Michael Ensign Movies

A mild box-office hit for New World Pictures, this lightweight attempt at horror parody from Friday the 13th producer Sean S. Cunningham stars former Greatest American Hero William Katt as a best-selling pop-horror novelist (a la Stephen King) who suffers an insurmountable case of writer's block after separation from his soap-star wife (Kay Lenz) and the disappearance of their young son. Hoping to purge his personal demons by writing his Vietnam War memoirs, he moves into the massive mansion once occupied by his deceased aunt (who hanged herself in her bedroom), and finds himself surrounded by demons of a completely different kind. Katt takes the weirdness in stride, attempting to face down marauding monsters, interdimensional trap-doors and other supernatural horrors while concealing his predicament from the neighbors (except for a befuddled George Wendt, who tries gamely to play along with Katt's hare-brained monster-fighting schemes). Despite the filmmakers' admirable efforts to maintain the manic pace with multiple storylines, their attempt to bring all the plot elements together for the climactic payoff results in a jangled mess. Surprisingly entertaining when viewed as a live-action cartoon, but virtually impossible to take seriously as a horror film. Followed by three sequels. ~ Cavett Binion, All Movie Guide

In this comedy, an ordinary woman finds herself sharing both her home and her body with a ghost who has a pronounced wild streak. Jan (Glenn Close) and Nick (Mandy Patinkin) are a couple moving into an apartment in an old Victorian house in San Francisco. Jan is a straight-laced secretary working for a Catholic bishop, while Nick deals in used books. While stripping some old wallpaper in their new home, they discover a message written on the wall, which their flaky landlady Mrs. Lavin (Ruth Gordon) informs them was written by Maxie, a high-spirited flapper who had a career in silent films before dying in a car wreck on her way to audition for D.W. Griffith. Out of curiosity, Jan and Nick rent a video of one of Maxie's films to see her in action, but it just so happens that Maxie's ghost still lives in the house -- and is looking for a human host. Maxie's spirit enters Jan's body and makes her presence known at the most inconvenient times; suddenly mild mannered Jan is kicking up her heels, swilling gin, starting arguements, and acting like a flaming youth straight out of the 1920s. Nick finds Maxie a good bit more exciting than Jan and even tries to launch Maxie back into a movie career by having her audition for a remake of Cleopatra opposite Harry Hamlin; Jan, however, just wants to have her body to herself again. Maxie proved to be one of the last screen appearances for veteran actress Ruth Gordon, who died several weeks before the film was released. ~ Mark Deming, All Movie Guide

In the conclusion of a two-part story, Bo (John Schneider) and Luke (Tom Wopat), still operating undercover for the Feds, continue to race the General Lee under the banner of crooked promoter J.J. Carver (Ramon Bieri). The good news is that the Duke boys have managed to gather enough evidence to put Carver behind bars for a long time. The bad news is that Boss Hogg (Sorrell Booke) and Sheriff Roscoe (James Best), unaware of what the Dukes are up to and hoping to get the good on Carver themselves, succeed only in blowing Bo and Luke's cover at the worst possible moment! ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Daisy (Catherine Bach) and Jesse (Denver Pyle) are astonished--a not a little disgusted--when Luke (Tom Wopat) and Bo (John Schneider) accept an offer from Mary Beth Carver (Lydia Cornell) to return to the NASCAR circuit. After all, Mary Beth's promoter father J.J. Carver (Ramon Bieri) is a mob-connected crook, and the Duke boys had previously vowed never to work for him again. What no one but Luke, Bo and the viewer knows is that the boys are working undercover on behalf of some Federal agents, who hope to get the goods on Carver and put him away for life--assuming, of course, that the Dukes will live long enough to see this happen! ~ Hal Erickson, All Movie Guide

The made-for-TV Shattered Vows stars Valerie Bertinelli as a young nun named Mary Gilligan. Though she tries to honor the edicts of her calling, Mary falls in love with a handsome priest (David Morse). Her overwhelming desire to marry and raise a family culminates in her leaving her order before taking final vows. The real-life Mary Gilligan Wong eventually became a clinical psychologist. Her autobiography Nun: A Memoir served as the basis for Shattered Vows, which first aired October 29, 1984 ~ Hal Erickson, All Movie Guide

