Eve Arden Movies
Little Eunice Quedens' first brush with the performing arts came at age seven, when she won a WCTU medal for her recital of the pro-temperance poem "No Kicka My Dog." After graduating from high school, she became a professional actress on the California stock company circuit. Still using her given name, she played a blonde seductress in the 1929 Columbia talkie Song of Love then joined a touring repertory theater. After another brief film appearance in 1933's Dancing Lady, she was urged by a producer to change her name for professional purposes. Allegedly inspired by a container of Elizabeth Arden cold cream, Eunice Quedens reinvented herself as Eve Arden. Several successful appearances in the annual Ziegfeld Follies followed, and in 1937 Arden returned to films as a young character actress. From Stage Door (1937) onward, she was effectively typecast as the all-knowing witheringly sarcastic "best friend" who seldom got the leading man but always got the best lines. Her film roles in the 1940s ranged from such typical assignments as sophisticated magazine editor "Stonewall" Jackson in Cover Girl (1944) to such hilariously atypical performances as athletic Russian sniper Natalia Moskoroff in The Doughgirls (1944). In 1945, she earned an Oscar nomination for her portrayal of Joan Crawford's sardonic but sympathetic business partner in Mildred Pierce. In July of 1948, she launched the popular radio situation comedy Our Miss Brooks, earning a place in the hearts of schoolteachers (and sitcom fans) everywhere with her award-winning portrayal of long-suffering but ebullient high school teacher Connie Brooks. Our Miss Brooks was transferred to television in 1952, running five successful seasons. Less successful was the 1957 TVer The Eve Arden Show, in which the star played authoress Liza Hammond. This failure was neutralized by her subsequent stage tours in such plays as Auntie Mame and Hello, Dolly! and her well-received film appearances in Anatomy of a Murder (1959) and Dark at the Top of the Stairs (1960). In 1967, she returned to TV to co-star with Kaye Ballard on the chucklesome The Mothers-in-Law which lasted two years. And in 1978, she became a favorite of a new generation with her performance as Principal McGee in the phenomenally successful film version of Broadway's Grease. In 1985, Eve Arden came out with her autobiography, The Three Phases of Eve. ~ Hal Erickson, All Movie Guide- 1943
Let's Face It is adapted from the Broadway musical of the same name, which in turn was based on the old Norma Mitchell/Russell G. Medcraft stage chestnut The Cradle Snatchers. The basic story of three neglected wives who hire a trio of young men as professional companions is updated for the World War II era: The three young men are now lonely GIs. Bob Hope is the funniest member of the threesome engaged by the wives in order to make their wandering hubbies jealous. He is paired off with vivacious Betty Hutton, both of whom fight a complex situation-comedy plotline in order to find time for their expected specialties. Hope's best moment is a parody of the cigarette-lighting bit from Now, Voyager, in which he winds up with six burning cigarettes in his mouth. The stage version of Let's Face It was essentially a vehicle for Danny Kaye, who of course played the role essayed in the film by Bob Hope. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Betty Hutton, (more)
- 1941
Eve Arden played her first bonafide film-starring role in the 1941 Warner Bros. "B"-picture She Couldn't Say No. A brilliant lawyer, Alice Hinsdale (Arden) is obliged to act as secretary to her legal-eagle fiancé Wallace Turnbull (Roger Pryor) because he can't abide the notion that his wife might be smarter than he. Taking on a breach-of-promise suit, Turnbull represents the defendant, only to discover that the attorney for the plaintiff is none other than newly-liberated Alice. Once before a judge and jury, Alice and her female client resort to "women's tricks" to win the case -- proof positive that She Couldn't Say No is a product of its times. The film's basic premise was used to better effect in the 1949 Tracy-Hepburn starrer Adam's Rib. ~ Hal Erickson, All Movie Guide
