Fern Emmett Movies

Faced with the challenge of writing a screenplay based on the life of fabulously wealthy, fabulously successful composer Cole Porter, one Hollywood wag came up with a potential story angle: "How does the S.O.B. make his second million dollars?" By the time the Porter biopic Night and Day was released, the three-person scriptwriting team still hadn't come up with a compelling storyline, though the film had the decided advantages of star Cary Grant and all that great Porter music. Roughly covering the years 1912 to 1946, the story begins during Porter's undergraduate days at Yale University, where he participated in amateur theatricals under the tutelage of waspish professor Monty Woolley (who plays himself). Though Porter's inherited wealth could have kept him out of WWI, he insists upon signing up as an ambulance driver. While serving in France, he meets nurse Linda Lee (Alexis Smith), who will later become his wife. Focusing his attentions on Broadway and the London stage in the postwar years, Porter pens an unbroken string of hit songs, including "Just One of Those Things," "You're the Top," "I Get a Kick Out of You," "Begin the Beguine," and the title number. The composition of this last-named song is one of the film's giddy highlights, as Porter, inspired by the "drip drip drip" of an outsized rainstorm, runs to the piano and cries "I think I've got it!" The film's dramatic conflict arises when Porter is crippled for life in a polo accident. Refusing to have his legs amputated, he makes an inspiring comeback, even prompting a WWI amputee to remark upon his courage! Corny and unreliable as biography, Night and Day is redeemed by the guest appearances of musical luminaries Mary Martin (doing a spirited if disappointingly demure version of her striptease number "My Heart Belongs to Daddy") and Ginny Simms, the latter cast as an ersatz Ethel Merman named Carole Hill. Jane Wyman, seen as Porter's pre-nuptial sweetheart Gracie Harris, also gets to sing and dance, and quite well indeed. Beset with production problems, not least of which was the ongoing animosity between star Grant and director Michael Curtiz, Night and Day managed to finish filming on schedule, and proved to be an audience favorite -- except for those "in the know" Broadwayites who were bemused over the fact that Cole Porter's well-known homosexuality was necessarily weaned from the screenplay. ~ Hal Erickson, All Movie Guide

This lesser "Inner Sanctum" entry stars Lon Chaney Jr. as unhappily married lawyer Wayne Fletcher. In love with his secretary Donna Kincaid (Brenda Joyce), Fletcher is the principal suspect when his wife is found smothered to death in her own bed. Lack of evidence allows Fletcher to walk scot-free, whereupon a series of "pillow murders" commences, all of the victims somehow linked with either Fletcher or Donna. The pseudo-psychological finale wants to have its cake and eat it too, permitting Fletcher to be both innocent and guilty. Among the murder victims is Clara Blandick, who under happier circumstances played Auntie Em in The Wizard of Oz (1939). Tradeshown at 65 minutes, release prints of Pillow of Death run a few minutes short of an hour. ~ Hal Erickson, All Movie Guide

Inspired by the success of his favorite comedian Red Skelton, Our Gang member Froggy (Billy Laughlin) decides to become a radio star. Armed with a tattered joke book and a vast array of "funny" props, Froggy and the other gang members begin searching for a suitable radio sponsor, starting in the waiting room of a dentist's office. Eventually, the kids abandon comedy in favor of Shakespearean drama, with even less success. This Our Gang one-reeler has so little going for it that the viewer is advised to forget the plot and concentrate on the talented supporting cast, including such veteran performers as Brandon Hurst, Chester Clute, Morris Ankrum, Jack "Tiny" Lipson, and Joe Yule Sr. (father of Mickey Rooney). Radio Bugs was originally released on April 1, 1944. ~ Hal Erickson, All Movie Guide

