Leif Erickson Movies

When Lucille Fletcher took on the challenge of expanding her classic 30-minute radio suspenser Sorry, Wrong Number into an 89-minute feature film, she opted on the Citizen Kane approach, filling the plotline to the brim with revelatory flashbacks. Barbara Stanwyck stars as bedridden hypochondriac Leona Stevenson, who while trying to make a call from her bedroom telephone gets her wires crossed and inadvertently overhears two men plotting a murder. Anxiously, Leona wades through telephone-company bureaucracy to trace the call, never catching on -- until it's too late -- that the murder being planned is hers. A series of flashbacks details the disintegrating marriage between the wealthy Leona and her weakling husband Henry (Burt Lancaster), and Henry's subsequent disastrous get-rich-quick schemes involving chemist Waldo Evans (Harold Vermilyea) and a surly gangster (William Conrad). It would have been a near-sacrilege to alter the radio play's ironic ending, which fortunately remains intact on film. Sorry Wrong Number was first heard on radio's Suspense series in 1943, with Agnes Moorehead as the harried Mrs. Stevenson (a role she'd repeat several times on radio and on stage). Though disappointed that she wasn't chosen to star in the film version, Moorehead took some satisfaction in the fact that a recording of the original radio program was played constantly on the set to help keep Barbara Stanwyck "in the mood". ~ Hal Erickson, All Movie Guide

This "B" effort from the 20th Century-Fox stable stars John Emery and Tamara Geva as John Newberry and Maria Ivar, a pair of quarrelsome stage stars. Realizing that their constant bickering is ruining their professional and personal lives, John and Maria separately consult psychiatrists Harold Matson (Leif Erickson) and Susan Nash (Virginia Gregg). To hide the fact that they're seeking therapy, John and Maria pretend that Harold and Suan are old school friends. It doesn't take long before the psychiatrists are arguing with each other, thereby "curing" John and Maria. Director Ray McCarey may have been the brother of Leo McCarey, but Ray's The Gay Intruders isn't in the same league as Leo's hilarious marital comedy The Awful Truth. ~ Hal Erickson, All Movie Guide

Director Victor Fleming's final film features Ingrid Bergman as a vivid and luminous Joan of Arc, the 15th-century French peasant girl who led the French in battle against the invading English, becoming a national hero. When she was captured, tortured, and ultimately executed by the English, she was made a Catholic saint. Bergman's Joan is a strong and spiritual figure who proves her devotion to the Dauphin (Jose Ferrer), later to become the King of France. Joan is compelling as she wins an alliance with the Governor of Vaucouleurs and the courtiers at Chinon, leads her army in the Battle of Orleans, is betrayed by the Burgundians, and edicts that "our strength is in our faith." ~ Paul Brenner, All Movie Guide

Having struck gold with the previous season's Dillinger, the King Brothers returned to Monogram as producers of The Gangster. Adapted by Daniel Fuchs from his own novel Low Company, the film stars Barry Sullivan as flint-faced racketeer Shubunka. Shown to be a product of the slums, Shubunka spends his adulthood in pursuit of power and riches, with no time for friendship or romance. Wounded in a gangland shootout, Shubunka ruminates on his past, present and (unlikely) future, wondering if it's all been worth it. Promoted as a "psychological" drama, The Gangster has plenty of gunplay and bloodshed to satiate action fans, and a surfeit of sex appeal in the form of gangster's moll Nancy (played by Monogram's resident skating star Belita). Prominent in the supporting cast is the ineluctable Sheldon Leonard as Shubunka's chief rival, delivering a subtler variation on his patented tough-guy screen persona. The Gangster was directed by Oscar-winning art director Gordon Wiles, later a mainstay of such TV series as Land of the Lost and Rowan and Martin's Laugh-In. ~ Hal Erickson, All Movie Guide

With America's Air Force not completely mobilized in mid-1942, Universal paid tribute to those foresighted Yankee flyboys who joined England's Royal Air Force before America's entry into WW2 in Eagle Squadron. Robert Stack stars as Chuck Brewer, one of several US flyers participating in RAF bombing raids of Germany. The film stresses the importance of hands-across-the-sea teamwork in this massive undertaking, concluding with Brewer leading his British compatriots on a Commando raid behind enemy lines, the better to capture a revolutionary new Nazi war plane. Every so often, the story slows to a walk as Brewer romances British lass Anne Partridge, played by the unfortunate Diana Barrymore in her last truly important screen role. Producer Walter Wanger made special arrangements with the British government to incorporate several exciting shots of authentic air battles in the film's 108 minutes. ~ Hal Erickson, All Movie Guide

