Frances O'Connor

Originally slated to premiere on November 27, 2007, then held back until December 4, the hour-long dramedy Cashmere Mafia finally made its ABC debut on January 6, 2008. The series focused on a quartet of highly successful female executives, friends since their days in business college, who continued to meet, compare notes, and advise and console one another in various expensive Manhattan restaurants and watering holes. Miranda Otto played the "anchor" of the group, Juliet Draper, the powerful COO of the Stanton Hall hotel chain, who wryly observed the passing scene, dispensed sage wisdom, and merrily dissed most of the males who crossed her path--with the occasional exception of her husband Davis (Peter Hermann). Lucy Liu costarred as Mia Mason, high-powered functionary at Barnstead Media, a publishing firm run by a Murdoch clone; Mia was so ambitious that she was even willing to sacrifice her love life for her career, maneuvering her own fiancee out of the job she finally grabbed for herself. Frances O'Connor played Zoe Burden, senior marketing VP for Lily Parish cosmetics, who after several dead-end heterosexual romances suddenly found herself attracted to another woman, Alicia Lawson (Lourdes Benedicto). And Bonnie Somerville appeared as Zoe Burden, managing director of mergers and acquisitions at the investment firm of Gorham Sutter, who encountered considerable difficulty juggling her career and her private life with her stay-at-home husband Eric (Julian Ovenden) and twin children Luke (Nicholas Reese Art) and Sasha (Peyton List). Also in the cast was Addison Timlin as Juliet and Davis' mildly rebellious 14-year-old daughter Emily. If Cashmere Mafia seemed to be an upscale variation of HBO's Sex and the City, it may have been because it was executive-produced by former Sex and the City producer Darren Star. The ABC series also bore a marked resemblance to Lipstick Jungle, a novel written by Starr's onetime Sex and the City partner Candace Bushnell; ironically, the TV-series version of Lipstick Jungle made its NBC bow some four weeks after Cashmere Mafia's inaugural episode. ~ Hal Erickson, All Movie Guide

Jim Crocker (Sam Rockwell) is an American ne'er-do-well living in England with his tolerant father, Bingley (Tom Wilkinson), and his snooty, social-climbing stepmother, Eugenia (Allison Janney). As the film opens, Jim has been fouling up Eugenia's efforts to obtain a peerage with his all-too-public drinking, carousing, and fighting. He's lived there ever since he lost his job writing a society column for a newspaper in New York. Due to his notoriety, the newspaper has continued running a column under his byline, "Piccadilly Jim," though he no longer writes it. He's fairly content in his debauchery until he runs into the comparatively refined Ann (Frances O'Connor), who, as it turns out, is the niece of Eugenia's sister and chief rival, Nesta (Brenda Blethyn). Jim is eager to meet Ann until he learns that she already hates Piccadilly Jim without having met him. Jim hatches an elaborate plot to win Ann's heart, posing as the upright son of his own butler, and traveling to America to stay with Nesta and her family, including her husband (and Ann's beloved uncle Peter [Austin Pendleton]), their obnoxious young son Ogden, and Ann and her potential fiancé, Reggie (Hugh Bonneville). As he sets out to win Ann's heart, Jim is shocked to discover that several other residents of the house are there under false pretenses, including his own father. Piccadilly Jim was adapted from P.G. Wodehouse's novel by Julian Fellowes (Gosford Park) and directed by John McKay (Crush). The film had its world premiere at the 2005 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

German filmmaker Katja von Garnier directs the HBO original movie Iron Jawed Angels, inspired by a pivotal chapter in American history. Hilary Swank plays Alice Paul, an American feminist who risked her life to fight for women's citizenship and the right to vote. She founded the separatist National Woman's Party and wrote the first equal rights amendment to be presented before Congress. Together with social reformer Lucy Burns (Frances O'Connor), Paul struggled against conservative forces in order to pass the 19th amendment to the Constitution of the United States. One of their first actions was a parade on President Woodrow Wilson's (Bob Gunton) inauguration day. The suffragettes also encountered opposition from the old guard of the National American Women's Suffrage Association, Carrie Chapman Catt (Anjelica Huston). The activists get arrested and go on a well-publicized hunger strike, where their refusal to eat earns them the title of "the iron-jawed angels." Iron Jawed Angels was screened at the Sundance Film Festival in 2004 before its television premiere on HBO. ~ Andrea LeVasseur, All Movie Guide

