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Andrea Di Stefano Movies

2010  
PG13  
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A woman who once made it her goal in life to marry and rear a family finds her priorities suddenly shifting in Ryan Murphy and Jennifer Salt's adaptation of author Elizabeth Gilbert's best-selling memoir. In the eyes of many, Liz Gilbert (Julia Roberts) was a woman who had it all -- a loving husband, a great career, and a weekend home -- but sometimes one realizes too little too late that they haven't gotten what they truly wanted from life. On the heels of a painful divorce, the woman who had previously looked forward to a contented life of domestic bliss sets out to seek her true destiny by traveling first to Italy, where she learns to appreciate nourishment; then to India, where she discovers the power of prayer; and finally to Bali, where she unexpectedly finds the meaning of true love. ~ Jason Buchanan, Rovi

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Starring:
Julia RobertsJames Franco, (more)
 
2009  
PG13  
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From the creative team behind the Oscar-winning adaptation of Chicago comes a lavish feature take on the Tony award-winning musical inspired by Federico Fellini's whimsical classic 8 1/2. Directed by Rob Marshall, Nine details the effort made by world-class filmmaker Guido Contini (Daniel Day-Lewis) in realizing his latest cinematic vision while simultaneously balancing his relationships with the many passionate and influential women in his life, including his mistress, Carla (Penélope Cruz), and wife, Luisa (Marion Cotillard). Original lyricist and composer Maury Yeston serves as co-executive producer for the filmed version of his own 1982 Broadway hit. Kate Hudson, Nicole Kidman, Sophia Loren, Fergie, and Judi Dench co-star in the Weinstein Co. production. ~ Jason Buchanan, Rovi

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Starring:
Daniel Day-LewisMarion Cotillard, (more)
 
2009  
 
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Not to be confused with the legendary D.A. Pennebaker documentary of the same name, this mind-bending psychological drama from France stars Sophie Marceau as Jeanne, a fairly well-adjusted wife, mother of two children, and author whose world gets turned upside down when she becomes aware of a calamitous transformation overtaking her own body. She quickly morphs into an Italian woman, also named Jeanne (Monica Bellucci); the latter's husband (like the first Jeanne's spouse) is named Teo (Thierry Neuvic). Understandably confounded and disoriented, Jeanne 1 sets out to solve the mystery of this metamorphosis by journeying to Jeanne 2's birthplace of Lecce, Italy. ~ Nathan Southern, Rovi

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Starring:
Sophie MarceauMonica Bellucci, (more)
 
2002  
R  
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Roberta Torre's Angela is a love story set in the mob world. Angela (Donatella Finocchiaro) is a woman devoted to her older gangster husband, Saro (Mario Pupella). When Masino (Andrea Di Stefano) goes to work for Saro, Angela and Masino begin an affair. Their illicit relationship is discovered when the cops raid the shoe store where she works. The police offer to destroy the evidence of her affair if she will turn on her husband, but she refuses. Angela was screened during the Directors Fortnight at the 2002 Cannes Film Festival. ~ Perry Seibert, Rovi

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Starring:
Donatella FinocchiaroAndrea Di Stefano, (more)
 
2001  
R  
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Following up on his innovative work Timecode, which featured four stories being told in real time simultaneously, Mike Figgis returns to a modified form of his technique in this film about the tourists, the prostitutes, the tour guides, a killer, and a film crew who frequent the Hungarian Palace Hotel in Venice, Italy. A corrupt Eastern European politician and his moll are visiting the city to complete a shady business deal while Sophie is a high-priced call girl who makes an office in one of the hotel's suites. The film crew is attempting to shoot a Dogma 95-style adaptation of John Webster's The Duchess of Malfi only to run into one problem after another. Magic is a professional assassin with a very odd kink -- he must have sex immediately after completing a job. Quintus, who abandoned his attempts to get fame and fortune as an actor, is a tour guide with an unusual secret. And then there is maid who not only has the skeleton key to the hotel, but also a habit of snooping. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi

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Starring:
Rhys IfansSaffron Burrows, (more)
 
