Georgia Engel Movies

A domesticated grizzly bear finds that there's more to life than being the star attraction of a mountain town nature show when a fast-talking mule deer offers him a crash course in woodland living in Sony Pictures Animation's first full-length animated feature. Raised by kindly park ranger Beth (Debra Messing) since he was a just a cub, 900-pound grizzly Boog (Martin Lawrence) is content to spend his days entertaining Timberline tourists and his nights nestled safely in Beth's luxurious garage. Boog's life is about to get much more complicated, however, when paranoid hunter Shaw (Gary Sinese) returns from a recent foray in the woods with a frightened, one-horn mule deer named Elliot strapped trophy-like to the hood of his truck. Though at first reluctant to answer Elliot's desperate cries for help, gentle giant Boog eventually frees the thankful creature, who in turn decides to teach his hulking friend what it truly means to be free. Subsequently tranquilized and relocated into the wilderness after momentarily reverting to his true animalistic nature, Boog is forced to team with seasoned forest-dweller Elliot in order to find their way out of the woods before hunting season starts and Shaw comes gunning for all creatures great and small. Things are different in the woods than they were back in the safe confines of park ranger Beth's garage, though, and in order to find their way back to Timberline, Boog and Elliot are going to have to rely on the kindness of their fellow creatures, a rowdy and unruly bunch that includes an army of Scottish squirrels led by rogue critter McSquizzy (Billy Connolly), and a productive beaver construction team whose foreman, Reilly (Jon Faverau), is more than willing to lend a helping tail. With hunting season now upon them and time running out as the hunters close in, the unlikely duo of bear and mule deer put their new life lessons to good use by turning the tables on the gun-toting gamesmen, and once again making the woods safe for the furry critters who call the forest home. ~ Jason Buchanan, Rovi

In this drama, set during the 1950s, a Methodist minister's family from a prosperous Dallas church relocate to a tiny Texas town in the boonies to save a failing run-down church. ~ Sandra Brennan, Rovi

This entertaining, educational video features shows for children with many various guest stars. ~ Rovi

In a film designed to bring smiles to the post-toddler set on up to perhaps their seven-year-old siblings, this animated story by Arna Selznick (only the third woman in cinematic history to direct a full-length animated feature) is about the popular Care Bears. These loving creatures inhabit a realm in the clouds called Care-A-Lot, and their purpose in life is to get the humans down below to share their good feelings with each other. They watch over human children with large telescopes and help those children who need help. The Care Bears have their work cut out for them, because Nicolas, a lonely magician's assistant, is about to fall under the evil influence of a bad spirit who lives in an ancient magic book -- it seems Nicolas will do just about anything for friends. Aside from Nicolas, Kim (Cree Summer) and Jason (Sunny Besen Thracher) are in trouble because they are starting not to trust people after suffering many disappointments. Mickey Rooney is the voice of Mr. Cherrywood, the owner of an orphanage. ~ Eleanor Mannikka, Rovi

Based on the 1976 autobiography My Luke and I by Eleanor Gehrig and Joseph Durso, Love Affair: The Eleanor & Lou Gehrig Story provides a slightly different slant on the events previously dramatized on film as Pride of the Yankees (1942). The story is told in flashback from the point of view of the wife of baseball's "Iron Man". Sitting in a deserted Yankee stadium, Eleanor (Blythe Danner) relates her tale to her biographer Joseph Durso (Robert Burr). She recalls how she met the painfully shy ballplayer Lou Gehrig (Edward Herrmann) on a blind date in 1933. She remembers her battle of wills with Lou's domineering and possessive mother (played with a nearly impenetrable foreign accent by Patricia Neal), and her 1934 elopement with her "Luke." Other memories include the New York Yankees' goodwill trip to Japan, where relationships became strained between teammates Gehrig and Babe Ruth (Ramon Bieri). Also recalled is the fact that Lou played 2130 consecutive games (a record was only recently broken by Cal Ripken Jr.). Eleanor's story ends inevitably with Lou's slow death from amyotropic lateral sclerosis. In summing up, Eleanor insists that despite the tragic final years, she wouldn't have traded her short time as Mrs. Lou Gehrig for anything. Edward Herrmann took pride in the fact that his portrayal of Lou Gehrig won the unqualified praise of the real Eleanor (though Herrmann learned to bat southpaw for the role, he is seen actually playing baseball only once) Originally scheduled for broadcast on October 9, 1977, the made-for-TV Love Affair was bumped by a World Series playoff game; it was rescheduled for January 15, 1978--smack dab opposite the Super Bowl. ~ Hal Erickson, Rovi