Writer/director Alan Brown makes his feature-length debut with the comedy drama Book of Love, following his award-winning short film O Beautiful (released as part of Boys Life 4: Four Play). High school history teacher David (Simon Baker) is newly married to the lovely Elaine (Frances O'Connor). When they welcome the fresh-faced, teenaged student Chet (Gregory Smith) into their lives, both begin to feel a strain on their marriage after awhile. Book of Love premiered at the Sundance Film Festival in 2004 as part of the dramatic competition. ~ Andrea LeVasseur, All Movie Guide

A superb cast brings Oscar Wilde's classic comedy of manners to life in the third big-screen adaptation of this hilarious look at fun, games, and dubious ethics among the British upper crust. Algernon Moncrieff (Rupert Everett) is a slightly shady, but charming gentlemen from a wealthy family who has a bad habit of throwing his money away. Algernon has a close friend named Jack Worthing (Colin Firth), a self-made man who acts as a ward to his cousin, a beautiful young lady named Cecily (Reese Witherspoon). Algernon has created an alter ego to help him get out of tight spots brought on by his financial improprieties, and when he learns that Jack has created a false identity of his own -- Earnest, a brother living in London whose exploits have earned him no small amount of notoriety -- Algernon arrives for a weekend visit in the country posing as the mysterious Earnest. Having heard of Earnest's misadventures many times over the years, Cecily had developed something of an infatuation with the lovable rogue, and Algernon's impersonation of him works no small degree of magic on Cecily. Meanwhile, Algernon's cousin, Gwendolyn (Frances O'Connor), arrives for the weekend, and is startled to discover Jack is also there -- except that she knows him as bad-boy Earnest. So just who is in love with who? How will Lady Bracknell (Judi Dench) handle the matter of her daughter Gwendolyn's suitors? And what's the truth about Jack's mysterious heritage? The Importance of Being Earnest was director Oliver Parker's second film adaptation of an Oscar Wilde comedy; he previously helmed An Ideal Husband, which also starred Rupert Everett. Everett and Colin Firth also co-starred in the 1984 drama Another Country. ~ Mark Deming, All Movie Guide

Based on the 1969 short story Super-Toys Last All Summer Long, by Brian Aldiss, this science fiction fantasy bears similarities to Pinocchio (1940) and originated as a long-gestating project of director Stanley Kubrick that passed to his friend Steven Spielberg after Kubrick's death. Haley Joel Osment stars as David, a "mecha" or robot of the future, when the polar ice caps have melted and submerged many coastal cities, causing worldwide starvation and human dependence upon robotic assistance. The first mecha designed to experience love, David is the "son" of Henry (Sam Robards), an employee of the company that built the boy, and the grief-stricken Monica (Frances O'Connor). David is meant to replace the couple's hopelessly comatose son, but when their natural child recovers, David is abandoned and sets out to become "a real boy" worthy of his mother's affection. Along the way, David is mentored by a pleasure-providing mecha named Gigolo Joe (Jude Law) and a talking "super toy" bear named Teddy. His adventures take him to the Roman Circus-style "Flesh Fair," where mechas are destroyed for the amusement of humans; Rouge City, where Gigolo Joe narrowly avoids capture by police; and finally a submerged New York City, where David's creator, Professor Hobby (William Hurt) reveals the secrets of the boy's creation. Brendan Gleeson and narrator Ben Kingsley co-star in A.I., which was adapted from Kubrick's treatment by Spielberg, in his first crack at screenwriting since Close Encounters of the Third Kind (1977). ~ Karl Williams, All Movie Guide

