Robert Anderson Movies
During his senior year at Harvard, Robert Anderson wrote the music and libretto for the satirical campus revue Hour Town. While serving the U.S. Naval Reserve during World War II, he received a War Department prize for "best play written by a serviceman," Come Marching Home, which received a brief New York showing at the end of the war. Winning a four-year Rockefeller fellowship in 1946, he studied under John Gassner, then taught playwriting at the American Theatre Wing. In 1953, Anderson scored his first Broadway hit with Tea and Sympathy. Written as a veiled attack against McCarthyism, the play gained latter-day respect as the first major American theatrical piece to treat homosexuality with tolerance and understanding. Two years into the show's run, Anderson set up a playwriting unit at the Actor's Studio. He made his screenwriting bow in 1956 with the film version of Tea and Sympathy (1957), then adapted James Michener's Until They Sail and Kathryn Hulme's The Nun's Story for the screen. His subsequent theatrical work included Silent Night, Lonely Night, I Know You Can't Hear Me When the Water's Running, and I Never Sang for My Father; the latter effort earned Anderson an Oscar nomination and a Writers' Guild Award when he adapted it for the screen in 1970. His last screenwriting project was the 1991 TV movie Absolute Strangers, based upon an actual legal contretemps involving a comatose pregnant woman. Anderson was married to actress Teresa Wright from 1959 through 1978. ~ Hal Erickson, Rovi- 1991
In 1988, Nancy Klein, the pregnant wife of Long Island accountant Marty Klein, was involved in a car accident that left her comatose. Convinced that Nancy would never recover if she went to full term with the baby, Marty asked the doctors to perform an abortion. Almost immediately, Nancy Klein became a cause celebre for pro-life and pro-choice activists alike. Made for television, Absolute Strangers recreates this traumatic event and the drawn-out courtroom litigation that followed. Henry Winkler, who produced the film, returned to acting after a long absence to play Klein; others in the cast include Jennifer Hetrick as Nancy, Richard Kiley as Dr. R. J. Cannon, Karl Malden and Audra Lindley as Nancy's parents, and Patty Duke as a lower-court judge. Though it is clear that the filmmaker's sympathies are clearly on Marty Klein's side, the script remains even-handed throughout, observing that the pro-choicers can be just as narrow-minded and contentious as the "absolute strangers" who wish to usurp Marty Klein's rights concerning his wife's wellbeing. Written by playwright Robert Anderson (Tea and Sympathy, I Never Sang For My Father), Absolute Strangers premiered April 14, 1991. ~ Hal Erickson, Rovi
- Starring:
- Henry Winkler, Richard Kiley, (more)
- 1981
This true-life TV movie stars Glenda Jackson as Oscar-winning actress Patricia Neal and Anthony Page as her author husband Roald Dahl. In 1964, Neal is felled by a stroke, which endangers not only her life but the life of her unborn child. Both survive, but it looks as though Neal will never be able to speak coherently again. Dahl bullies, cajoles and caresses his wife into recovery; she rallies under this treatment and is finally able to resume her career and lead a normal life. The film does not touch upon the serious domestic problems which would lead to Neal and Dahl's later divorce, nor does it dwell on the "dark side" of the notoriously mercurial Mr. Dahl. Nonetheless, both Neal and Dahl felt that the book upon which Patricia Neal Story was based, (Barry Farrell's Pat and Ronald) was far too revelatory for their tastes. They severed their longtime friendship with author Farrell and never spoke to him again; nor did they have anything to say publicly about The Patricia Neal Story. ~ Hal Erickson, Rovi
- 1970
- PG
Based on the play by Robert Anderson, I Never Sang for My Father is devoted to the prickly relationship between aged Tom Garrison (Melvyn Douglas) and his grown son Gene (Gene Hackman). A college professor who feels that he has never been fully accepted by his self-made dad, Gene announces that he is going to move from New York to marry a California divorcee. His mother (Dorothy Stickney) approves of the union but worries that her son's move will have a negative effect on the increasingly truculent Tom. When his mother dies just before the wedding, Gene is forced to help his father through his dark days. His sister (Estelle Parsons) urges her brother to break the ties for good and all--or else he'll wind up as bitter and withdrawn as their father. Gene realizes the wisdom of these words when he tries to reach out to his father during a vulnerable moment, only to have the crabby Tom tell him to get lost and leave him alone. ~ Hal Erickson, Rovi
