James Ellison Movies

Singing, dancing, and ice skating are featured in this musical that focuses on ice-skating sensation Belita. The story begins as she travels to a California resort where she has been hired as a replacement for a dance team. The resort is run by a handsome fellow. As a result of the gig, the skater becomes a national star while the resort manager gets fired and becomes a drifter until he ends up in the Army. The Oscar nominated score includes the following songs: "Silver Shadows and Golden Dreams", "Dream of Dreams", "Rio", "In the Days of Beau Brummel", "Lady, Let's Dance", "Happy Hearts", "Ten Million Men and a Girl", and the rhumba standard "Esperanza". ~ Sandra Brennan, All Movie Guide

Sgt. Andy Mason Jr. (James Ellison) is on the eve of shipping out from New York with his unit -- he's the son of Andrew Mason Sr. (Eugene Pallette), a wealthy, blustery Wall Street financier. While paying respects to his father and the latter's business partner, dithering fuss-budget Peyton Potter (Edward Everett Horton), at the Club New Yorker, he spots chorus girl Eadie Allen (Alice Faye) and turns on the charm and all of the allure that the ne'er-do-well son of a Wall Street millionaire can muster. That, however, doesn't impress Eadie, who ignores his invitation so she can do her patriotic bit helping servicemen at the Stage Door Canteen (or, as it's called here, the "Broadway Canteen"). Realizing how down to earth and genuine she is -- exactly the kind of girl who doesn't care about his money or social position -- Andy shows a bit of the boyish innocence he has hidden beneath the arrogance that comes from his background of wealth and privilege, and also some humility, hiding that background and his real name. Before the night and their "date" on the Staten Island Ferry are over, they're genuinely in love with each other, but that presents a problem -- since age 12, Andy has been unofficially "engaged" to Potter's daughter Vivian (Sheila Ryan), who expects to marry him, and he can't quite bring himself to hurt Vivian by telling her that he's met someone else.

Flash forward a few months, and Andy is on his way home on leave, a hero in the Pacific, and his father is so proud that he has to do something special to honor him, trying to rent out the Club New Yorker for a party but discovering that it's closed for rehearsals of a new production. Suddenly, his fatherly devotion, patriotism, and Wall Street experience all click together -- he brings the entire performing company, plus Benny Goodman's band, up to his and Potter's adjoining estates in Westchester to stage their act for his upscale neighbors and friends as part of the biggest War Bond rally ever seen (minimum admission a new 5,000-dollar War Bond), and in the process giving his son the biggest party he's ever seen. This leads to more comic turns for Horton's Potter, as a man who would make coffee nervous -- especially around show people -- but delights his ex-dancer wife (Charlotte Greenwood). That's also how Eadie and Vivian end up at the Potter mansion together, comparing notes on their remarkably similar respective fiancés. When the show's star, Dorita (Carmen Miranda), lets the cat out of the bag, it looks like Andy may lose Eadie, who can't bear to lose Andy but also won't even try to take him away from Vivian, who loves him too, but has loved him a lot longer. But while they sort out their romance, the show must go on, and go on it does. ~ Bruce Eder, All Movie Guide

Lois Andrews, best known in 1943 as the ex-wife of comedian Georgie Jessel, plays the title character in this cinemadaptation of Joseph P. McEvoy's popular comic strip Dixie Dugan. Swept up in the war effort, Dixie gets a job as secretary to government official Roger Hudson (James Ellison). Though Roger pursues her romantically, Dixie remains faithful to her defense-plant-worker fiancee Matt Hogan (Eddie Foy Jr.) Both Roger and Matt believe that a woman's place is in the home, but Dixie proves that their chauvinism is out of place during the National Emergency. Lois Andrews' inexperience is modified somewhat by the assured performances of Charlotte Greenwood and Charlie Ruggles as Dixie's parents. ~ Hal Erickson, All Movie Guide

That Other Woman in this 20th Century-Fox programmer turns out to be Emily (Virginia Gilmore), faithful secretary to master architect Henry Summers (James Ellison). Hoping to trap her boss into marriage, Emily begins sending "mash notes" to Henry, purportedly from a mysterious female admirer. She then coerces her old pal Ralph (Dan Duryea) to pose as her jealous Southern-fried boy friend of the nonexistent letter-writer. Poor Henry, convinced that Ralph is the gangster who's been threatening him with bodily harm, skeedaddles to parts unknown. Our heroine spends the rest of the picture chasing Henry until he finally catches her. ~ Hal Erickson, All Movie Guide

