Sue England Movies

Elvis Presley plays Scott Heyward, the son of a Texas oil millionaire in this thin storyline. Scott changes places with the poor but honest water-skiing instructor Tom Wilson (Will Hutchins) to find out if women love him for himself or his money. Tom goes to the posh penthouse previously occupied by Scott, and Scott takes over as the instructor. Scott's father Duster (James Gregory) blows a gasket when he finds out what his son is doing. Boat builder Sam Burton (Gary Merrill) talks Scott into driving his new boat in the big race. Elvis delivers 8 songs in one of the more lackluster vehicles of his 1960s film catalogue. A bevy of beauties, some exciting race scene, and glossy production all help this one across the finish line. ~ Dan Pavlides, All Movie Guide

As the Jupiter 2 continues its journey through space, Dr. Smith (Jonathan Harris) picks up a radio message, supposedly from earth. Blindly following the message (the voice on the other end is alluringly feminine!), Smith redirects the spacecraft to a strange, spectral planet controlled by robots. Almost immediately, the Robinsons are enslaved by the metallic aliens--while their own Robot, incapacitated by a ray gun, is unable to come to the rescue. ~ Hal Erickson, All Movie Guide

In the first chapter of a two-part story arc, Mrs. Drysdale checks herself into a hospital, suffering from a bad case of nerves -- induced, of course, by those "dreadful hillbillies," the Clampetts. Unaware of the reason for Mrs. D's breakdown, the Clampetts pay a visit to her hospital room on New Year's Eve. That's when Granny decides that the jittery patient would be given better "doctorin'" treatment within the walls of the Clampett mansion. "Start the New Year Right" first aired on December 30, 1964. ~ Hal Erickson, All Movie Guide

In big trouble after delivering some "hot" money, Lucy Stevens (Connie Hines) fakes her own suicide by driving her empty car into the ocean. She then assumes the identity of her own (fictional) cousin, Carole Morgan, and assumes that her problems are over. Perry Mason (Raymond Burr) enters the scene when the body of Marjorie Ralston (Mary Webster) is found in the wreckage of the "empty" car and Lucy is charged with her murder. ~ Hal Erickson, All Movie Guide

Original slated for release through United Artists, the Wisberg-Yarborough production Women of Pitcairn Island was ultimately distributed by 20th Century-Fox. The film purports to detail the aftermath of the mutiny on the Bounty in the late 18th century. When the last of the male mutineers dies, the wives and daughters of the Bounty crew are left behind to make the best of things on Pitcairn Island. Trouble arises in the form of a band of pirates, who've landed on Pitcairn with the intention of hiding a cache of stolen pearls. After dallying with the ladies, the pirates come to grief by fighting amongst themselves. James Craig hams it up as the bearded pirate captain, while second-billed Lynn Bari seems grimly determined to get the film over with as quickly as possible. ~ Hal Erickson, All Movie Guide

This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play's original star, Fred Astaire, and several of the original tunes, then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon, the film's "visual consultant"), who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a "new face". It doesn't take Dick long to discover Jo (Audrey Hepburn, who does her own singing), an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo's Galatea, Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world's hottest model. Along the way, he falls in love with Jo, and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song, "S'wonderful", "How Long Has This Been Going On" and "He Loves and She Loves"; among the newer numbers is Kay Thompson's energetic opener "Think Pink". For years available only in washed-out, flat prints, Funny Face was eventually restored to its full Technicolor and VistaVision glory. ~ Hal Erickson, All Movie Guide

The "juvenile delinquent" film cycle of the 1950s, sparked by The Blackboard Jungle, resulted in such hastily assembled B-flicks as Columbia's Teenage Crime Wave. The "crime wave" of the title consists of the criminal activities of teenager Mike Denton (Tommy Cook). After escaping from reform school, Mike goes on a statewide shooting spree, accompanied by his girlfriend Terry Marsh (Mollie McCart) and victim-of-circumstance Jane Koberly (Sue England). Most of the film takes place in the farmhouse of middle-aged Tom Grant (James Bell), as Mike, Terry and Sue hold the Grant family hostage. Since Sue is really a nice kid at heart, the audience can rest assured that she will foil Mike's perfidy before fade-out time. One noted film critic has bestowed a "BOMB" rating upon Teenage Crime Wave, though it's certainly no worse than the others of its ilk. ~ Hal Erickson, All Movie Guide

Former Tarzan regular Johnny Sheffield stars as Bomba the Jungle Boy in this 71-minute adventure. Bomba comes to the aid of Leah (Sue England), an orphaned jungle girl who has no idea who her real family is. Leah is being promoted as a "white goddess" by the scheming ruler (Paul Guilfoyle) of The Hidden City. Leon Belasco provides comedy relief, while black actor Smoki Whitfield shows up long enough to remind us that the story is supposed to be taking place in Africa. Bomba and the Hidden City was the fourth in Monogram's "Bomba" series. ~ Hal Erickson, All Movie Guide

This slightly bowdlerized version of Irving Shulman's The Amboy Dukes was used by Universal-International to showcase several of its new male contractees. Set in the slums of Brooklyn, the film follows the exploits of the Amboy Dukes, a teenaged street gang. Foremost among the Dukes is Frank Cusack (Peter Fernandez), who loses all opportunity to escape his grim existence when he accidentally kills his high-school teacher. The film tries to demonstrate that the so-called "code of the streets"--never rat on a pal--is possibly more destructive than any brass knuckle or switchblade. Maxwell Shane and Dennis Cooper's screenplay resists any temptation to sentimentalize the kids or trivialize their plight; the closest the film comes to comedy relief are the shattered romantic illusions of the near-moronic Crazy Perrin. Prominent among the supporting players are Thelma Ritter as Frank Cusack's anguished mother, Stephen McNally as a community center counselor, and Anthony (Tony) Curtis as the leather-jacketed gang leader. ~ Hal Erickson, All Movie Guide

Darryl Hickman, older brother of Dobie Gillis star Duane, toplines this campy juvenile delinquency film directed by Crane Wilbur (The Bat). The plot concerns a group of teenagers who hold illegal drag-races, often leading to death and police involvement. Terry Moore, using the name "Jan Ford," appears as Rusty, who is locked in a morgue overnight. The hip lingo will be hilarious to modern viewers, although Wilbur's typically atmospheric use of light and shadow give the film a hard-boiled edge. ~ Robert Firsching, All Movie Guide

Things get personal for Lt. Andy Anderson (Wesley Lau) when his cousin, partrol-car cop Jimmy Anderson (Dick Davalos), is accused of being the "inside man" for a burglary at the Wilsons Plastics Company. During a shootout with the thieves, Jimmy's partner Otto Norden (William Boyett) was killed, whereupon plant executive Dwight Wilson (William Phipps) cast suspicion on poor Jimmy. Things get worse when the plant's night watchman is murdered and Jimmy is accused of that crime as well. Grimly, Anderson places the fate of his cousin in the capable hands of his "friendly enemy" Perry Mason (Raymond Burr). This episode was originally scheduled to air on October 18, 1962. ~ Hal Erickson, All Movie Guide