The sparkling screwball comedy And So They Were Married was originally released as Johnny Doesn't Live Here Any More. French-Canadian girl Simone Simon leases a Washington DC apartment from Marine William Terry. Since the Nation's Capital is overcrowded (wartime, don't you know), Simon must put up with a steady parade of Terry's old cronies and girlfriends, all of whom have keys to the apartment. She also becomes the romantic bone of contention between Terry and his sailor pal James Ellison. The last half of the film is dominated by Robert Mitchum as a Chief Petty Officer, who wants to rent the apartment for himself and his wife. A whimsical touch is added by the presence of midget Jerry Maren as a Cupid-like gremlin, who takes great delight in complicating Simon's life. Blessed with a great cast, an above-average production values (especially for a Monogram release), this King Bros. production proved to be the last directorial effort of German expatriate Joe May. Watch for fleeting appearances by horror-film perennial Rondo Hatton as a well-dressed gentleman entering Simon's cab, and Our Gang's Mickey "Froggy" Laughlin as a ratchet-voiced kid. ~ Hal Erickson, All Movie Guide

MGM's Our Gang series had fallen into such disrepute by 1944 that the studio released the series' valedictory offering, Tale of a Dog, as an "MGM Miniature." This one begins as black youngsters Buckwheat (Billie Thomas) and Big Shot (Cordell Hickman) decide to give their dog Smallpox to the Our Gang kids as a present. Overhearing this, the gang misunderstands, thinking that "smallpox" is the dreaded contagious disease rather than a pooch. Within minutes, the kids manage to spread rumors about an impending smallpox epidemic, and before long the entire city -- and the Board of Health -- is in a state of panic. It is hard to determine which scene in this film is worse: the "Loose Lips Sink Ships" curtain speech delivered by the mayor or the appalling racial humor when Buckwheat's mom (Willa Pearl Curtis) misinterprets the doctor's instructions to "isolate" her son. Then there's the closing gag, in which Smallpox the dog speaks in an exaggerated Negro dialect. First shown on April 15, 1944, Tale of a Dog was the final Our Gang one-reeler to be filmed, but not the last to be released; that dubious honor went to the equally unfunny Dancing Romeo. ~ Hal Erickson, All Movie Guide

Paramount's "Henry Aldrich" series came to a quiet conclusion with 1944's Henry Aldrich's Little Secret. The titular secret is a baby, the son of woebegone Helen Martin (Ann Doran). Because her husband is in jail, Helen has been adjudged an unfit mother by the local welfare board, headed by the father of our hero Henry Aldrich (Jimmy Lydon). Taking pity on Helen, Henry hides the baby in his own home while Helen leaves town to prove her husband's innocence. The finale finds Henry lampooning Mr. Smith Goes to Washington with a comic-pathetic filibuster on behalf of poor Helen. Way at the bottom of the cast list is Noel Neill, TV's future Lois Lane. ~ Hal Erickson, All Movie Guide

The title Together Again referred to the fact that frequent costarsIrene Dunne and Charles Boyer were once more united on film. Dunne plays the lady mayor of a small Vermont town. Boyer portrays a big-city sculptor, hired to erect a statue in the memory of Irene's husband, the former mayor. Dunne and Boyer fall in love, but there's plenty of interference from snoops, gossips and well-meaning relatives. Further muddying the waters is Dunne's daughter Mona Freeman, who mistakenly believes that Boyer has eyes for her. Foxy father-in-law Charles Coburn is the cupidic catalyst in getting Dunne and Boyer to the altar by film's end. ~ Hal Erickson, All Movie Guide

Cattlemen Robert Paige and Noah Beery Jr. run up against a shady syndicate, set up to squash the dealing between independent dealers and cattle buyers. Paige sets up his own exchange, in direct competition with cattle baron Thomas Gomez. He also falls in love with Anne Gwynne, daughter of a man killed by Gomez's top henchman Lon Chaney Jr. (billed misleadingly as "Chango the Mad Killer"). In the hands of Universal's resident serial director Ford Beebe, Frontier Badmen exudes an energetic pace that puts many an "A" picture to shame. Western fans were particularly gratified by the presence in the supporting cast of singing cowboy Tex Ritter and onetime silent-screen action star William Farnum. ~ Hal Erickson, All Movie Guide