One of two 20th Century-Fox horror melodramas released in 1942 (Dr. Renault's Secret was the second), The Undying Monster is a well-crafted variation on Universal's "Wolf Man" series. Ever since the suicide of its patriarch, the Hammonds, an old and wealthy English family has seemingly lived under a curse. When a number of murders occur on the Hammond estate, Scotland Yard inspector Bob Curtis (James Ellison) and his garrulous female assistant Christy (Heather Thatcher) are sent out to investigate. Everyone on the premises-Helga Hammond (Heather Angel), her brother Oliver (John Howard), family doctor Geoffrey Covert (Bramwell Fletcher), family servants Mr. and Mrs. Walton (Halliwell Hobbes and Eily Malyon)-seems to know more than he or she is letting on. Only in the final few minutes of the film is the horrible family secret revealed and the murderer dispensed with. Atmospherically directed by John Brahm on several impressive standing sets (that gigantic stained-glass window is a knockout!), The Undying Monster is a model "B" picture, hampered only by Heather Thatcher's intrusive comedy relief. ~ Hal Erickson, All Movie Guide

By Republic Pictures standards, 1941's Ice-Capades certainly qualifies as an "all-star" film. The many subplots center around a performance of the real-life Ice-Capades skating troupe, featuring such luminaries as Belita, Red McCarthy, Megan Taylor, and future Republic film queen Vera Hruba Ralston. James Ellison plays the nominal leading character, a hotshot newsreel cameraman named Bob Clemens. Assigned to film an international skating star in action, Clemens inadvertently wastes miles of celluloid on aspiring skater Marie (Dorothy Lewis) rather than the real star, the unphotogenic Karen Vajda (Rene Riano). But not to worry: With the help of slick showbiz promoter Larry Herman (Phil Silvers), Marie becomes an Ice-Capades headliner in her own right. In addition to Silvers, the comedy relief in Ice-Capades is in the capable hands of Vera Vague (Barbara Jo Allen), Jerry Colonna and Gus Schilling. ~ Hal Erickson, All Movie Guide

Jack Benny brings his own distinctive touch to Brandon Thomas' venerable (and oft-filmed) stage farce Charley's Aunt. Utilizing a gloriously unconvincing broad-A English accent, Benny is cast as Lord Fancourt Babberly, a somewhat overaged undergraduate at Oxford University. Babbs' roommates Jack Chesney (James Ellison) and Charley Wyckeham (Richard Haydn, in his film debut) are desirous of inviting their lady friends Kitty Verdun (Arleen Whelan) and Amy Spettigue (Anne Baxter) to their quarters, but first they must secure the services of a proper escort. When Charley's aunt Donna Lucia D'Alvadorez (Kay Francis) is detained, Jack and Charley coerce Babbs, who has dressed up as an old lady for a school play, to pose as the absent Donna Lucia. The fun really begins when, for reasons far too complicated to detail here, both Jack's father Sir Francis Chesney (Laird Cregar) and Amy's uncle Stephen Spettigue (Edmund Gwenn) romantically pursue the bogus aunt. The third-act arrival of the real Donna Lucia only adds to the comic confusion-but at least poor Babbs has finally found a lady friend closer to his own age. The female-impersonation angle in Charley's Aunt has been known to descend into vulgarity, but Jack Benny remains both hilarious and tasteful throughout. Understandably, the film was one of Benny's favorites. ~ Hal Erickson, All Movie Guide

In the RKO programmer You Can't Fool Your Wife, Lucille Ball gets mixed up in a storyline that would have been right at home on her future TV series I Love Lucy. Feeling neglected by her husband Andrew (James Ellison), drab housewife Clara Hinklin (Ball) walks out on him, much to the delight of her busybody mother-in-law (Emma Dunn). Realizing that she's still in love with her husband, Clara undergoes a glamour treatment, re-emerging in the guise of Latin American charmer Mercedes Vasquez. Reunited with her husband at a masquerade party, Clara tries to win him back by continuing her pose as the alluring Mercedes. The question: Does Andrew fall back in love with Clara, or is he merely smitten by her seductive alter ego? ~ Hal Erickson, All Movie Guide

