Piotr Wawrzynczak Movies

Austrian television director Fritz Lehner makes his feature debut with the big-budget drama Jedermann's Fest, based on the 1911 play by Hugo von Hofmannsthal, which in turn was based on a medieval tale. Originated in parts of England, the myth of Jan Jedermann ("John Everyman") deals with a rich man on his deathbed coming to terms with his life's failures. Not following much of a plot, the modernized version involves famous fashion designer Jedermann (Klaus Maria Brandauer) imagining his last big gala event while rendered unconscious as a result of a car accident in his Ferrari. He is a success in Vienna but not in fashionable Paris, so he wishes to impress French elder stateswoman Yvonne Becker (Juliette Greco). Also somehow implicated is his lover Isabelle (Alexa Sommer), her rival Cocaine (Veronika Lucanska), photographer Gerry (Jim Raketa), and assistant Daniel (Redbad Klynstra). Eventually, his aging father (Otto Tausig) appears, followed by his nurse Sophie (Sylvie Testud). Running over 170 minutes, Jedermann's Fest took over five years to complete. ~ Andrea LeVasseur, Rovi

The futility of war was one of Polish director Andrzej Wajda's major themes, and he explored it from nearly every perspective imaginable, using storytelling styles which range from the strictly commercial to those focusing more on symbolic imagery. As this film opens it is 1939, and war seems to be only a distant possibility to a group of vacationing young Polish Lithuanians who are seen greeting their Lithuanian Catholic and Jewish neighbors respectfully. In particular, Witek, a young man hoping to pass his final exams so as to begin university study, is having a bit of a lark, attempting to woo a lovely fellow student, and braving a shotgun blast from her protective father. He and his fellows are full of foolhardy and pompous talk about war and death. Meanwhile, Polish troops are mobilizing to fight the Germans, and the impending storm of war overshadows everything. One of the most idyllic scenes of young love ever committed to film (in the opinion of one reviewer) graces this film, and the story closes just as the war is beginning in earnest. ~ Clarke Fountain, Rovi