David Ward Movies

George Cukor directed this sanitized version of Irving Wallace's tawdry best-seller concerning a survey of the sexual habits of American women. Psychologist George C. Chapman (Andrew Duggan) arrives in a Los Angeles suburb with his assistant Paul Radford (Efrem Zimbalist Jr.) in tow. They are looking for volunteers for their sex survey, and four women raise their hands: Sarah Garnell (Shelley Winters) is a middle-aged woman who is having an affair with young theater director Fred Linden (Ray Danton); Teresa Harnish (Glynis Johns) is a happily married woman who becomes attracted to brawny football player Ed Kraski (Ty Hardin); Naomi Shields (Claire Bloom) is an alcoholic nymphomaniac who takes up with an unsavory jazz musician; and Kathleen Barclay (Jane Fonda) is a young widow who thinks she is frigid -- that is, until Radford makes her his personal project. ~ Paul Brenner, All Movie Guide

In this drama, a young Englishman wants to become a surgeon, but after medical school, his father dies, leaving him the responsibility of supporting his mother and paying for his brother's education. He becomes a partner in a small practice and watches the woman he wanted to marry go off with his brother. The brother is killed in WWI, after which his illegitimate son is born. The doctor marries the woman, but she dies in childbirth, leaving him to raise his brother's child. Eventually, he finds a new wife. ~ Steve Huey, All Movie Guide

Based on the popular "Lum 'n' Abner" radio show, this comedy tells the funny tale of how the two teamed up to save Pine Ridge, Arkansas from a pair of shysters. They also tell how they met, became friends, found love, and saved the town from burning down. ~ Sandra Brennan, All Movie Guide

I See a Dark Stranger manages to be both an absorbing espionage yarn and a slyly amusing send-up of the entire genre. Deborah Kerr is terrific as Irish colleen Bridie Quilty, raised from childhood to despise the British and everything they stand for. Bridie's anglophobia proves useful to Nazi spy Miller (Raymond Huntley), who hopes to use the girl to help him steal the plans for the D-day invasion. Playing her "Mata Hari" role to the hilt, Bridie wholeheartedly throws herself into a world of clandestine meetings and coded messages, certain that by helping the Germans she is also helping Mother Ireland. Eventually she realizes the error of her ways, enabling her to turn the tables on Miller and his co-conspirators. Trevor Howard co-stars as David Baynes, with whom the impulsive Bridie falls in love despite his English forebears. I See a Dark Stranger was released in the U.S. as The Adventuress. ~ Hal Erickson, All Movie Guide

American first lady Eleanor Roosevelt's impending visit to a tiny English country village is the motivation of the Anglo-American coproduction Great Day. As the villagers prepare for their prestigious guest, all sorts of internal squabbles and personal foibles rise to the surface. The story concentrates on embittered WW1 veteran Captain Ellis (Eric Portman), whose insecessant drinking and sponging is a source of embarrassment for his long-suffering family. The Captain's daughter Margaret (Sheila Sim) is on the verge of entering into a wealthy but loveless marriage so that she can rescue her mother (Flora Robson) from her father's excesses. In the Lesley Storm stage play on which this film was based, Captain Ellis comes to a bad but not entirely undeserved end; the film allows him a last-minute reprieve, as well as a chance to change his ways before Mrs. R. shows up. A moderate hit in England, Great Day sank like a stone when released in the US by RKO Radio. ~ Hal Erickson, All Movie Guide

The Yellow Canary was one of several wartime collaborations between British producer-director Herbert Wilcox and Hollywood's RKO Radio Pictures. The film stars Wilcox's wife Anna Neagle as pretty aristocrat Sally Maitland. Having alienated many of her friends with her prewar Nazi sympathies, Sally continues hobnobbing with the Third Reich once war has been declared. Actually, her pro-German activities are a sham; she's actually working hand and glove with the British government to smash an Axis spy ring in Canada. Along for the ride is British intelligence officer Jim Garrick (Richard Greene), who ultimately falls in love with Sally. There's a "mystery" angle to the plotline of The Yellow Canary, but it is largely ignored when the story takes a melodramatic turn in the last few reels. ~ Hal Erickson, All Movie Guide

Although coming in at an odd running time -- 40 minutes -- this interesting, low-budget drama looks at the adventures, or rather misadventures of a sailor (Paul von Schreiber) with a weekend leave in Los Angeles. The seaman is a country boy unused to the ways of big city women and so he gets his first shock when he picks up a comely lass and takes off with her for a few drinks together -- only to have her deliver a fanatical religious diatribe to the bar's customers. The second shock comes when a woman from a dance hall captures his fancy, then demands a ten-spot for the time she has spent with him. After the city, the ship may look pretty good. ~ Eleanor Mannikka, All Movie Guide