In this romance, a young woman journeys from Syracuse to New York to see her sweetheart, a prominent architect. She is bitterly disappointed to discover that he has lost interest in her. The residents of the women's hotel at which she stays offer the heartbroken lass words of encouragement. They tell her to take a stand and to show him what he is missing. She takes their advice and becomes a renowned fashion model. Naturally this piques the designer's interest and he wishes to court her anew. Of course, she by then has many suitors, so he must really work to win her back. ~ Sandra Brennan, All Movie Guide

Sorority House is based on Mary Coyle Chase's short story Chi House. Anne Shirley plays a middle-class college student who is pledged to a snooty sorority. As Shirley struggles to qualify for membership, she becomes disillusioned by the prospect when she realizes the shallowness of her wealthy future sorority sisters. She finally declines the invitation, but since she's fallen for campus jock James Ellison, her social life won't be too bleak. A loose reworking of RKO's earlier Finishing School (34), Sorority House was scripted by Dalton Trumbo, who'd later get into hot water with the HUAC for another screenplay about a group of ladies living together, Tender Comrade (43). ~ Hal Erickson, All Movie Guide

James Stewart and Ginger Rogers were "an item" when Vivacious Lady was filmed, and their obvious real-life affection for one another pours over onto the screen. Stewart plays Peter Morgan, a young botany professor who while on a visit to New York impulsively marries free-spirited nightclub singer Francey (Rogers). A few obstacles lie in the path of connubial bliss, however, including Peter's bitchy ex-fiancee Helen (Frances Mercer) and his stern college-dean father Peter Morgan Sr. (Charles Coburn). Hoping to break the news of his marriage gently to Helen and his father, Pete contrives to keep the union a secret, with the expected embarrassing results. Before the final fade-out, both Morgan Senior and Morgan Junior are on the outs with their respective wives, and it takes an uproariously tearful reunion on a passenger train to straighten things out. In his first outing as a producer, director George Stevens shows off his two-reel-comedy training with a number of hilarious comedy setpieces (the best is a slapsticky cat-fight between the two rivals for Pete's affections), though things tend to slow down towards the end. Stevens also finds room for several of his favorite character actors, including Grady Sutton, Franklin Pangborn and Willie Best, to do their time-honored specialties. Best of all is Beulah Bondi as James Stewart's mother (one of several such assignments), delivering a most unusual and touchingly funny performance. In short, Vivacious Lady was a guaranteed box-office smash even before the cameras began to turn. ~ Hal Erickson, All Movie Guide

Katharine Hepburn's association with RKO Radio Pictures came to an abrupt end when she refused to star in the studio's adaptation of Kate Douglas Wiggins' sentimental novel Mother Carey's Chickens. Hepburn was replaced by musical-comedy favorite Ruby Keeler, who though woefully miscast did her best to please. The story proper gets under way when Mr. Carey (Ralph Morgan) is killed in the Spanish American War, leaving his wife (Fay Bainter), his daughters Kitty (Keeler) and Nancy (Anne Shirley) and his young son Peter (Donnie Dunigan) to fend for themselves without a penny to their name. When Mrs. Carey is forced to put up the family's new house for sale, her daughters try to scare off potential buyers by claiming that the domicile is haunted. Thankfully, the Careys manage to find a source of income that will enable them to remain in their home, "ghosts" and all. Even more thankfully, the daughters find suitable mates in the form of Ralph (James Ellison) and Tom (Frank Albertson). With so much sugary sweetness, Walter Brennan's portrayal of the family's curmudgeonly benefactor comes as a decided relief. The film's sentimental theme music was later heard during the newsreel sequence of Citizen Kane, where it fit surprisingly well. Mother Carey's Chickens was remade by Disney as Summer Magic in 1963. ~ Hal Erickson, All Movie Guide

Douglas MacLean, who starred in the original 1919 version of this World War I comedy, produced this remake starring James Ellison as Sgt. Gray. One day at training camp, Gray bets his buddies that he'll be having breakfast with the General (Paul Harvey) the next morning. Through a series of comic episodes, Gray accomplishes his goal, surprising his fellow soldiers. Arthur Lake (Dagwood in the Blondie series) co-stars in this average comedy, which is bolstered by some okay songs from Sammy Stept and Ted Koehler. ~ Robert Firsching, All Movie Guide