Roy Emerton Movies

No relation to the 1970 box-office blockbuster of the same name, the 1944 British film Love Story was originally released in the US as The Lady Surrenders. Margaret Lockwood stars as one of those brilliant but troubled concert pianists, so beloved of British wartime filmgoers. Knowing that she suffers from a potentially fatal heart condition, Margaret has one last fling with RAF pilot Stewart Granger, who is slowly going blind. As in such earlier romantic dramas of the One Way Passage variety, Margaret and Stewart keep their afflictions secret from each other. When the truth comes out, Granger agrees to a dangerous and experimental operation to restore his sight. This sets the stage for a war of wills between Lockwood, who wants Granger to undergo the surgery, and Gragner's fiancee Patricia Roc, who, for reasons of her own, does not. Love Story was cowritten and directed by Leslie Arliss, son of eminent British stage star Sir George Arliss. ~ Hal Erickson, All Movie Guide

Like the better-known (and more popular) A Canterbury Tale, Welcome Mr. Washington is a sometimes amusing, sometimes poignant dramatization of what happened when American troops "invaded" England during WW II. Dismissed as "overpaid, oversexed and over here," the Yanks face some hostility while trying to adjust to British manners and mores. But when a farming community finds itself dangerously short-handed at harvest time, the American GIs pitch in and help their British brethren in true "hands across the sea" fashion. Real-life American army lieutenant Donald Stewart is cast as the nominal romantic lead, his lack of professional polish all the more obvious in his scenes with the talented Barbara Mullen. The film is stolen by Peggy Cummins as a precocious teenager, some three years before Cummins was brought to Hollywood to star in Forever Amber (which, as it turned out, she didn't). ~ Hal Erickson, All Movie Guide

A set of flashbacks to 19th century London provide the action in this British wartime film, in which a wealthy girl (Phyllis Calvert) becomes friends with a young waif (Margaret Lockwood) while at school. The waif later becomes a governess for the girl, but betrays their relationship by having an affair with her friend's husband (James Mason). The Man in Grey did exceptionally well in England at the time of its release, and later spawned a cavalcade of similar movies. ~ John Bush, All Movie Guide

In this entry in the long-running British comedy series, boisterous Irish washerwoman Mother Riley is a circus ringmaster after the owner suddenly vanishes. Under her, the once struggling circus becomes successful. Riley then gets a big surprise when she learns that the circus star is really her estranged daughter. ~ Sandra Brennan, All Movie Guide

In ancient Bagdad, the young prince Ahmad (John Justin) is betrayed, deposed, and imprisoned by his vizier Jaffar (Conrad Veidt), an evil and calculating man who is also a master of the Black Arts. But Ahmad is saved from prison, and certain execution, by Abu (Sabu), a young thief who has made his way in life by stealing whatever he needs. Together they escape from Bagdad and make their way to the port city of Basra, where they hope to sign to sail with the renowned sailor Sinbad. But Ahmad chances to catch a glimpse of the daughter (June Duprez) of the Sultan (Miles Malleson, who also co-wrote the screenplay), and falls hopelessly in love with her. Sneaking into the garden where she spends most of her days, she meets him and the two are bound together forever in that moment, he the first man she has ever seen, and she the most beautiful woman he has ever beheld. But no sooner have they declared their love for each other then Jaffar arrives in Basra, seeking the princess' hand in marriage -- and to secure the blessing of her father, a fanatical collector of toys, he offers the aging Sultan a fantastic mechanical flying horse that bears him into the clouds at will. The sultan agrees to the marriage, but the princess flees the city. Abu and Ahmad are captured and before either can tell the sultan of their plight, Jaffar works his magic, leaving Ahmad blind and transforming Abu into a dog -- conditions that will remain until he holds the princess in his arms.
Everything in the movie up to this point has been told in flashback, by Ahmad, as he is lured to the palace of his enemy. Jaffar has captured the princess, but she has fallen into a deep sleep that will not end -- so his doctors assure him -- until she is reunited with Ahmad. He achieves this goal, and the princess awakens, only to be parted from Ahmad again by Jaffar, who sails for Basra with her as his prisoner. But she won't love him, and the kind of love he wants from her can only be given by her, not taken by him. When Ahmad and Abu -- now restored by Jaffar's regaining the princess -- try to follow him, he calls up a storm that sweeps them from the sea. Abu finds himself on a beach alone, and while searching for Ahmad he finds a strange bottle, which he opens, and out comes a real genie (Rex Ingram), hundreds of feet tall. The genie means to kill him, but Abu outwits the genie and secures from him three wishes. Abu must find Ahmad, but to do that he must go to the Palace of the Goddess of Night, half a world away, and steal the All-Seeing Eye. Abu does this, getting past guards, both human and monstrous, and from there it is on to Ahmad. But a misunderstanding between them leaves the two friends separated, Ahmad captured by Jaffar and sentenced -- along with the princess, who will not love Jaffar -- to death. Meanwhile, Abu is stranded countless miles away. And then one desperate act by the boy suddenly sends Abu into a magical, golden kingdom, the Land of Legend, where he is greeted as their new king. The old king (Morton Selten) shows him the symbols of his rule, which include magical arrows forged to destroy injustice. Abu still must save his friend, and to do it commits one last act of theft -- but can he arrive in time? ~ Bruce Eder, All Movie Guide

