out the remaining villains, a sequence later excerpted in toto in the 1942 Hopalong Cassidy oater Lost Canyon. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Hopalong" Boyd, George "Gabby" Hayes, (more)
- 1936
It may be sacrilege to say so, but Dracula's Daughter is an immense improvement over the original 1931 Dracula, despite the absence of Bela Lugosi in the cast. Gloria Holden is first-rate as the title character, alias "Countess Marya Zaleska," who after stealing her father's body from the authorities with the help of her faithful hunchbacked assistant Sandor (Irving Pichel), sets fire to the corpse in hopes of obliterating the family curse of vampirism. Try as she might, though, the "Countess" is unable to resist the temptation to go for the jugular vein; in one of the kinkier plot developments, she seems to favor the blood of female victims. Lest anyone read anything into this, however, it is established that she is hopelessly in love with handsome scientist Jeffrey Garth (Otto Kruger), and by film's end she has kidnapped Garth's sweetheart Janet Blake (Marguerite Churchill), hoping to lure him to Transylvania where he will be forced to become her mate throughout Eternity. Edward Van Sloan returns in his Dracula role as tireless vampire hunter Van Helsing, who once again comes to the rescue with a generous supply of garlic necklaces, crucifixes and wooden stakes. Full of clever and often surprising little touches (few other films of the mid-1930s would kill off a comedy-relief character in the second reel!), Dracula's Daughter is among the best of the vintage Universal horror films. ~ Hal Erickson, All Movie Guide
- Starring:
- Gloria Holden, Otto Kruger, (more)
- 1936
Having turned down the opportunity to produce Frank Capra's It Happened One Night (1934), MGM's Louis B. Mayer had second thoughts when the Capra film swept the 1935 Oscars ceremony. Mayer hastily commissioned an It Happened One Night wannabe titled Love on the Run, tailored for the talents of Joan Crawford and Clark Gable (who, of course, had starred in the Capra picture, and had copped one of those Oscars). Gable and Franchot Tone play rival journalists Michael Anthony and Barnabas Pells, who travel the length and breadth of Europe to outscoop one another. Crawford portrays madcap heiress Sally Parker, who is engaged to marry fortune-hunting Prince Igor (Ivan Lebedeff). Whereas in It Happened One Night the heroine (Claudette Colbert) linked up with Gable in order to expedite her elopement with the wrong man, in Love on the Run Crawford seeks out Gable's help to escape her impending marriage with Prince Igor. The two stars combine their flight across Europe with business, dogging the trail of international aviator Baron Spandermann (Reginald Owen), whom Anthony suspects of being a spy. Pells goes along with Anthony and Parker, and soon all three of them are tied up (literally, in Pells' case) with an espionage ring. While it is Clark Gable who ends up with Joan Crawford at fadeout time, it was Franchot Tone who claimed her as his bride in real life. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Clark Gable, (more)
- 1934
MGM was seldom content to just film a mystery; the story had to be dressed up in some elaborate, unorthodox fashion. Mystery of Mr. X is given an additional visual boost by setting the story in 19th century London, allowing for a full array of the costumes and plush backgrounds of the era and locale. Robert Montgomery is an elegant jewel thief who happens to be working the same territory where a mysterious murderer has struck. Montgomery deduces that the killer, whose victims are all constables, is operating in a pattern resembling the letter "X". To avoid being mistakenly arrested as the murderer, Montgomery endeavors to second-guess where the killer will strike next--and then lies in wait to trap Mister X himself. Adapted from a novel by Philip MacDonald, Mystery of Mr. X was remade in 1952 as The Hour of Thirteen. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Montgomery, Elizabeth Allan, (more)
