Pierre Arditi Movies

Directed by Bruno Podalydès (who helmed the "Montmartre" segment of the omnibus Paris, I Love You), Bancs Publics chronicles three intersecting stories in the city of Versailles: an office worker who hangs a banner reading "Lonely Man" beneath his window, the feuding families and couples in a busy town square, and the employees and customers of a local shop. This sprawling and droll exploration of the estrangement of modern life boasts a star-studded supporting cast that features a veritable who's who of French cinema, including Olivier Gourmet, Emmanuelle Devos, Mathieu Amalric, Chiara Mastroianni, Hippolyte Girardot, Pierre Arditi, and the grande dame herself, Catherine Deneuve. ~ Sandra Bencic, Rovi

With this high-concept, all-star French comedy (it features at least sixteen Gallic marquee names including Michel Blanc and Josiane Balasko), director Jean-Michel Ribes sets out to skewer the pretentiousness of the European art world. It's just a typical, ordinary day at a French art museum, but the cast of characters on display here finds the terrain anything but easy to navigate; they include a mother who literally becomes an art exhibit when her body is coated in plastic and put on display, a minister shocked to his core by artistic displays of sexual organs, a curator suffering from acute botanophobia, a stowaway who hides out in the principal art room, and many other idiosyncratic misfits. ~ Nathan Southern, Rovi

A man is shot dead, but is the woman with the gun really the killer? That's the all-important question in this thriller from France. Henri Pages (Pierre Arditi) is a successful politician who with his wife Elaine (Miou-Miou) has invited an eclectic group of guests to their country home for a weekend get-together. Joining Henri and Elaine are Pierre Collier (Lambert Wilson), a prominent psychoanalyst; his unhappy wife Claire (Anne Consigny); Pierre's lover Esther (Valeria Bruni-Tedeschi), an artist; Lea (Caterina Murino), an exhibitionistic actress who was once involved with Pierre; Philippe (Mathieu Demy), a straight-laced writer; and Marthe (Celine Sallette), a beautiful woman given to severe mood swings. Henri has a large collection of guns, and while Pierre is enjoying a swim, he's shot to death with one of the rare firearms. While Claire is holding the murder weapon when the body is found, police detective Lieutenant Grange (Maurice Benichou) isn't so certain he has an open and shut case on his hands, and begins looking into the many people who have a reason for wanting Pierre out of the picture. Grange's investigation becomes even more challenging when Lea makes it clear she's sexually attracted to him. Le Grand Alibi (aka The Great Alibi) was adapted from the novel The Hollow, a Hercule Poirot mystery by Agatha Christie. ~ Mark Deming, Rovi

A handful of characters struggle to hold on to relationships with the people they care for in this collaboration between playwright Alan Ayckbourn and filmmaker Alain Resnais. Dan (Lambert Wilson) has recently finished up a hitch in the Army, but rather than deal with his emotional issues, Dan prefers to get drunk. While he barely communicates with his girlfriend, Nicole (Laura Morante), she's convinced they will still marry and opts to ignore his obvious problems. Lionel (Pierre Arditi) is a bartender who has become increasingly isolated and cut off from his friends as he looks after his father, Arthur. Arthur, however, is in failing health and has little appreciation of his son's sacrifices. Thierry (André Dussollier) is a real-estate salesman who has fallen for one of his co-workers, Charlotte (Sabine Azéma); however, Charlotte's mild-mannered exterior hides a personality that thrives on emotional gamesmanship. And Gaëlle (Isabelle Carré), Thierry's sister, is lonely and looking for a relationship, but her efforts bring her neither joy nor companionship. Coeurs (aka Petites Peurs Partagées) received its world premiere at the 2006 Venice Film Festival. ~ Mark Deming, Rovi

A widower's grief leads him down the road to madness in this drama from French filmmaker Jean Marboeuf. Pierre Valois (Pierre Arditi) is an elderly man who is still emotionally reeling from the death of his wife (Marie-Christine Barrault), and he visits her grave nearly every day, even though he hears her voice urging him to get on with his life. Pierre struggles to do just that -- he spends time with his friends, he helps a neighbor's child with their homework, he flirts with a woman working at a nearby flower shop -- but a seething bitterness over his lonely life begins to fester inside of him. Pierre buys a gun and learns how to use it, and over the course of five days his kind and gentle façade begins to collapse. Coup de Sang (aka Headrush) was shot primarily from "first-person" camera angles, which show Pierre's perspective on the world around him. ~ Mark Deming, Rovi