To fully appreciate The More the Merrier, it is important to know that, during WW2, there was an acute housing shortage in Washington DC. This is why elderly Benjamin Dingle (Charles Coburn) is obliged to share a tiny DC apartment with pretty Connie Milligan (Jean Arthur) and handsome Joe Carter (Joel McCrea). After nearly two reels of misunderstandings, the trio becomes accustomed to their curious living arrangement. Joe takes a platonic liking to Connie, but she's engaged to stuffy bureaucrat Charles J. Pendergast (Richard Gaines). Sizing up the situation, foxy Benjamin contrives to bring Connie and Joe together, in spite of themselves. Things get dicey when Joe endeavors to complete a top-secret mission for the Air Force, which leads to all sorts of comic complications and misguided remonstrations. Throughout the film, director George Stevens and the four-man screenwriting staff deliberately tweak the noses of the Hays Office, getting by with any number of censorable offenses by deftly and tastefully sidestepping the obvious. Especially potent is the scene in which Joe tries to seduce Connie by talking about everything except seduction: it's also fun to watch Dingle robustly repeat the word "Damn" over and over, getting away with this breach of censorship because he's quoting Admiral "Damn the Torpedoes" Farragut. An Academy Award went to Charles Coburn, while nominations were bestowed upon Jean Arthur, Joel McCrea, George Stevens, the screenwriters, and the film itself. The More the Merrier was remade in 1966 as Walk Don't Run, with Cary Grant, Jim Hutton and Samantha Eggar. ~ Hal Erickson, All Movie Guide

Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, particularly the U.S. When Blimp finally did premiere in the States in 1945, it screened in a drastically cut version. The sweeping story covers several decades. It begins at the tail end of the Boer War, when handsome young British officer Clive Candy, recently back from the battlefront, is infuriated by his discovery that Deutschland papers have played up the British atrocities in South Africa, propagandistically. He grows so irate, in fact, that he travels to Germany to address the problem. Once there, he meets an attractive British educator, Edith Hunter (Deborah Kerr) who spends her days teaching English as a second language to German students. They grow close, but Candy so aggravates the local indigenes that he winds up in a duel with a German officer, Theo Kretschmar-Schuldorff (Anton Walbrook). The men wound each other and are sent to the same hospital, where they become friends. Candy - who doesn't yet realize he's fallen in love with Edith -- senses that Theo and Edith are attracted to one another, and encourages the couple's marital union. Candy subsequently returns to England, then falls for and marries Barbara (again played by Kerr), a nurse who bears a strong resemblance to Edith. She later dies, but Candy meets a third woman during WWII, Johnny (Kerr a third time), assigned to drive him from one locale to another during his campaigns. Meanwhile, Theo - disgusted by Nazi atrocities -- absconds to England, where he reencounters his old friend, now a prattering old shuffler rapidly approaching the end of his career and raving continuously about Nazi conduct (or lack thereof) in battle. Powell and Pressberger adapted Colonel Blimp from a comic strip; it became one of the hallmarks of their careers. ~ Sidney Jenkins, All Movie Guide

In his starring film for Universal Pictures, W.C. Fields plays circus manager and all-around flim flam man Larson E. Whipsnade. When he's not trying to fleece the customers or elude the sheriff, Whipsnade busys himself trying to break up the romance between his daughter Vicky (Constance Moore) and carnival ventriloquist Edgar Bergen (playing himself). He also carries on a running feud with Bergen's nattily attired dummy Charlie McCarthy ("I'll slash you into venetian blinds!"). Bergen's other dummy is Mortimer Snerd, who occasionally comments upon the action in his own thickheaded fashion. Anxious to arrange a marriage between Vicki and the wealthy Roger Bel-Goodie III (James Bush), Whipsnade disposes of Bergen and his dummies by sending them aloft in a hot-air baloon. Attending a party at the Bel-Goodie mansion, Whipsnade makes a pest of himself by constantly referring to snakes, a subject that invariably causes Mrs. Bel-Goodie (Mary Forbes) to swoon. He also engages in a zany ping-pong tournament with socialite Ronnie (Ivan Lebedeff). But it is Vicki, and not Whipsnade, who breaks up the engagement by telling off her pompous fiance. At that very instant, Bergen, having escaped from the balloon, arrives to claim Vicki and to help Whipsnade escape the sheriff once more. A partial remake of the W.C. Fields silent Two Flaming Youths, You Can't Cheat an Honest Man was scripted by Fields under the pseudonym "Charles Bogle." As published in the 1973 compendium W.C. Fields by Himself, the original screenplay was to have had dramatic overtones, including the death of Fields' trapeze-artist wife and a climactic soul-baring scene wherein Fields expresses his genuine love for his daughter. All this was jettisoned when it was decided to capitalize on the Fields-Charlie McCarthy "feud" then blazing on radio's Chase and Sanborn Show. While nowhere near as funny as Fields' subsequent Universal feature The Bank Dick, You Can't Cheat an Honest Man still contains a generous supply of laughs. Our favorite line: "Somebody's taken the cork out of my lunch." ~ Hal Erickson, All Movie Guide

Hoping to ape the success of Sol Lesser's Bobby Breen musicals, Republic Pictures fashioned Dangerous Holiday as a movie vehicle for pint-sized violin prodigy Ra Hould. The star is appropriately cast as preteen violin virtuoso Ronnie Campbell who is so coddled and protected by his family and handlers that he never has a chance to be a "real boy." When he can stand no more, Ronnie runs away from home, whereupon everyone -- including the cops -- assume that the boy has been kidnapped. Meanwhile, Ronnie, together with his new street-urchin friends, stumbles upon a gangster hideaway. In time-honored "Our Gang" fashion, the kids outwit the crooks, whereupon Ronnie's mom and dad promise to give him more freedom of movement in the future. Billed second after Ra Hould is matronly actress Hedda Hopper, who within a year would become one of Hollywood's most powerful (and feared) gossip columnists. ~ Hal Erickson, All Movie Guide