- Starring:
- Roger Pryor, Eve Arden, (more)
Ernst Lubitsch's That Uncertain Feeling was previously filmed by the director in 1925 as Kiss Me Again; both versions were inspired the Victorien Sardou-Emile de Najac bedroom farce Let's Get a Divorce. Six year into her marriage to preoccupied insurance salesman Larry Baker (Melvyn Douglas), Jill Baker (Merle Oberson) develops a case of hiccups. Phlegmatic Freudian psychologist Vengard (Alan Mowbray) suggests that Jill's affliction is caused by marital problems, whereupon she decides to enter into a new relationship with Vengard's star patient, hilariously neurotic concert pianist Sebastian (Burgess Meredith). Magnanimously agreeing to a divorce, Larry nonetheless remains in love with Jill, and she with him. They'll get back together, of course, but not until a multitude of delightful misunderstandings. Outside of Burgess Meredith's brilliant comic performance (obviously patterned on Oscar Levant), the film's highlight finds Larry trying to figure out the gentlest possible way to permit Jill to file for divorce on the grounds of cruelty. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Melvyn Douglas, (more)
- 1941
The studio concocted the film as a showcase for its 9-year-old discovery Joan Carroll, here cast as precocious Bridget Potter. Little Bridget has been willingly "kidnapped" by secretary Linda Norton (Ruth Warrick), who hopes that the girl's disappearance will precipitate a reunion between Bridget's divorcing parents (John Miljan, Marjorie Gateson). Instead, Linda's well-intentioned crime results in a film-length slapstick chase, largely involving two rival newspaper reporters (Eve Arden and Edmond O'Brien). Obliging Young Lady was directed by Richard Wallace, who as a former employee of Hal Roach Studios was well-grounded in this sort of frenetic farce. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Carroll, Edmond O'Brien, (more)
- 1941
San Antonio Rose is an amiably wacky mini-musical evenly divided between its "official" stars, The Merry Macs, and a strong cast of supporting clowns. Robert Paige plays roadhouse operator Con Conway, whose establishment is in danger of being squeezed out by its competition. Stranded entertainers Hope Holloway (Jane Frazee) and Gabby Trent (Eve Arden) decide to revivify Conway's establishment by staging an energetic floor show built around the talented Merry Macs. A rival club owner dispatches his two top hooligans Jigsaw Kennedy (Lon Chaney Jr.) and Benny the Bounce (Shemp Howard) to wreck Conway's club by posing as waiters, but the two stupes are easily cowed into submission--by the leading ladies! San Antonio Rose never stops moving, not even during the closing credits, as the Merry Macs reprise the energetic novelty tune "Mexican Jumping Beat". ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Frazee, Robert Paige, (more)
- 1941
Next to Ann Miller, few Columbia contractees made more B musicals than Jinx Falkenberg. In Sing for Your Supper, Falkenberg is cast as Evelyn Palmer, the gorgeous proprietor of a dime-a-dance emporium. Bandleader Larry Hays (Charles "Buddy" Rogers) is the official owner of the joint, but when he finds himself in financial hot water, Evelyn, a wealthy socialite, secretly buys up the lease and takes a job as one of the dancers to keep tabs on her money-and the handsome Mr. Hays. Much of the film's running time is given over to comedian Bert Gordon, better known as radio's "Mad Russian" ("How do you doooooo?") Eve Arden is rather wasted as a wisecracking taxi dancer, but better things were to come her way within a few short years. ~ Hal Erickson, All Movie Guide
- Starring:
- Jinx Falkenburg, Charles "Buddy" Rogers, (more)
- 1941
Despite its alluring title, Bedtime Story is an innocent little domestic comedy about a bickering married couple. Fredric March is a successful playwright specializing in vehicles for his beautiful actress wife Loretta Young. Young wants to retire from the stage and set up housekeeping on a little Connecticut farm. March refuses to acknowledge her wishes and continues working on his latest play, which is being written for her. She petulantly walks out of the relationship, taking up with straitlaced banker Allyn Joslyn. One does not need a crystal ball to determine the outcome of all this, but Bedtime Story goes through its expected paces with finesse, helped along by such reliable supporting players as Robert Benchley and Eve Arden. ~ Hal Erickson, All Movie Guide