While The Mary Tyler Moore Show no longer enjoyed Top 20 ratings as the series entered its seventh season, CBS hoped that the show would last forever as the linchpin of its Saturday-night lineup. However, series star Mary Tyler Moore (cast as Mary Richards, newscast producer at Minneapolis TV station WJM) had already decided to emulate the example set by her previous sitcom, The Dick Van Dyke Show: quit while the applause and laughter are still ringing in your ears, rather than hang around until nobody is left in the room. Thus, season seven of The Mary Tyler Moore Show was predestined to be season last. Even so, the series' final batch of episodes uphold the lofty standards of previous seasons, as indicated by the fact that Mary Tyler Moore earned its third Outstanding Comedy Series Emmy award in a row at the 1976-1977 ceremonies. Things get off to a grand start with "Mary Midwife," in which Georgette Baxter (Georgia Engel), the pregnant wife of WJM-TV's vainglorious anchorman, Ted Baxter (Ted Knight), goes into labor right in the middle of one of Mary Richards' infamous dinner parties. Subsequent episodes of note include "Sue Ann's Sister," in which WJM's "Happy Homemaker" Sue Ann Nivens (Betty White) suffers a bad case of sibling rivalry when her sister -- and professional competitor -- Lila (Pat Priest) comes to town; and "Sue Ann Gets the Ax," wherein Sue Ann accepts a humiliating supporting role on a TV kiddie show when her own series is canceled. Also worth noting are "Ted's Change of Heart," in which Ted undergoes an epiphany after suffering a heart attack while on the air; "Lou Proposes," featuring another lively appearance by Eileen Heckart as Mary's globetrotting journalist aunt Flo Meredith; "Mary's Insomnia," combining slapstick with melodrama as Mary inadvertently becomes addicted to sleeping pills; "The Critic," guest-starring Eric Braeden as a waspish arts critic who is given a gooey comeuppance by an unwitting Ted; "Hail the Conquering Gordy," marking a return appearance by John Amos in the role of former WJM weatherman Gordy Howard; "Mary's Big Party," in which Johnny Carson makes a guest appearance -- we think; and the series' only fantasy episode, "Mary's Three Husbands." The Mary Tyler Moore Show neatly wraps things up after seven seasons with the now-classic series finale, in which the new manager of WJM-TV fires everyone on the staff -- except, amazingly, Ted Baxter! (It's a long way to Tipperary....) ~ Hal Erickson, Rovi

Season five of The Mary Tyler Moore Show gets under way with all but one of its familiar regular characters in attendance: Valerie Harper has departed the series in the role of Rhoda Morganstern to star in her own weekly spin-off, Rhoda. However, Harper and Mary Tyler Moore would be reunited in a "crossover" Rhoda episode telecast October 28, 1974, in which Rhoda is married to her boyfriend, Joe Gerard (David Groh). Otherwise, it is business as usual in Minneapolis, as Mary Richards (Mary Tyler Moore) divides her time between her associate-producer duties in the WJM-TV newsroom and her home life in the apartment house owned by flighty Phyllis Lindstrom (Cloris Leachman). Mary's grouchy boss, Lou Grant (Edward Asner), is still adjusting to his recent divorce; newswriter Murray Slaughter (Gavin MacLeod) continues to mask his neuroses with a smile and a wisecrack; the "humanization" of dimwitted, self-centered anchorman Ted Baxter (Ted Knight) carries on under the watchful and loving eye of his fiancée, Georgette Franklin (Georgia Engel); and "Happy Homemaker" Sue Ann Nivens proves tireless in her efforts to sleep with every eligible man within a 50-mile radius.

Season five kicks off with the Emmy-winning "Will Mary Richards Go to Jail," in which wide-eyed Mary finds herself in the slammer with a pair of cynical "working girls" after she refuses to reveal a news source. Subsequent first-rate episodes include "You Sometimes Hurt the One You Hate," with a contrite Lou Grant bending over backward to patch things up with Ted Baxter after tossing him through his office doors over an on-the-air gaffe; "Lou and That Woman," featuring Sheree North as Lou's sometimes girlfriend, lounge singer Charlene Maguire; "The Outsider," guest-starring Richard Masur as WJM's new business consultant, who manages to get on the wrong side of everyone in the newsroom; "A New Sue Ann" (or "All About Eve in Minneapolis"), in which Sue Ann is hoodwinked into hiring a perky young assistant (Linda Kelsey) who is plotting to take over as the Happy Homemaker; "Mary Richards: Producer," Mary's annual blow struck on behalf of feminism; "Marriage Minneapolis Style," in which Ted finally pops the question to Georgette -- then begs his friends to help him break the engagement; and the deathless "Ted Baxter's Famous Broadcasters' School," which surely needs no synopsis. Arguably, the season's most interesting episode is "Phyllis Whips Inflation," which serves a the pilot for Cloris Leachman's own spin-off series, Phyllis. Ranking at number 11 in the 1974-1975 ratings, the fifth season of The Mary Tyler Moore Show was also the first in which the program earned an Emmy award for Outstanding Comedy Series. Also earning Emmys were Betty White as Outstanding Supporting Actress and Cloris Leachman for Outstanding Single Performance. ~ Hal Erickson, Rovi

This French-produced thriller was shot entirely in English. Jean-Louis Tritignant stars as Lucien, a hit man who goes to Los Angeles to end the life of an important local mobster. The mobster's heirs, who hired Lucien, had already hired yet another hit man (Roy Scheider) to kill him. He speaks very little English, and the lifestyles and customs of Los Angelenos puzzle him completely. One of the films highlights is its use of many unusual decayed and shabby sites in the Los Angeles area, such as Venice Beach. ~ Clarke Fountain, Rovi