In this British comedy, set in London during the 1840s, an acting troupe aspires to high-society, but despite their best efforts are consistently rebuffed and consider little more than lowly beggars. As they endeavor to entertain people, they are arrested and put into prison. Later the performers are redeemed when they save a nobleman's son who was abducted by gypsies. The grateful aristocrat finally helps the actors out. ~ Sandra Brennan, All Movie Guide

The Drum is an opulent Technicolor "British India" epic, based on a story by A.E.W. Mason (of Four Feathers fame). Teenaged actor Sabu stars as a young East Indian prince educated in England. By rights, his loyalties should lie with his countrymen, but in typical "Sun Never Sets" fashion most of the other Indian characters are as evil and untrustworthy as Prince Guhl (Raymond Massey). Guhl plans a revolt against the British, intending to wipe out the Royal troops as the English officers enjoy the hospitality of Guhl's spacious palace. It's up to Sabu to warn the troops of Guhl's treachery by means of tapping out a message on the drum of the title. In the US, The Drum was released as Drums, on the theory (according to film historian Alan Barbour) that Americans must have more of everything. ~ Hal Erickson, All Movie Guide

As cleaner-salesman/electioneer Miller learns of the actions of evil Maltby in running the orphanage, he turns his loyalties to the kind Burtwell. ~ All Movie Guide

The building of the great Canadian-Pacific Railroad that stretched from Montreal to Vancouver is chronicled in this realistic drama. Amidst the country's wild grandeur, two gambling vagabonds find themselves in a railroad boomtown where they hope to win a lot of the workers' money. While there, one of the gamblers falls in love with the daughter of the construction leader. He decides to abandon gambling in favor of good old- fashioned hard labor on the line. Meanwhile, the other gambler is robbed by a greedy bar maid and ends up giving up his life so that the railroad can continue. ~ Sandra Brennan, All Movie Guide

African-American actor/singer Paul Robeson had to travel to England in the 1930s to seek out dignified film roles. In Big Fella, Robeson is a happy wanderer who chances upon a runaway child. The kid so enjoys the company of Robeson and his café-singer friend Elisabeth Welch that he threatens to claim that he's been kidnapped if Robeson tries to return the boy to his parents. Interestingly, Robeson's character name is Joe, just as it had been in the actor's 1936 Hollywood triumph Show Boat. Big Fella was based on a novel by Claude McKay. ~ Hal Erickson, All Movie Guide

A stellar Hollywood cast gives an extra boost to the atmospheric British feature Everything is Thunder. The story involves a Canadian POW being hidden by a German citizen during World War I. The surprise herein is that the German is Constance Bennett, one hundred percent sympathetic and (eventually) apolitical. Douglass Montgomery is the prisoner, first discovered in Connie's bathroom while the police scramble through her apartment building. Despite the possibility of being liquidated as a traitor, Ms. Bennett, who has a remarkable propensity for disguise, helps the likeable Montgomery reach the allied lines. The pro-German sentiments in Everything is Thunder (and in the Jocelyn L. Hardy book on which it was based) were not all that uncommon in 1936 Britain; funny, though, how this film disappeared from circulation in 1939. ~ Hal Erickson, All Movie Guide

The fourth of Arthur Wonter's quintet of Sherlock Holmes films, Triumph of Sherlock Holmes was a fairly faithful adaptation of Conan Doyle's The Valley of Fear. This time, Holmes (Wontner) and Dr. Watson (Ian Fleming -- not the James Bond author!) investigate a mysterious murder at Birlstone Castle. The killings seem to be tied in with a secret American society of coal-miners called the Scowlers. The architect of all this skullduggery is that "Napoleon of Crime," Professor Moriarty (the magnificent Lyn Harding), who has conspired with an American gangster (Ben Welden) to assassinate the Pinkerton agent responsible for breaking the back of the Scowlers. There's very little in the way of mystery in Triumph of Sherlock Holmes, but it scores on its full quotient of thrills and chills. Originally 84 minutes, the film was cut to 75 for its American release. ~ Hal Erickson, All Movie Guide

A heavy-breathing melodrama of the White Cargo school, Java Head was adapted from the novel by Joseph Hergesheimer. Anna May Wong stars as Tapu Xuen, a Chinese girl who becomes the bride of wealthy Englishman Gerritt Ammiden (John Loder). This mixed marriage earns Ammiden the cold shoulder from his society friends, but he remains faithful to his Chinese bride. Ultimately, however, Ammiden falls in love with one of his "own kind," Nettie Vollar (Elizabeth Allan). Realizing that her husband is too honorable to divorce her in favor of Nettie, Tapu does the "right thing" by considerately committing suicide. An earlier version of Java Head was filmed in 1923 with Leatrice Joy. ~ Hal Erickson, All Movie Guide