- Starring:
- Fredric March, Loretta Young, (more)
- 1941
In this romantic comedy, a blue-blooded girl falls in love with a wealthy rake who wants to settle down and marry her. Unfortunately, the young woman's guardian and personal stockbroker refuses to sanction the match. This enrages the girl who decides to prove that she doesn't need a guardian by getting a job on Wall Street. Time passes and mayhem ensues until the lass realizes that she has fallen in love with her guardian. Her playboy lover, with great charm, defers to the new lover and leaves them to their happiness. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joan Bennett, Franchot Tone, (more)
- 1941
With Paramount abandoning its "Zane Grey" western series in 1941, 20th Century-Fox took up the cudgel with such films as The Last of the Duanes. George Montgomery stars as Buck Duane, who in 1870 returns to his Texas hometown, only to find out that his father has been murdered. Following the most obvious suspect, Duane discovers that the culprit is a member of a highly organized outlaw gang. Realizing that he's outnumbered (no kidding!), Duane joins the Texas Rangers, hoping not only to break up the gang but also expose its mysterious leader. Eve Arden is surprisingly but effectively cast as a dance-hall girl who briefly befriends the hero. Last of the Duanes was previously filmed by Fox in 1931, with George O'Brien in the lead. ~ Hal Erickson, All Movie Guide
- Starring:
- George Montgomery, Lynne Roberts, (more)
- 1941
Though based on a stage play by Laurence Gross and Edward Childs Carpenter (previously filmed as an Ernest Truex vehicle in 1933), MGM's Whistling in the Dark was clearly inspired by the success of Paramount's Bob Hope comedy-mystery The Ghost Breakers. In his first film starring role, Red Skelton plays radio actor Wally Benton, better known to his fans as that intrepid crime-solver "The Fox". On the eve of his wedding to perennial fiancee Carol Lambert (Ann Rutherford), Wally is summoned to the mansion of cult leader Joseph Jones (Conrad Veidt). Though he preaches a message of "radiant contentment" to his followers, Jones is actually a racketeer who hopes to get his hands on a $1,000,000 inheritance. The only person standing in the way of Jones' windfall is the sole heir, mild-mannered Mr. Upshaw (Lloyd Corrigan), who is about to take a business trip by plane. Impressed by "The Fox"'s encyclopedic knowledge of crime, Jones wants Wally to plan a "perfect murder", one which will put Upshaw out of the way without detection. Naturally, Wally balks at this, but he is persuaded to go along with Jones when the latter kidnaps both Carol and Fran Post (Virginia Grey), the daughter of Wally's sponsor (Henry O'Neill). Considerately, Jones gives Wally till 11 o'clock to come up with his plan, leaving our hapless hero in the "care" of hulking henchman Sylvester (Rags Ragland). Fully aware that neither his life nor those of Carol and Fran will be worth five cents once Upshaw is murdered, Wally spends most of the evening trying to concoct a way out of his jam. Full of hilarious one-liners and sidesplitting slapstick, Whistling in the Dark is also quite suspenseful--especially in the final reel, wherein the best line is delivered by the pop-eyed potential murder victim. So well received was Whistling in the Dark that MGM rushed out two sequels, also starring Red Skelton, Ann Rutherford and a "reformed" Rags Ragland. ~ Hal Erickson, All Movie Guide
- Starring:
- Red Skelton, Conrad Veidt, (more)
- 1941
