Niels Arestrup Movies

Je Tu Il Elle was the first feature-length effort from avant-garde filmmaker Chantal Akerman. The story, simple in extreme, concerns a high-strung woman taking a lengthy journey through France. Her life up until now has been one huge question mark. By dwelling long and hard on every experience, she hopes to find answers during her cross-country odyssey. Chantal Akerman herself plays a major role in Je Tu Il Elle, which also features Niels Arestrup and Claire Wauthion. ~ Hal Erickson, All Movie Guide

Actress Jeanne Moreau made her directorial debut with this tale about a gathering of actresses who, over the course of an all-night conversation, come to reassess their careers and romantic lives. ~ Jason Ankeny, All Movie Guide

The hero of this bleak science-fiction story is a married man who, along with his wife, survives the mysterious destruction of the world. After his wife dies, he makes plans to seek out whatever remnants of civilization exist. However, the arrival of a group of children and their older mentor changes his plans. He teaches them essential skills for survival, to which they add their own sort of ruthlessness. ~ Clarke Fountain, All Movie Guide

"Radical chic" was a phenomenon of the upper classes in the late '60s and early '70s: liberal, socially concerned and very wealthy people would emulate the attitudes, mannerisms and style of the radicalized and revolutionary poor. They would even go so far as to socialize with revolutionaries and provide them with funding for their activities. In this drama, a similar group of bored rich people gets more involved with the radical element than they had planned, and things get out of hand. ~ Clarke Fountain, All Movie Guide

Corinne (Miou-Miou) is a Parisian detective who is transferred to a small village in Northern France when an investigation uncovers evidence that is potentially damaging to some powerful local politicians. She is temporarily given a desk job before she is called on to solve the murder of a little girl. Her inquiry uncovers a child pornography ring that targets children from the working class. Comedian (Jean-Marc Thibault) gives a fine performance in a straight role as the local police inspector. ~ Dan Pavlides, All Movie Guide

Jean (Niels Arestrup), the lead character in this psychological journey is torn by a search for his lost childhood, the overwhelming need to love a woman of his dreams (someone he has invented), and a struggle with his latent bisexuality. Jean finds some photos inside an automatic photo station that look like his mother who died soon after he was born. He starts to fantasize about the woman, giving her a name and identity and waiting for her to appear. During this time, he meets Carole (Christine Boisson) and has an affair with her, all the while pretending he has this other relationship with the woman in the photo. Significantly, the couple who introduce him to Carole is childless, and they eventually split up - perhaps a comment on the importance of childhood to the adult world. In the end, Carole discovers that Jean's "other woman" has no real existence, causing a crisis that finds a symbolic expression as the last scenes close on the story. ~ Eleanor Mannikka, All Movie Guide

In this improbable, ponderous story about a couple who do not want to have children of their own, and a pregnant, single woman who needs a home for awhile, the relationship between the three protagonists is strange, at the very least. After Anna (Hanna Schygulla) and Gordon (Niels Arestrup) invite the expecting Malvina (Ornella Muti) to live with them, Anna becomes neurotically jealous and attempts suicide but is thwarted and in the end decides she really wants to be there for the baby when he/she comes into the world. Rather than trying to get rid of Malvina and the baby, both Gordon and Anna are in agreement on keeping it. When Gordon is accidentally killed, Malvina and Anna are left to plan for the future (now the best of friends), though it turns out the baby is destined to have only one mother after all. The confusion in the relationships of the main characters in this film is at times buried by clichés on the joys of motherhood and metaphors that overtake and bury the story. ~ Eleanor Mannikka, All Movie Guide

Set in the near future when a subterranean world is ruled over by a totalitarian psycho, this tame story about the macho hero Diesel (Gerard Klein) and the woman he saves (Agnes Soral) is too cliched to convince for long. When the woman, a prostitute, has to run for her life because she witnessed a murder, Diesel comes to her rescue, and a series of chases and confrontations follows. From the three gangsters after the woman, to the ruler of the city, the characters tend to be surface sketches and the situations predictable. ~ Eleanor Mannikka, All Movie Guide

In a most unusual, near menage a trois, Charlotte (Isabelle Huppert, sister of director Caroline Huppert) is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu (Niels Arestrup), her ex, is happily living with his new love Christine (Christine Pascal), and Charlotte's presence totally unnerves him and upsets Christine. Yet he agrees to hide her above their garage. That arrangement does not last long, and Charlotte shortly disappears on them, only to call Mathieu for help a few days later. He zooms off to her rescue, but even Christine, intensely hurt by Mathieu's behavior with Charlotte, agrees to help the duo cross over into Spain. Before that plan can be put in place, Charlotte is gone again -- leaving Christine and Mathieu to patch up the wounds in their relationship, which faces an uncertain future. ~ Eleanor Mannikka, All Movie Guide

The carefree life at a decadent cabaret in Paris is overshadowed by the darkening cloud of war in this thrilling drama. Beppo (Roger Hanin) is a club owner with ties to the mob who wages a secret war against the evil forces of fascism who control the local police. Vivian Reed gives a memorable performance as Josephine Baker, while gangsters, Nazis and other thugs wage a nocturnal battle for control of the city of lights. ~ Dan Pavlides, All Movie Guide

Charlie (Guy Marchand) returns home after being declared legally dead to reclaim his wife Georgia (Caroline Cellier) and cash in on a lucrative life insurance policy in this shadowy drama. He finds Georgia is married to the crooked cop William (Niels Arestrup), who has his eye on the insurance money. Antihero Charlie and the villainous police inspector head towards an inevitable confrontation, while Georgia is caught in the middle. ~ Dan Pavlides, All Movie Guide

Meeting Venus is based on a play cowritten by the film's director, Istvan Szabo. Glenn Close plays a celebrated Swedish opera star Karin Anderson who is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Admidst all this chaos, the mismatched Anderson and Szanto fall in love. Filmed in Budapest, Meeting Venus was far from a box-office hit thanks in great part to an inadequate advertising campaign; hopefully it will gain the wide audience it deserves on videocassette. (PS: Glenn Close's singing is dubbed by real-life opera luminary Kiri Te Kanawa. We tell you this because the lyp-synching is done so well that you might actually believe that Close is performing those arias herself). ~ Hal Erickson, All Movie Guide

This French documentary pays homage to a young man whose passion left a rich and valuable legacy to the world of cinema. Henri Langlois was one of the co-founders of the Cinematheque Francaise, a museum which contains many rare artifacts from early cinema as well as one of the most extensive film archives in the world. This documentary will be most meaningful for those already familiar with Langlois' story. Through old film clips and interviews, Langlois is seen as an eccentric but charismatic young visionary obsessed with preserving and locating old films. Filmmaker Edgardo Cozarinsky uses scenes from Citizen Kane to compare the portly iconoclast to Charles Foster Kane, in that both Langlois and Welle's fictional newspaper magnate where avid collectors, and both were men of mystery. ~ Sandra Brennan, All Movie Guide