Marla English Movies

Another American-International opus which managed to attain top bookings on the strength of an exploitational titles, Runaway Daughters concentrates on the misadventures of a trio of teenaged girls. Audrey Barton (Marla English) wants something more out of life than her parents' money can buy; Dixie (Mary Ellen Kaye) wants to escape the tyranny of her misogynistic father; and Angela Forrest (Gloria Castillo) is a child of divorce, left to fend for herself in a hostile world. Not surprisingly, our three heroines end up in a heap of trouble in their pursuit of happiness; also not surprisingly, the film promises far more than it delivers. Of interest is the presence in the cast of 1930s film star Anna Sten. Runaway Daughters was originally released on a double bill with A-I's Shake, Rattle and Rock; it was remade for cable TV in 1994, as part of Showtime's "Rebel Highway" series. ~ Hal Erickson, Rovi

One of the least-known of the American-International "B" westerns of the 1950s, Flesh and the Spur offers the spectacle of the inimitable John Agar in a dual role. When his twin brother Mathew is killed, Luke Random goes gunnin' for his brother's murderer. Along the way, he teams up with gunslinger Stacey (Touch Connors, aka Mike Connors), who is also seeking out an old enemy. Five points to anyone who guesses before the fadeout who Mathew Random's killer turns out to be. Written by A-I regular Charles B. Griffith, Flesh and the Spur was originally released on a double bill with Naked Paradise. ~ Hal Erickson, Rovi

In this steamy drama, three sisters learn that their father has died in a plane crash, and they begin fighting over his enormous estate to see who is to be the principal heiress. One of the sisters is particularly wicked. Wanting it all for herself, she maims one of her siblings so badly that the girl kills herself. She then hires the man who flew the plane the day their father died to help her kill the second sister in exchange for a piece of the fortune. The pilot agrees, but then falls in love with the second sister and marries her. The evil sister gets revenge by telling the new bride that she is having an affair with the pilot. The distraught sister is just about to jump off a cliff when the pilot and the bad seed accidentally drive over the cliff themselves. ~ Sandra Brennan, Rovi

Set in 1952, at a point when the United States was bogged down in the "police action," Hell's Horizon focuses on one crew of a B-29, given the unenviable assignment of knocking out a bridge vital to the enemy over the Yalu River. To do this, and avoid violating Chinese airspace, they must make their run from a predetermined direction and, if forced down or unable to drop their bomb-load, must see to it that they don't do it over China. John Ireland is excellent as Merrill, the pilot of the plane and a born cynic, who must lead a crew that -- if truth were to be told to his C.O. -- is coming apart at the seams. First there's Trask (Hugh Beaumont), the sergeant and the non-com veteran of the group, who can't get his mind off of troubles at home; then there's Lewis (Larry Pennell), who's young enough to let his emotions get the better of him, especially where Sami (Marla English), a local Korean girl who does the unit's laundry and has been a regular companion for Merrill, is concerned; and Jockey (Chet Baker), who relaxes by playing a trumpet that drives half the other members of the crew to distraction. Add to that one new crewman, Morgan (William Schallert), an instructor who's never been in combat, and a plane that was state-of-the-art in the last war but barely able to deal with the MIGs that the North Koreans are flying now, and you've got a recipe for disaster, which nearly comes to fruition when two members of the crew fold up in different ways at two critical moments along the mission, jeopardizing the lives of the entire crew. ~ Bruce Eder, Rovi

A corrupt cop creates all kinds of problems in this crime drama. The trouble begins when he kills a bookie and then grabs $25,000. Later he tells his chiefs that he did it because he had to, but as no one was there to witness the killing, they are forced to take his word for it. Unfortunately for the bad egg, there was one witness. Fortunately for him, he manages to kill that witness. The killing alerts a detective who was once framed by the crook and another gangster. The detective's investigations lead him to the bad apple's newly built suburban home, in which his illicit money is hidden. ~ Sandra Brennan, Rovi

Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires. ~ Hal Erickson, Rovi