Manpower was Warner Bros' latest reworking of 1932's Tiger Shark, with power-company linemen substituting for tuna fisherman. While repair some downed lines in a heavy thunderstorm, Hank McHenry (Edward G. Robinson) saves the life of his best pal Johnny Marshall (George Raft). While Johnny emerges from the experience unscathed, Hank is permanently crippled. He takes this misfortune in stride, but Johnny vows to look after Hank's best interests for the rest of their lives. When Hank marries blowzy nightclub hostess Fay Duval (Marlene Dietrich), Johnny is disdainful, convinced that Fay is playing Hank for a sucker. While recuperating in Hank's home after a slight injury, Johnny confesses to Fay that he's in love with her, a feeling that turns out to be mutual. Out of loyalty to Hank, Johnny refuses to have anything to do with Fay, who finally decides to leave town rather than break up the men's friendship. But Fay cannot stay away from Johnny, forcing him to confront the ever-trusting Hank with the truth, leading inexorably to the film's violent conclusion on a precariously high utility pole. A few comic interludes aside, Manpower is virile, gutsy entertainment; the fact that Edward G. Robinson and George Raft did not get along at all during shooting-resulting in a well-publicized on-set fistfight-only adds to the film's crackling tension. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Marlene Dietrich, (more)
All that MGM's Ziegfeld Girl lacks is Technicolor; otherwise, the film has talent and "sock" entertainment value in abundance. The story focuses on three showbiz hopefuls-Judy Garland, Hedy Lamarr and Lana Turner-and the efforts to attain the lofty status of "Ziegfeld Girl." Garland is compelled to leave her family vaudeville act; she bids her dad Charles Winninger a tearful farewell, and later falls in love with Turner's brother Jackie Cooper. In her bid for success, Lana forgets all about her faithful boyfriend James Stewart, who turns to bootlegging to come up to the financial stature of Lana's new beau, socialite Ian Hunter. Lamarr nearly dumps her impoverished violinist husband Philip Dorn as she climbs the ladder of success. There are happy endings in store for two of the three female leads, but we'll let you watch the film yourselves to find out who wins and who loses. Featured in the cast are Tony Martin, Edward Everett Horton, Eve Arden, Dan Dailey, and, in a poignant cameo as a wardrobe woman, the "ever popular" Mae Busch. Song highlights include "Minnie from Trinidad", "You Never Looked So Beautiful Before", "I'm Always Chasing Rainbows", "Laugh? I Thought I'd Split My Side", "Caribbean Love Song", "Whispering", "Mr. Gallagher and Mr. Shean" (performed by Charles Winninger and the surviving half of the Gallagher-and-Shean duo, Al Shean-who happened to be the Marx Bros.' uncle), "You Stepped Out of a Dream" and "You Gotta Pull Strings." ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Judy Garland, (more)
- 1940
A half-hearted derivation of Ninotchka, Comrade X stars Clark Gable as an American news reporter stationed in Russia. Gable is actually the mysterious Comrade X, who has been smuggling provocative stories about the crumbling Soviet government out of the country. Threatened with exposure by a hotel porter (Felix Bressart), Gable agrees to help sneak the porter's beautiful daughter (Hedy Lamarr) out of Russia. The girl is a devout "old line" Communist, and thus is regarded as a potential counter-revolutionary by the paranoid Soviet leaders. Gable pretends to be a Communist himself to win Hedy's trust, inviting her to America to espouse her cause. He finds he can only secure her passport by marrying her, which leads to the anticipated complications. The Soviet higher-ups imprison Gable and Lamarr, sentencing them to death--but suddenly the counter-revolutionaries take charge of the government prison and arrest the arresters! The new man in charge (Sig Rumann) is Lamarr's political idol, but when he reveals himself to be vulnerable to blackmail and bribes, Lamarr becomes disillusioned by the Party Line and accompanies her new husband Gable to America. Filmed just before the "shifty" Communists were metamorphosed into brave freedom fighters by World War II-vintage filmmakers, Comrade X is of marginal historical value. Otherwise, it is an unfunny low point in the careers of Clark Gable and Hedy Lamarr. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Hedy Lamarr, (more)
