Paul Outlaw Movies
Intrigued by the transformation his country went through following the September 11, 2001, terrorist attacks on New York and Washington, D.C., American filmmaker Roland Tec ponders what became of "The Land of the Free" through telling the stories of a country still stuck in a state of post-catastrophic anxiety. Comprised of 13 vignettes (each set in a different state of the republic), We Pedal Uphill explores the common threads that tie us together, as well as the divisive factors that drive us apart. From the Mississippi mother who fears that her outspoken son will meet the same grim end as his later father to the man who drives 12 hours to thank another for saving his life and the librarian who returns for work following a mysterious three-month absence, Tec's stories draw inspiration from actual headlines in order to offer a contemplative snapshot of a country at odds with itself. ~ Jason Buchanan, All Movie Guide
What happens when a man looking for the perfect body finds that he loves someone for his mind? Christopher (John-Michael Lander) is a gay lawyer who's young, good-looking, successful, and happily out of the closet. However, he's not good with long-term relationships: he tends to be more attracted to men with good looks rather than substance, and he hops from one relationship to another with little thought of a lasting love affair. One evening, Christopher meets Stewart (David Vincent) at a party, and to his surprise he's very much attracted. Stewart is a book editor who's witty, intelligent, and soft-spoken; he's also a bit overweight and no pin-up boy. But when Christopher asks him out, he's amazed to discover that Stewart turns him down; it seems that Stewart is looking for someone sincere, and Christopher hardly seems to qualify. In time, though, Christopher convinces Stewart to give him a chance, and they become involved. However, old habits die hard, and Christopher manages to put a stake through the heart of their romance thanks to a one-night-stand with Stewart's hunky roommate. All the Rage was produced, written, directed and scored by Roland Tec, who adapted the script from his play A Better Boy. ~ Mark Deming, All Movie Guide
- Starring:
- John-Michael Lander, David Vincent, (more)
Andy Warhol was a phenomenon who warrants a lot of explaining: a completely colorless mega-star celebrity, and a kind of LaBrea Tarpit for a vivid and talented collection of oddballs in the New York scene. He fostered their continued degeneration into weird lifestyles and heavy drug use; and at the same time acted as their mentor, agent, and sponsor. One artist who came to be part of Warhol's "scene" was Jean Michel Basquiat, an antisocial street-bum who went from writing graffiti on alley walls to being the toast of New York City's art world. This film biography chronicles the progression of Basquiat (Jeffrey Wright) and his progression from living in cardboard boxes to penthouses, his romances, his drug use, and his death in 1988 at age 27. Along the way, he never stopped detesting the rich, including art agent Bruno Bischofberger (Dennis Hopper), and he never lost his naivete. Warhol (David Bowie) picks up some of the pieces as Basquiat lurches through the art scene. Cameo appearances by Tatum O'Neal and Courtney Love add spice to this interesting film. ~ Clarke Fountain, All Movie Guide
- Starring:
- Jeffrey Wright, Michael Wincott, (more)