This droll comedy from France was based on a popular stage play by the 18th century author Marivaux. As a lark, an attractive young heiress (Sandrine Kiberlain) disguises herself as a man as she travels with a servant for a weekend getaway to the estate of her close friend the Countess (Isabelle Huppert). En route, the heiress, introducing herself as "The Chevalier," encounters Lelio (Mathieu Amalric), the Countess' fiancée. Talking "man to man," Lelio confides that he isn't really in love with the Countess, but he is eager to get his hands on her dowry. He'd prefer to marry another woman he's met, who has an even greater fortune -- the heiress. However, he has already agreed to pay the Countess a considerable fortune if he breaks off the engagement; he's hoping that someone else will take her off his hands so that he can woo the heiress and come out ahead. The heiress, now aware just how much of a louse Lelio is, agrees as the Chevalier to romance the Countess, knowing that if "he" can win her away from Lelio, he'll be out of an income on both sides. Director Benoit Jacquot filmed La Fausse Suivante in a theater, using vintage costumes and minimal props to help retain the flavor of the stage production. ~ Mark Deming, Rovi

The first feature film of Benoit Peeters is a mystery drama involving a young director, an exiled writer, and the woman who comes between them. Virgil Iancu (Florin Piersic) is a Romanian director who arrives in Paris to make a documentary about Constantin Dolinescu (Mihai Dinvale), a famous dissident writer who fled to France in 1987 and had begun to make a film before disappearing without a trace. For his research, Virgil interviews several people and collects various documents. All this evidence plus the extracts from the two versions of the unfinished film of the exiled writer lead him to believe that the man had a tormented character. Dolinescu also seems to have encountered several problems with his film project. The meeting of Virgil Iancu with an actress from Dolinescu's unfinished film and finally Dolinescu himself reveal not only the mystery surrounding Dolinescu but also the motive behind the young man's quest and the close links which bind him to the writer. Le Dernier Plan was screened in the Filmmakers of the Present section of the 1999 Locarno International Film Festival. ~ Gönül Dönmez-Colin, Rovi

Arthur Joffe directed this French comic fantasy, in French and English dialogue, about God (voice of Pierre Arditi), invisible and spinning through Heavenly space on an asteroid, along with his sidekick angel Rene (Ticky Holgado). God observes Earthly events on His television set. After hacking out a screenplay on the Hebrew keyboard of a manual typewriter, the Deity needs a director, lands as a burning bush in back of the Hollywood sign, finds Hollywood hostile, jumps to Paris, and travels from one body to another, eventually settling on tekkie Jeanne (Helene de Fougerolles), an employee at Harper Audiovisual. Faxes in Hebrew begin arriving, and Jeanne hears voices. With God's screenplay translated to French, it finally goes up to the 127th floor for an okay by Mr. Harper himself (Tcheky Karyo). But there's a problem -- God is not very happy about Mr. Harper's alterations, as he explains, "I wrote the Bible, the best-selling book of all time! Where do they get off editing my script?" ~ Bhob Stewart, Rovi

This French family fantasy follows in the footsteps of the fine and funny Big (1988). Solemn French schoolteacher Albert Crastaing (Jean-Louis Richard) punishes a trio of 12-year-olds by having them write a Kafkaesque essay with a body-switching premise, cueing the film's storyline of kids transformed into their parents. Nouredine is a French-born Arab whose father (Zinedine Soualem) is an artist forced to drive a cab. Catholic Igor's father (François Morel) died from AIDS after a blood transfusion. Joseph is a Jew whose father (Pierre Arditi) is a cranky and irritable tailor. The trio encounters a prostitute, Yolande (Catherine Jacob). Elsewhere, the parents inhabit bodies of their children and experience problems kids face daily. ~ Bhob Stewart, Rovi