- Starring:
- Melvyn Douglas, Gene Hackman, (more)
- 1969
In this made-for-TV movie, a New England hotel is the meeting place for two lonely, unhappy people (Lloyd Bridges and Shirley Jones), as they spend Christmas Eve together and find comfort in one another. ~ Iotis Erlewine, Rovi
Steve McQueen received his only Academy Award nomination for his performance in this epic-scale war drama, based on the novel by Richard McKenna. In 1926, as China teeters on the edge of political revolution in the midst of a civil war, the USS San Pablo, is ordered to patrol the Yangtze River to represent and protect American interests. While the San Pablo may be an American ship, much of the labor is actually performed by Chinese locals willing to work for American money, while stern but inexperienced commanding officer Captain Collins (Richard Crenna) frequently drills his charges, unsure what else to do. A machinist's mate with just under a decade of navy service behind him, Jake Holman (Steve McQueen) is assigned to the San Pablo and immediately makes enemies among the crew -- he prefers to do his own work rather than farm it out to others, and the one Chinese man who works by his side, Po Han (Mako), is treated as an apprentice rather than a servant. Holman also falls in love with an idealistic American missionary (Candice Bergen), while his shipmate Frenchy (Richard Attenborough) falls for a Chinese girl and - with marriage plans in mind - kidnaps her to prevent her from being auctioned off. As Holman's methods and attitudes continue to anger his comrades, they find themselves increasingly at odds with the Chinese, especially after Frenchy's girlfriend becomes pregnant and Po Han is captured by revolutionary forces and branded a traitor. ~ Mark Deming, Rovi
- Starring:
- Steve McQueen, Richard Attenborough, (more)
Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Peter Finch, (more)
- 1957
- NR
Adapted by Robert Anderson from a story by James A. Michener, the Robert Wise-directed soaper Until They Sail is set in World-War-II New Zealand. Paul Newman plays been-there-done-that U.S. marine captain Jack Harding, assigned to investigate servicemen's requests to marry local girls. An unemotional cipher, Harding begins to warm up when he meets war widow Barbara Leslie Forbes (Jean Simmons), a woman with three sisters (played by Joan Fontaine, Piper Laurie, and Sandra Dee -- what a gene pool!). The Newman-Simmons relationship is played against the romance between uptight spinster Anne Leslie (Fontaine) and good-natured officer Richard Bates (Charles Drake), and the dysfunctional marriage between the emotionally desperate (and nymphomaniacal) Delia Leslie (Laurie) and slimy Shiner Friskett (Wally Cassell), who is off in battle. The fourth sister, Evelyn (Dee), watches her sisters' amorous pursuits longingly, her mind occupied by her own true love, who is off to war. Until They Sail was a copacetic reunion between star Newman and director Robert Wise, who'd previously collaborated in Somebody Up There Likes Me. ~ Hal Erickson, Rovi
- Starring:
- Jean Simmons, Joan Fontaine, (more)
- 1956
1956's Tea and Sympathy is a diluted filmization of Robert Anderson's Broadway play. The original production was considered quite daring in its attitudes towards homosexuality (both actual and alleged) and marital infidelity; the film softpedals these elements, as much by adding to the text as by subtracting from it. John Kerr plays a sensitive college student who prefers the arts to sports; as such, he is ridiculed as a "sissy" by his classmates and hounded mercilessly by his macho-obsessed father Edward Andrews. Only student Darryl Hickman treats Kerr with any decency, perceiving that being different is not the same as being effeminate. Deborah Kerr, the wife of testosterone-driven housemaster Leif Erickson, likewise does her best to understand rather than condemn John for his "strangeness." Desperate to prove his manhood, John is about to visit town trollop Norma Crane. Though nothing really happens, the girl cries "rape!" Both John's father and Deborah's husband adopt a thick-eared "Boys will be boys" attitude, which only exacerbates John's insecurities. Feeling pity for John and at the same time resenting her own husband's boorishness, Deborah offers her own body to the mixed-up boy. "When you speak of this in future years...and you will...be kind." With this classic closing line, the original stage production of Tea and Sympathy came to an end. Fearing censorship interference, MGM insisted upon a stupid epilogue, indicating that Deborah Kerr deeply regretted her "wrong" behavior. ~ Hal Erickson, Rovi
- Starring:
- Deborah Kerr, John Kerr, (more)
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