In this espionage adventure, four beautiful aerobics instructors (government spies in disguise) try to stop villains from stealing the newest nuclear weapon. ~ Sandra Brennan, All Movie Guide

Once more, a wise-guy teenager tries to prove he's smarter than any adult-and nearly destroys the whole world in the process-in WarGames. Computer-game aficionado Matthew Broderick inadverently taps into a hush-hush Pentagon computer, then proceeds to inaugurate his favorite game, "Global Thermonuclear War". What we know, but Broderick doesn't, is that the Pentagon, hoping to eliminate the chancy "human element" in the event of an actual war, has given its computer total, irreversable control over the launching of nuclear weaponry. Broderick and government official Dabney Coleman race against time to reverse the computer's resolve to send bombers to Russia. WarGames scored a hit, especially with teenage filmgoers. ~ Hal Erickson, All Movie Guide

Jack Butler (Michael Keaton) is a Detroit automobile engineer unjustly fired by his boss. Jack's wife Caroline (Teri Garr) is compelled to get a job to make ends meet, and is soon hired on as an advertising executive in a firm run by the shifty Ron Richardson (Martin Mull. This leaves Jack at home doing the housework and taking care of the kids, which he discovers is a lot more complicated than he ever imagined. Moving from breadwinner to househusband doesn't do much for his self-esteem, and he bides his time playing poker for 10-cents-off coupons with a gaggle of neighborhood housewifes and pondering infidelity with dedicated homewrecker Joan (Ann Jillian). Among Keaton's fish-out-of-water bits: trying to maneuver a shopping cart with the inevitable wobbly wheels; and imagining a soap opera-cum-film noir episode in which he gives in to Joan's advances, only to be found out by Caroline. ~ Hal Erickson, All Movie Guide

Fed up with watching vicious criminals walk on technicalities and loopholes, judge Michael Douglas accepts his older colleague Hal Holbrook's invitation to join "The Star Chamber." This sub-rosa organization consists of nine like-minded judges who endeavor to take the law into their own hands. Essentially, these are robed vigilantes, but Douglas joins them, determining that the end justifies the means. Before long, however, Douglas finds himself balking at sanctioning the murder of freed criminals -- and as a result becomes the target of the Star Chamber himself. Worth noting in the supporting cast of The Star Chamber are Diana Douglas, Michael Douglas' real-life mother, and Frances Bergen, widow of Edgar Bergen and mother of Candice Bergen. ~ Hal Erickson, All Movie Guide

Robert Louis Stevenson's novel is satirized in this comedy about a scientist (Mark Blankfield) who is hopelessly addicted to his latest invention, a strange white powder. ~ Jason Ankeny, All Movie Guide

Tony Bill directed this sentimental weepie starring Dudley Moore as California politician Patrick Dalton. When Nicole (Katherine Healy), the daughter of the well-to-do Charlotte Dreyfus (Mary Tyler Moore) asks to work for his campaign, Patrick initially turns her down. But when he discovers that she is dying from leukemia, Patrick is determined to make her final days happy ones. Along the way, Patrick and Charlotte have an affair and they take Nicole on a dream trip to New York City. ~ Paul Brenner, All Movie Guide

Inspired by Pink Floyd's album of the same name, Pink Floyd: The Wall is a dark, expressionistic musical, told from the point of view of Pink, a depressed rock musician. The film is structured around Pink's reflections on his life, all of which center on the building of "the wall." This wall is a metaphor for psychological isolation, a barrier Pink creates to distance himself from his pain. The foundations for this wall are lain in childhood, with the death of Pink's father leaving him to be raised by an overprotective mother and a repressive school system. He seeks freedom from this world through writing and music. However, even after he achieves success as a rock star, the wall continues to grow, with Pink feeling trapped by fame and wounded by his failed personal relationships. Lost in despair and self-loathing, he attempts to isolate himself from the world entirely. Director Alan Parker approaches this material in a highly stylized manner, mingling animation and dream-like sequences to suggest Pink's perception of the world. These techniques complement the almost constant music, which the film often uses in place of dialogue. Songs include "Another Brick in the Wall" and "Comfortably Numb". ~ Judd Blaise, All Movie Guide