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Mahmoud Hémeida Movies

1999  
 
Egyptian director Atef Hetata debuts with this nuanced, socially-minded drama. Set during the Gulf War, the film focuses on disturbed high schooler Mohamad (Ahmed Azmi) who early on in the film is suspended from school for spying on girls through a hole in the wall. His divorced mother, (Sawsan Badr) who works as a maid, is forced to make sacrifices in order to pay for Mohamad's make-up lessons. As the film progresses, Mohamad's teacher agrees to instruct him for free because he is attracted to his mother. Mohamad's incestuous longings for his mother drive him into a jealous rage. The lad finds his way out of his sexual confusion by wholeheartedly embracing fundamentalism. He falls under the spell of a fanatical Islamic extremist group who encourages him to believe that he has the right to force his mother to wear a veil and to marry a polygamous sheik. This film was screened at the 1999 Thessaloniki Film Festival. ~ Jonathan Crow, Rovi

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Starring:
Sawsan BadrAhmed Azmi, (more)
 
1999  
NR  
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Egyptian director Youssef Chahine exposes the links between power and fanaticism and denounces intolerance in this bitter portrait of the Egyptian business world, where unconditional drive for money rules. Adam (Hani Salama), the son of a rich businessman and his American wife, meets Hanane (Hanane Turk), a journalist of modest means at the airport on his return from his studies in the US. She is part of a campaign against a wealthy elite, which has thrived on plundering its own people. They fall in love and get married. Corruption is everywhere in the country and American interests are taking over the lucrative tourist trade. Adam's rich parents and their friends in the government are at the heart of this corrupt system. Adam's mother, Margaret (Nabila Ebeid), nourishes a strange affection for her son. She is possessive to the point of violence and is ready to get rid of Hanane, whom she considers her rival. Adam turns against the global economy of which his parents are the perfect examples as he sees through the greed of international speculators and the secret ties that bind them to fanatical fundamentalist sects. The fact that Hanane's brother has become an Islamist terrorist does not help matters. The resistance that the couple has to put up makes them grow strong, for which they pay a heavy price. 52nd Cannes Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi

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Starring:
Nabila EbeidMahmoud Hémeida, (more)
 
1997  
 
Ideas are imperishable, such is the premise of this powerful, upbeat allegory from one of Egypt's most esteemed directors, Youssef Chahine. Ostensibly the true tale of revolutionary Muslim philosopher Averroes who lived in 12th-century Spain when Arabs ruled Anadulsia, it parallels the story of Chahine's own experiences with Islamic fundamentalists when he released his 1994 film L'Emigre because it dared depict a sacred Muslim prophet. During that time, fundamentalists were not content to merely have the film banned, they also threatened Chahine's life. Despite their destructive efforts, the fundamentalists ultimately failed and L'Emigre became one of Egypt's most successful films. Averroes was a follower of Aristotelian thought, an innovative lawyer and an important scientist (he discovered the purpose of the retina) who lived during the rule of the great liberal Caliph Al Mansour. At the time, the Caliph's rivals were part of Magdi Idris, a fundamentalist sect, who sought to destroy his power by cloaking their own political agendas in religious dogma and spreading it liberally amongst the easily influenced peasantry. Averroes' ordeal began when fundamentalists found his many books espousing a humanistic doctrine contrary to their own. Demanding an end to the spread of the philosophers radical, rationalist ideas, they insisted that the Caliph launch a fatwa against Averroes. To this end, all of his books were publicly burned and Averroes himself was exiled. But before the burning occurred, Averroes' faithful students copied each of his detailed Commentaries on Aristotle and smuggled them to Egypt where in time they were passed down to become the cornerstones of modern Western philosophy. While the narrative itself is relatively straightforward with few epic embellishments, the film contains a few decidedly Arabic twists, such as the inclusion of several Egyptian song and dance numbers that Western audiences may find jarring. ~ Sandra Brennan, Rovi

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Starring:
Laila ElouiMahmoud Hémeida, (more)