DCSIMG
 
 

Luis Carlos Vasconcelos Movies

2003  
R  
Add Carandiru to Queue Add Carandiru to top of Queue  
Brazilian filmmaker Hector Babenco directs the confrontational drama Carandiru, based on the best-selling novel by Dr. Drauzio Varella. The episodic story is set in Sao Paulo's House of Detention (referred to as Carandiru), one of Latin America's largest prison systems. The doctor (Luiz Carlos Vasconcelos) is an oncologist who arrives in the jail to test patients for HIV infection. Seeing the disease, overcrowding, and rampant circulation of drugs, the doctor comes to realize the internal power structure among the prisoners. Several narratives develop, including the attempted murder of Dagger (Milhem Cortaz), the solitary confinement of Chico (Milton Goncalves), and the romance between Lady Di (Rodrigo Santoro) and Too Bad (Gero Camilo). The doctor eventually establishes a routine and sees the prisoners as survivors, leading up to the violent conclusion: a reconstruction of the October 2, 1992, prison riot known as the Carandiru Massacre. ~ Andrea LeVasseur, Rovi

 Read More

Starring:
Luis Carlos VasconcelosMilhem Cortaz, (more)
 
2001  
PG13  
Add Behind The Sun to Queue Add Behind The Sun to top of Queue  
A young man is forced to choose between family tradition and his own dreams and desires in this drama from Brazilian filmmaker Walter Salles. In 1910 in a remote farming community, two families, the Breveses and the Ferreiras, both of whom earn their living growing sugar cane, have been squabbling over the ownership of a piece of land for years. The disagreement turned violent some time back, and after the first shot was fired and blood was spilled, the other family insisted upon killing the gunman as a matter of honor. The second shooter was then killed for the same reason, and ever since the two clans have been trading off murders in the name of familial honor and justice. The Breveses, who are a much smaller family, have been suffering a great deal more than their rivals thanks to this feud; a steady drop in sugar prices has also left the family with little but their pride. When Inácio, the first-born son of the Breves family, is shot down, his father (José Dumont) orders his next-oldest son, Tonho (Rodrigo Santoro), to kill one of the Ferreira boys after the traditional month-long waiting period. Tonho finds himself questioning the wisdom of this bloody rivalry, and he ponders his fate while spending time with his younger brother (Ravi Ramos Lacerda), whom his parents never bothered to name. As Tonho ponders his fate, a small traveling circus comes to town; Tonho and his brother are soon caught in the spell of Clara (Flavia Marco Antonio), a beautiful circus performer who befriends the young boy and nicknames him Pacu, while Tonho finds himself falling in love with her, and longing to travel the country at her side. Abril Despedacado won the Little Golden Lion award at the 2001 Venice Film Festival. ~ Mark Deming, Rovi

 Read More

Starring:
José DumontRodrigo Santoro, (more)
 
2000  
PG13  
Add Me, You, Them to Queue 
The legendary Brazilian songsmith Gilberto Gil supplies the score for this reality-based comedy, in which an independent-minded woman decides that if one live-in husband doesn't fulfill her needs, she can always add more. The film begins when Darlene (Regina Case) returns to her small, dusty hometown in northern Brazil to receive her mother's blessing for her for young son Dimas. When she arrives, she finds that her mother has died; her funeral occurs the day Darlene arrives. Despondent over her new predicament, she accepts an extemporaneous marriage proposal from her neighbor Osias (Lima Duarte) and moves in with him. It becomes clear to Darlene, however, that Osias wants little more than a live-in maid. Darlene becomes pregnant and bears a child -- who bears no resemblance to the light-skinned Osias. When Osias' cousin Zezinho (Stenio Garcia) comes to town and takes an immediate liking to Darlene, she doesn't turn him away -- before long, she's bearing his son as well. As the eager-to-please Zezinho takes over her housekeeping duties, Darlene decides that the one thing she's lacking in her life is true passion, and fills that void with a sugar cane worker named Ciro (Luis Vasconcelos), who moves in as well. Eu Tu Eles was purportedly inspired by a Brazilian news story about a woman in a similar alternative-living situation; the film screened at the 2000 Cannes, Tokyo, and Toronto Film Festivals before making its stateside premiere. ~ Michael Hastings, Rovi

 Read More

Starring:
Regina CaseLima Duarte, (more)
 
1998  
 
Add Midnight to Queue Add Midnight to top of Queue  
This $1 million Brazilian feature, co-directed by Walter Salles (handling the camera) and Daniela Thomas (handling the actors), is another in the "2000 Seen By..." series of Millennium-themed films co-produced by France's Haut & Court. As Millennium parties get underway in Rio, Joao (Luis Carlos Vasconcellos) escapes from jail by murdering his cellmate Pedro and slipping away during the confusion. Meanwhile, speech therapist Maria (Fernanda Torres) finds a note indicating that her lover Pedro (Carlos Vereza) has moved out. With her telephone broken, she begins wandering the confetti-filled streets in search of a working phone. Joao heads into the hills to get revenge on his betrayer, but eventually Joao and Maria intersect. Shot in one week, this film was shown at 1998 film festivals (Locarno, Toronto). ~ Bhob Stewart, Rovi

 Read More

Starring:
Fernanda TorresLuis Carlos Vasconcelos, (more)
 
1997  
 
Every country seems to have its own gallery of criminal legends, those outlaws, highwaymen, gangsters and defiant rogues who capture the public's imaginations and whose exploits become legends. In Brazil, there are the infamous cangacieros of the 1930s. These notorious bandits and desperadoes terrorized the northeastern part of the country for many years. Lampiao was the most notorious bandit king and his bloody deeds led the Brazilian government to launch a massive military search for him. Search as they might, the armies could not catch up with the wily crook and his band. But where they failed, a humble documentary maker from Lebanon named Benjamin Abrahao succeeded. Not only was he admitted to Lampiao's secret camp where he documented the robbers' daily life; he also managed to film them in action. Abrahao's invaluable footage is still used in films about the cangacieros. This fascinating and sometimes very violent drama recreates Abrahao's experiences with the bandit culture. It also chronicles the determined filmmaker's tragic fate after his film was released. Despite the downbeat ending, the story is ultimately an uplifting account of a determined social outcast who defied the odds and proved himself a true hero. Some of the "archival footage" used in this film is brilliantly faked. ~ Sandra Brennan, Rovi

 Read More