The successful producer-director combination of Walter Wanger and Tay Garnett served up another winner with Slightly Honorable. Adapted from F. G. Presnell's novel Send Another Coffin, the story concerns the efforts made by corrupt politician Cushing (Edward Arnold) to frame honest attorney John Webb (Pat O'Brien) for the murder of Alma Brehmer (Claire Dodd). In concert with his diligent and apparently slow-witted assistant Rus Sampson (Broderick Crawford), Webb hopes to squelch Cushing's plan by locating the real murderer-who turns out to be a lot closer to Webb than he'd ever imagined. Ruth Terry has one of her best screen roles as a birdbrained nightclub hoofer who helps Webb clear himself. Like many Walter Wanger productions of the period, Slightly Honorable is currently available on the public-domain video market. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Edward Arnold, (more)
- 1940
A Child is Born is a remake of 1932's Life Begins, softened to conform to stricter movie censorship and lengthened to qualify as an "A" picture. The film is an episodic account of one particularly busy night in a maternity hospital. A generous portion of screen time is lavished on a gangster's moll (Geraldine Fitzgerald), about to give birth to her illegitimate baby. The young woman dies in childbirth, but other subplots end more happily. Even at 79 minutes, A Child is Born seems more padded and protracted than its 1932 predecessor--notably in a contrived sequence wherein the only surgeon qualified to perform a delicate operation is blinded in an accident. ~ Hal Erickson, All Movie Guide
- Starring:
- Geraldine Fitzgerald, Jeffrey Lynn, (more)
- 1940
No, No, Nanette was the second film version of the popular Otto Harbach-Vincent Youmans Broadway musical. Though slightly updated, the basic plot remains the same, with heroine Nanette (Anna Neagle) entering into a financial arrangement whereby she must answer "No" to every question during a 24-hour period. It's all for the sake of her rogueish uncle (Roland Young), who's heavily in debt thanks to a gaggle of gold-digging chorines. Nanette's task is complicated by her romantic entanglements involving an artist (Richard Carlson) and a flashy theatrical producer (Victor Mature). The songs include "I Want to Be Happy", "Tea for Two" and the title number. Unlike the previous Neagle-RKO Radio-Herbert Wilcox collaboration Irene, No, No, Nanette fizzled at the box office. For many years, the film was withdrawn from circulation because of Warner Bros.' 1950 remake, the Doris Day vehicle Tea for Two. ~ Hal Erickson, All Movie Guide
- Starring:
- Anna Neagle, Richard Carlson, (more)
Anita's (Loretta Young) life seems to be progressing nicely. She's engaged to Don Barnes (Broderick Crawford), a wealthy man that will give her all the stability and comfort a woman could desire. But then she meets a magician with the unlikely name of The Great Arturo (David Niven), who performs a singular feat of magic -- he sweeps her off her feet. Promptly dropping Barnes, she weds Arturo and travels the globe as his assistant. After some time, however, the magic begins to wear off and Anita longs for a simpler life, perhaps on a quite farmhouse in the country. She's also a bit put out by Arturo's flirting with other women, but what really worries her are the dangerous stunts he has added to his repertoire. Realizing it is time for her to do something, she pulls a little magic of her own and disappear, forcing Artuto to set off on a lively chase to find her. ~ Craig Butler, All Movie Guide
- Starring:
- Loretta Young, David Niven, (more)
- 1939
Kay Francis was anxious to complete her Warner Bros. contract when she agreed to appear in this lower-berth drama. Francis plays a financially strapped aviatrix who enters an air race to pay for her brother's operation. Friendly mechanic William Gargan offers to lend Francis his plane, but Gargan's ex-wife Sheila Bromley is also competing in the race. Finally securing an aircraft of her own, Francis goes off into the Wild Blue and wins the prize. The otherwise pedestrian Women in the Wind is given a lift by the sensitive direction of John Farrow, on loan from RKO. ~ Hal Erickson, All Movie Guide
- Starring:
- Kay Francis, William Gargan, (more)
- 1939