One of the most often revived of Abbott & Costello's early-1940s films, Pardon My Sarong casts Bud and Lou as Chicago bus drivers Algy Shaw and Wellington Pflug. At the behest of millionaire playboy Tommy Layton (Robert Paige), Algy and Wellington hijack their own bus and speed off to California so that Tommy won't be late for an important yachting race. Our heroes are hotly pursued by bus-company troubleshooter Kendall (William Demarest), while Tommy's trail is dogged by rival yacht-owner Joan Marshall (Virginia Bruce). Eluding Kendall when they inadvertently drive their bus into the ocean, Algy and Wellington are rescued by Tommy and Joan, who through a plot wrinkle have been forced to share the same yacht. After several days of drifting aimlessly across the Pacific, the yacht ends up on a remote South Sea Island, where Algy and Wellington flirt capriciously with the local native girls. Through a fluke, Wellington is served up as a sacrifice victim and ordered to enter a sacred volcanic mountain-which happens to be the hideout for jewel thief Varnoff (Lionel Atwill) and his gang. The story wraps up with a zany Sennett-like chase, with Wellington attempting to rescue the kidnapped Joan from Varnoff's speedboat. Filled to overflowing with hilarious sight gags, cross-talk routines and throwaway lines, Pardon My Sarong scores on two levels: as a devastating send-up of Dorothy Lamour jungle epics and as a first-rate vehicle for Bud Abbott and Lou Costello. One one quibble: the film certainly could have done without the scene in which Bud invites Lou to commit suicide! ~ Hal Erickson, All Movie Guide

In a harem in a Middle Eastern palace, the guardian leads the women he protects in telling the tale of Halroun-Al-Raschid (Jon Hall), the Caliph of Bagdad, who found himself an enemy close to home in the form of his half-brother Kamar (Leif Erickson), who was ineligible for the throne because of his mother's having been a slave. Halroun and his followers initially put down Kamar's attempt at usurpation, until Halroun's ambitious vizier Nadan (Edgar Barrier) changes sides. In the confusion of the ensuing battle, Halroun is wounded -- spotted by the young acrobat Ali (Sabu), he is sheltered by a group of traveling players led by Ahmad (Billy Gilbert), whose ranks also include a player and storyteller (and, if he is to be believed, former sailor) named Sinbad (Shemp Howard) and a man named Aladdin (John Qualen) who is searching for a magic lamp -- and a dancer named Scheherazade (Maria Montez), who had beguiled Kamar and welcomes his ascent to the throne, because she has been told that she is destined to marry a king. She loves the wounded man in her care, whose identity she doesn't know, but is intent on marrying Kamar, now that he is Caliph. But her plans are thwarted by Nadan, who wants no competition from her in his sway over Kamar, and has arranged to have her killed; but when an avaricious officer (Turhan Bey)instead sells her and the entire performing troup to a dishonest slave trader (Thomas Gomez). From that moment, complications ensue for all concerned, as the new Caliph goes after his beloved, the deposed king Halroun tries to protect her and regain his throne, and Nadan hopes to come out sitting on the throne himself. Treachery and narrow escapes, and even a few thwarted plans ensue on all sides as the hero Haroun has to watch out for Scheherazade and himself from several sides at once, all while keeping his identity from her. ~ Bruce Eder, All Movie Guide

The Blonde from Singapore was one of several Columbia B-pictures that were presold to exhibitors on the basis of their titles alone. Pilot Terry Prescott (Leif Erickson), forced to resort to poaching pearl beds to keep financially afloat, makes the acquaintance of ex-showgirl Mary Brooke (Florence Rice) in a Singapore dive. Prescott surreptitiously slips his ill-gotten pearls in Mary's handbag, intending to retrieve them when the heat's off without the girl's knowledge. But this proves impossible when Mary heads off to parts unknown, obliging Terry to chase after the girl, gradually falling in love with her all the while. Director Edward Dmytryk was clearly destined for better films than Blonde From Singapore, but he handles this sow's ear as if it were a silk purse. ~ Hal Erickson, All Movie Guide

A filmed documentary of the last days in free Czechoslovakia before Hitler invaded. The film was not yet complete, or certain parts of it even processed, before German tanks came rolling into Prague. The raw footage was smuggled out piecemeal by the then-refugee filmmakers, who met in New York in 1939 to complete and screen the film, which ultimately played. It is, as one can imagine, heavily anti-fascist in tone, and remains a valuable document of life in Czechoslovakia between the wars. ~ David Lewis, All Movie Guide

A macho Cossack immigrant to the U.S. goes West and joins a ring of rustlers. Later his son follows him to states and he too begins stealing cows. Not knowing his father very well, the youth is anxious to prove himself a manly man and a friendly rivalry develops until the father is captured and imprisoned. Meanwhile, his son joins the cavalry and secretly engineers a break out. He succeeds and then feels terrible guilt, for it is his unit that has been assigned to bring his father to justice. ~ Sandra Brennan, All Movie Guide

This happy-go-lucky musical comedy is set in beautiful Hawaii and follows a public relations man who works for a pineapple company (Bing Crosby) and his pal as they escort a beauty contest winner (Shirley Ross) and her loudmouthed friend (Martha Raye) on a tour of the islands. Unfortunately, the winning beauty finds the islands a crashing bore and plans to return to the mainland. This forces the P.R. man to take drastic and romantic measures to convince her to stay. The song "Sweet Leilani" won an Oscar. ~ Sandra Brennan, All Movie Guide

"Camp Romance," a place for the romantically challenged, provides the setting of this musical. The story centers on a frumpy secretary's crush on her handsome boss, the camp manager. The manager has been working on a musical. Just as he is about to finish it, the secretary gives herself a makeover, turns into a drop- dead knockout, and romantic bliss ensues. Songs include: "Keeno, Screeno and You," "I'll Follow My Baby," "Thrill of a Lifetime," "Paris in Swing," "Sweetheart Time," "It's Been a Whole Year," "If We Could Run the Country for a Day." ~ Sandra Brennan, All Movie Guide