2000  
R  
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For his sophomore feature film effort, visual artist Julian Schnabel chronicles the life of one of Cuba's most charismatic literary voices, the late Reinaldo Arenas. Working with Arenas' friends and family, Schnabel recounts the author's impoverished rural upbringing and the intense love and support he receives from his mother (played by the director's wife, Olatz Lopez Garmendia). As a young man, Arenas (Javier Bardem) is singled out by his teachers and encouraged to further his skills as a writer -- no easy task, considering the Castro regime's censorship of any work considered to be subversive or anti-authoritarian. Still, the author manages to smuggle his work out of the country through friends, who arrange for one of his novels to be published in France. Not only persecuted for his creative beliefs, the openly gay Arenas is jailed on a bogus sex charge; he escapes internment only to be captured and persecuted later for his contraband dispatches. In 1980, Arenas is finally allowed to leave Cuba for the United States, where he achieves freedom of expression but not prosperity. Schnabel's first film was another portrait of an artist, 1996's Basquiat; Bardem made his name in several of director Pedro Almodovar's Spanish-language productions. Before Night Falls premiered at the 2000 Venice Film Festival, where it received the Best Actor and Grand Special Jury prizes, and made its North American premiere at the Toronto International Film Festival. Bardem would go on to receive a host of accolades, including an eventual Best Actor nomination at the 2001 Academy Awards. ~ Michael Hastings, Rovi

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Starring:
Javier BardemOlivier Martinez, (more)
 
1998  
R  
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In keeping with the his cult reputation, Italian filmmaker Dario Argento's take on Gaston Leroux's enduring Gothic tale of terror and obsession features plenty of sex and graphic, high-tech gore (although hard-core Argento purists may find the splatter scenes rather sparse). Unlike other renditions of the illustrious Phantom, Argento's version suffers no facial disfigurement and therefore remains unmasked. His creepiness, shown in the early parts of the story, comes from having been abandoned as a baby and raised by rats in the labyrinthine catacombs beneath the Paris Opera. Unaccustomed to humankind, the Phantom (Julian Sands) spends his days in the darkness playing an organ, murdering intruders, saving his rodent family members from the theater's exterminator and occasionally wandering about the opera house. His life changes when he falls in love with beautiful young singer Christine (Asia Argento), understudy to temperamental zaftig diva Carlotta (Nadia Rinaldi). Desperate to have her, the Phantom plays a haunting melody and lures her into the bowels of the great theater. There he will begin a macabre courtship destined to end in tragedy. Those who enjoy finding continuity mistakes will be delighted to discover that while the story is set in 1877, the theater is lighted with electricity, something that did not happen in real life until 1888. ~ Sandra Brennan, Rovi

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Starring:
Julian SandsAsia Argento, (more)
 
1997  
 
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During the Thirty Years War between Germany and Sweden in the 1600s, a young prince must choose whether to continue to pursue his private fantasies of becoming a romantic hero or to face the public responsibilities and obligations of his position. The resulting tale is one part costume drama, one part adaptation of a classic verse play, two-parts psychological character study with a dash of love story thrown in for spice. It begins as the Prince of Homburg, who is in charge of Germany's calvary during the war, is caught sleepwalking in the midst of a disturbing dream. It is during the somnabulistic state that he first encounters the beautiful Natalia, the daughter of the powerful Grand Elector. He sees the girl again the next day before riding into battle against Swedish invaders. During the heat of the struggle, the impassioned prince disregards the Grand Elector's orders and leads a daring counterattack that results in victory. Though he saved the day, the Prince was wrong for disobeying his superior and the Grand Elector has no choice but to order his execution. Terrified of death, the Prince begs for his life. Touched, the Elector grants him clemency, but only on one condition: to stay alive, the Prince must publicly admit his wrongdoing. If he refuses, the death sentence will be carried out. Von Kleist's verse play was written in 1811 as a means of inspiring his countrymen to stand up against Napoleon and strongly advocates the notion that the most patriotic soldiers are those who blindly follow orders. Considering that Von Kleist's play was addressing German troops, that is a chilling notion indeed from a late 20th-century perspective. ~ Sandra Brennan, Rovi

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Starring:
Andrea Di Stefano