A distinct letdown from their previous MGM films, the Marx Bros.' At the Circus nonetheless contains intermittent moments of high hilarity. When Jeff Wilson (Kenny Baker) is in danger of losing his circus to crooked creditor Carter (James Burke), Jeff's faithful roustabout Antonio (Chico Marx) enlists the aid of seedy attorney J. Cheever Loophole (Groucho Marx). Despite the best efforts of Loophole, Antonio and general hanger-on Punchy (Harpo Marx), Jeff is robbed of the circus payroll by two flies in the ointment, Goliath the Strong Man (Nat Pendleton) and Little Professor Atom (Jerry Marenghi, later known as Jerry Maren). Also in on the plot to wrest control of the circus is aerialist Peerless Pauline (Eve Arden), with whom Loophole has a cozy tete-a-tete while walking on the ceiling (no kidding!) In a last-ditch effort to raise the necessary funds, Loophole romances Jeff's wealthy aunt Mrs. Dukesbury (Margaret Dumont). The finale takes place at a fancy society party at the Dukesbury mansion, with Punchy and Antonio hijacking the scheduled entertainment and replacing it with a full-fledged circus performance. Weighed down by an excess of plot and a surfeit of misfire gags, not to mention one of sappiest romantic subplots in film history (involving sappy tenor Kenny Baker and sappier ingenue Florence Rice), At the Circus still keeps audiences happy with Groucho's rendition of the deathless "Lydia the Tatooed Lady" (by Harold Arlen and E. Y. Harburg) and the zany denoument, wherein pompous conductor Fritz Feld and his orchestra are set adrift in the middle of the ocean and the magnificent Margaret Dumont is shot out of a cannon. Best gag: When Eve Arden stuffs the circus payroll into her blouse, Groucho turns to the camera and whispers "There must be some way of getting that money back without offending the Hays Office." ~ Hal Erickson, All Movie Guide
- Starring:
- Groucho Marx, Chico Marx, (more)
- 1939
Sigrid Gurie, the Swede from Brooklyn who in 1938 was touted as Sam Goldwyn's answer to Garbo, was taking whatever work she could get in 1939. Forgotten Woman casts Gurie as a woman unjustly sent to prison. Four years go by before the DA unearths new evidence that proves her innocence. But first, the guilty party must be rounded up--and that's no walk in the park, since the miscreant is an influential gangster. Forgotten Woman ran its course, made back its cost, then became the Forgotten Movie. ~ Hal Erickson, All Movie Guide
- Starring:
- Eve Arden, William Lundigan, (more)
- 1939
It was once said of actor Barton MacLane that he never spoke when shouting would do. Cast as the title character in Big Town Czar, MacLane is afforded plenty of opportunity for shouting, which he seizes with a vengeance. Working his way up from the tenements, Phil Carey (MacLane) is truly king of the the underworld. Not altogether evil, however, Carey uses a goodly portion of his ill-gotten gains to finance the college education of his beloved younger brother Danny (Tom Brown). But when Danny drops out of school to join the mob himself, Phil is aghast, having hoped to shield the kid from the exigencies of criminal life. It gets worse when Danny is killed during a gang war, which leads inexorably to Phil's own demise. According to the credits, Big Town Czar was based on a story by newspaper columnist Ed Sullivan, who appears in the film as himself (and he never once says "Rilly big shew"). ~ Hal Erickson, All Movie Guide
- Starring:
- Barton MacLane, Tom Brown, (more)
A master blend of high comedy and tense emotional drama, A Letter of Introduction reteams Adolphe Menjou, Andrea Leeds, and Edgar Bergen & Charlie McCarthy, who'd previously costarred in the negligible Goldwyn Follies. Menjou plays John Mannering, a Barrymoresque actor who years earlier had divorced his wife and severed his relationship with his daughter Kay (Andrea Leeds). Now a grown woman, Kay aspires to an acting career, fully determined to make it on her own without her father's help. She goes so far as to change her last name to Martin, and to keep her actual relationship to Mannering a secret from the public. This set-up leads to a dizzying series of complications, including the breakup of Mannering's romance with a tootsie named Lydia Hoyt (Anne Sheridan), who falsely assumes that Kay is Mannering's mistress, and Kay's own romantic travails with vaudeville hoofer Barry Paige (George Murphy). Meanwhile, Kay's ventriloquist friend Bergen and his dummy McCarthy rise to superstardom on radio. It is, in fact, Bergen and Charlie who are instrumental in reuniting the estranged Mannering and Kay, paving the way for the film's tear-stained conclusion. Unavailable for many years, A Letter of Introduction re-emerged on the Public Domain circuit in 1975. ~ Hal Erickson, All Movie Guide