This painfully cheap but wildly entertaining PRC production stars a hammy George Zucco in a dual role as the Clayton Twins -- both doctors, one good, one evil. Elwyn Clayton, a practitioner of the black arts, is murdered by his brother Lloyd and returns from the dead as a vampire to seek revenge with the aid of his leering, hunchbacked assistant (Dwight Frye -- who else?). He exacts his vengeance by brutally murdering Elwyn's associates, with all evidence pointing to the only living twin. Jungle Siren director Sam Newfield makes the most of the paltry budget, helped greatly by Zucco's typically flamboyant performance -- which threatens to out-camp even that of legendary eye-roller Frye (who would die of a heart attack some months after this film's completion). ~ Cavett Binion, All Movie Guide

Keep 'Em Slugging was the last of Universal's "Little Tough Guys" series-which, like Monogram's "East Side Kids", was an offshoot of Warner Bros.' "Dead End Kids" films. This time around, the kids decide to mend their troublemaking ways and get real jobs. Tommy (Bobby Jordan) is hired by the department store where his sister Sheila (Evelyn Ankers) is already employed. Frank (Frank Albertson), Tommy's supervisor, is mixed up with a gang of hijackers. When Tommy refuses to join the crooks, Frank frames the kid on a robbery rap. With the help of fellow Little Tough Guys Pig (Huntz Hall), String (Gabriel Dell) and Ape (Norman Abbott, nephew of comedian Bud Abbott), Tommy not only proves his innocence, but gives the criminals a real soaking. By the time Keep 'Em Slugging was released, Huntz Hall and Gabriel Dell were already repeating their antics in Monogram's "East Side Kids" flicks. ~ Hal Erickson, All Movie Guide

The best of Joe E. Brown's Columbia starring vehicles, Shut My Big Mouth is also one of Joe's funniest efforts since his heyday at Warner Bros. Brown is cast as wealthy easterner Wellington Holmes, who heads to the Wild West in search of peace and quiet (!) When Wellington's stagecoach is held up by masked bandit Buckskin Bill (Victor Jory), our hero accidentally fires off a lucky shot that sends the villain and his minions scurrying off into the hills. The local townsfolk appoint Wellington sheriff, failing to inform him that this "honor" is tantamount to a death sentence in these here parts. Several unbelievable complications and coincidences later, Wellington dresses up as a Mexican senorita in order to rescue heroine Conchita Montoya (Adele Mara) from Buckskin Bill's clutches. Incredibly, the villain falls madly in love with the disguised Wellington, resulting in the film's biggest bellylaughs. Though pushing fifty, Joe E. Brown could still pull off his "babe in the woods" act, which he does with finesse in Shut My Big Mouth. The film also served as stepping stones in the careers of up-and-coming Columbia contractees Lloyd Bridges and Forrest Tucker, billed eleventh and twelfth respectively. ~ Hal Erickson, All Movie Guide

In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide

Though officially based on a Saturday Evening Post story by Clarence Buddington Kelland, RKO Radio's Valley of the Sun was obviously inspired by the blockbuster comedy western Destry Rides Again (indeed, both films were directed by George Marshall). James Craig stars as Indian scout Jonathan, whose pro-Native American sentiments do not rest well with crooked civilian Indian agent Jim Sawyer (Dean Jagger), who intends to benefit from an impending tribal uprising. Court-martialed on a trumped-up charge fomented by Sawyer, Jonathan escapes the stockade with the help of a friendly sergeant and rides off to Washington DC, hoping to forestall an all-out Indian war. En route, he makes the acquaintance of Sawyer's snooty fiancee Christine (Lucille Ball), forcing her into a marriage for plot reasons too complicated to go into here. After juggling comedy and melodrama for nearly eight reels, the film turns serious towards the climax, when the fate of the protagonists falls into the hands of level-headed Indian chieftan Cochise (Antonio Moreno) and his hotheaded rival Geronimo (Tom Tyler). RKO's first big-budget western in several years, Valley of the Sun lost $158,000 at the box office, temporarily discouraging any followups. ~ Hal Erickson, All Movie Guide