How far will a man go to win the woman he loves? That's the devilish question behind this satirical romantic comedy. Elliot Richards (Brendan Fraser), a low-level white-collar worker, has fallen in love with his co-worker Allison (Frances O'Connor), who barely knows he exists. Desperate to win her love, sad sack Elliot is approached by the Devil (Elizabeth Hurley), who offers him seven wishes in exchange for his soul. Elliot accepts, but none of his wishes works out quite the way that he had hoped; after transforming himself into a South American tycoon, a champion NBA basketball player, a famous author, the most sensitive man in the world, and even the president of the United States, Elliot discovers that the Devil has added a crucial loophole each time, and for all his troubles, Allison still isn't interested in him. Directed by Harold Ramis, Bedazzled was adapted from the 1968 cult movie of the same name written by and starring Peter Cook and Dudley Moore. ~ Mark Deming, All Movie Guide

Freely adapted from a novel by Jane Austen, this period drama is set in the early 1800s, as a girl named Fanny (Hannah Taylor Gordon) is being raised by loving but desperately poor parents. Wanting a better life for Fanny, they send her away to live with her aunts, high-minded Mrs. Norris (Sheila Gish) and drug-addicted Lady Bertram (Lindsay Duncan), who share an estate called Mansfield Park. Fanny joins the family at Mansfield Park, which includes Lady Bertram's husband Sir Thomas (Harold Pinter), who made his money in slaves and West Indian plantations; Sir Thomas's son Tom (James Purefoy), an alcoholic; Tom's intelligent younger brother Edmund (Jonny Lee Miller); and his two sisters, Julia (Justine Waddell) and Maria (Victoria Hamilton). Fanny soon makes friends with Edmund, though she's shown little respect by the rest of the family. In time, Fanny grows to adulthood (now played by Frances O'Connor) and gains skill and poise as a horsewoman while developing her skills as an author. When the stylish but secretive siblings Henry and Mary Crawford (Alassandro Nivola and Embeth Davidtz) arrive at Mansfield Park, romantic sparks begin to fly; the two sisters fight over Henry, while Mary is soon engaged to wed Edmund -- to the disappointment of Fanny, who has fallen in love with him. ~ Mark Deming, All Movie Guide

Set amidst the eerie desolation of the Australian outback, Kiss or Kill is a superior reworking of vintage film noir materials from the veteran director Bill Bennett. Its lovers-on-the-run story focuses on Nicole (Frances O'Connor) and Al (Matt Day), a pair of petty thieves running a scam targeting married businessmen; when one of their victims accidentally dies, they flee his hotel room, absconding with his briefcase. The case contains a videotape of Zipper Doyle (Barry Langrishe), a national soccer hero, molesting a young boy; Nicole and Al soon take off for Perth, intending to blackmail Doyle -- never suspecting that he, as well as the police, are already in hot pursuit. As the two make their way across the country, they leave a trail of dead bodies in their wake; both Nicole and Al begin to suspect that the other is a murderer, and as their journey continues, their paranoia only grows. A similar feeling of mistrust and dread informs virtually every interpersonal relationship in the film, effectively gnawing at our own perceptions and expectations; a stylistically aggressive picture, brimming with jump cuts and inventive camera work, its distinctive take on the noir tradition is fresh and exciting. ~ Jason Ankeny, All Movie Guide

Australian college students struggle to deal with school, romance, and life in general in first-time director Emma-Kate Croghan's comedy. The film's focus falls on cinema studies major Mia (France O'Connor) and her roommate Alice (Alice Garner), both of whom find themselves in romantic flux. Alice is torn between the cocky Ari (Matthew Dyktynski) and the shy but loyal Michael (Matt Day), while Mia is in the midst of a messy break-up with her girlfriend Danni (Radha Mitchell). Further complicating Mia's life are her unfinished thesis (on the feminist implications of Doris Day films) and her struggles with the college administration, which provide the opportunity for gentle satire of academia and the frustrations of bureaucracy. The characters deal with their troubles through articulate, questioning dialogue, and Croghan punctuates the film with title screens featuring famous quotes and with attempts to liven up the relatively familiar story with occasional forays into art-film stylization. Most critics viewed the film as a promising debut, with likable characters and a charming romantic tone, if an inconsequential narrative. ~ Judd Blaise, All Movie Guide