- Starring:
- Adolphe Menjou, Andrea Leeds, (more)
- 1938
Based upon Arthur Kober’s play (which was subsequently musicalized onstage as Wish You Were Here, Having Wonderful Time stars Ginger Rogers as Teddy Shaw, a typist who goes to a summer camp for a little rest and relaxation. She’s also getting away from Emil (Jack Carson), whose interest in Teddy is no longer returned. Arriving at Camp Kare-Free, she’s offered a ride by Chick (Douglas Fairbanks, Jr.), who works at the camp as a waiter. Unfortunately, they get off to a bumpy start when Chick spills her suitcase and an argument ensues. Once at camp, she makes friends with Fay (Peggy Conklin), Miriam (Lucille Ball) and Henrietta(Eve Arden). Chick apologizes to Teddy, and over the next six days their relationship blossoms, concurrently with that of Miriam and another guest, Buzzy. However, when Chick makes an improper advance during her last night at the camp, Teddy gets angry and leaves him. She dances with Buzzy to make Chick jealous and makes sure she is seen entering Buzzy’s cabin. She takes steps to see that nothing happens and leaves unscathed the next morning, but not before causing trouble between Buzzy and Miriam. Emil has arrived and plans to bring her home after breakfast. While they are eating, Emil proposes to Teddy. Both Chick and Miriam overhear this proposal, after which Miriam loudly comments that Teddy stayed overnight with Buzzy. In the ensuing confusion, Chick decks both Buzzy and Emil, and offers his own proposal to Teddy – which she happily accepts. ~ Craig Butler, All Movie Guide
- Starring:
- Ginger Rogers, Peggy Conklin, (more)
- 1938
The legendary Cocoanut Grove nightclub is the setting for this all-star Paramount musical. Fred MacMurray heads the cast as Johnny Prentice, a small-time bandleader who heads to the Grove for an all-important audition. He is accompanied by his foster son Half-Pint (Billy Lee), a talented drummer in his own right. Joining the troupe is Linda Rodgers (Harriet Hilliard), ostensibly Half-Pint's tutor but actually an aspiring vocalist. The thinnish plot serves as an excuse for an unending stream of specialty numbers featuring Royal Hawaiian orchestra leader Harry Owens, comedian Ben Blue, the zany Yacht Club Boys (a WASP version of the Ritz Brothers), funny-noise specialist Rufe Davis and bandmaster Red Stanley. In the course of events, nine new original songs are performed, none of which graduated to hit-parade status. Curiously, the real Cocoanut Grove is never seen, though the Paramount mockup is reasonably convincing. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Yacht Club Boys, (more)
Adapted from the Edna Ferber and George S. Kaufman play, Stage Door is a comedic portrait of the theatrical community in New York. Katharine Hepburn stars as Terry Randall a young woman who comes from a wealthy, socially connected family. Aspiring for a career on the stage, Terry opts to see if she can make it on her own gumption and moves into a boarding house with several other wannabe Broadway starlets attempting to make a mark for themselves in show business. Terry's sassy roommate Jean (Ginger Rogers) just might get the opportunity to do that when she meets a lecherous producer, but at what cost? Unamused by Terry's attempts to pull herself up by her bootstraps, her father offers her an opportunity for a starring role in a show that's sure to fail. Lucille Ball, Eve Arden, and Ann Miller are among the other residents of the boarding house. ~ Matthew Tobey, All Movie Guide
- Starring:
- Katharine Hepburn, Ginger Rogers, (more)
