David Zayas Movies

The reinstatement of New York's death penalty is the catalyst for this emotion-charged episode. Executive Assistant D.A. McCoy (Sam Waterston) insists upon using capital punishment to deal with the murderer of an undercover cop. But McCoy's more moderate associate Kincaid (Jill Hennessy) disagrees, citing a powerful argument against execution presented by defense attorney Helen Brolin (Maria Tucci). ~ Hal Erickson, Rovi

How long can a grown-up hold on to her childhood dreams? That's the question posed in this independent drama. Lena (Marlene Forte) is an actress who has just turned 32, and she doesn't feel especially good about it. Lena promised herself years ago that once she turned 30, if she hadn't become a success in her profession, she would quit the theater and get a "real" job. Two years after her deadline, she still clings to her dream, but with considerably less hope and enthusiasm. Her boyfriend Mike (Gary Perez) just packed in his own acting career for a job with a steady salary and health insurance, and he's pressuring her to do the same so that they can get married and raise a family. Lena's agent Jorge (David Zayas) doesn't seem to believe in her and doesn't send her out for important auditions, while casting directors find her too difficult to cast; a Cuban-American, Lena looks too ethnic for many roles, but she isn't dark enough to conform to the visual stereotype of a villain. Lena is forced to ask herself if she's willing to take the route of Mike's friend Johnny (Jeremiah Birkett), who has learned to be content doing a television spot every once in a while as he keeps up with a straight job, or if she should heed the warnings of Suze (Susan Peirez), who traded in a failing acting career for a good job with decent pay and stability -- and has hated every minute of it. ~ Mark Deming, Rovi

Frank Todaro scripted and made his directorial debut with this low-budget comedy about NYC flower-shop wholesaler Artie (Mike O'Malley) who swaps one-liners with co-workers at a refrigerated warehouse. Artie can't seem to make a commitment to his live-in girlfriend Jane (Jill Tracy), whose ex (Scott Bryce) is a car salesman with mob connections. A floral customer (J.K. Simmons) becomes a captive audience for talkative Artie when the two get locked in the warehouse freezer. This film was the first runner-up for the most popular film award at the 1998 Seattle Film Festival. ~ Bhob Stewart, Rovi

As season four of Oz begins, the experimental unit at Oswald State Correctional Facility known as "Emerald City" is not living up to manager Tim McManus' (Terry Kinney) hopes. Ever since he set up the unit, wherein convicts are given more freedom of movement, extra privileges, and the opportunity for advancement, McManus has been frustrated that his good intentions have not paid off in wholesale rehabilitation. In fact, things seem to have gotten worse, with too many murders and suicides occurring within the unit. Hoping to alleviate the situation, McManus' head guard, Murphy (Robert Clohessy), suggests that all the cons -- including those in solitary -- spend an hour each day indulging in healthy recreation. Again, however, the plan fails when a killing takes place during that special hour. With more episodes this season than in previous years (16, compared to the usual eight), Oz is able to devote extra time to a plethora of subplots. One of these involves convicted murderer Shirley Bellinger (Kathryn Erbe), who after losing her unborn baby under suspicious circumstances is sent back to death row. Also, a group of illegal aliens sequestered in Emerald City is the catalyst for a rash of violence; Warden Glynn (Ernie Hudson) runs for lieutenant governor; an attempt to film a documentary in Oz ends in disaster; Busmalis (aka "The Mole") (Tom Mardirosian), manages to break out of prison, only to be recaptured as he stands outside the home of his favorite TV star; crooked evangelist Rev. Cloutier (Luke Perry) is tossed into the unit; and infirmary doctor Gloria Nathan (Lauren Velez) is raped. Tensions continue to mount as McManus is fired and convict Miguel Alvarez (Kirk Acevedo) escapes (these plot twists were designed to allow Acevedo and his co-star Terry Kinney to take leaves of absence to appear in other projects); new unit manager Martin Querns (Reg E. Cathey) cuts a sinister deal with drug-dealing con Adebisi (Adewale Akinnouye-Agbaje) to put a lid on the violence; fired guard Clayton Hughes (Seth Gilliam) tries to assassinate Governor Devlin (Zeljko Ivanek); a plot is hatched to frame wheelchair-bound convict Hill (Harold Perrineau Jr.) for a crime he hasn't committed; the children of inmate Beecher (Lee Tergesen) are placed in jeopardy thanks to orders from the "inside"; and incarcerated Muslim leader Said (Eamonn Walker) settles accounts with an old enemy. The season ends with a cliffhanger, sparked -- literally -- by a deadly gas explosion. ~ Hal Erickson, Rovi

Carlos (Manny Perez) is a talented artist who draws comics for a living. He's desperate to move out of his Washington Heights neighborhood. His girlfriend, Maggie (Andrea Navedo) feels more connected to the neighborhood. She's not so eager to leave. Carlos's best friend, Mickey (Danny Hoch), works as a super in the building his father owns, but he dreams of being a professional bowler. He's scheming to raise three grand to enter an open tournament in Las Vegas. Carlos's father, Eddie (accomplished Cuban-born actor Tomas Milian, who starred in Michelangelo Antonioni's Indentificazione di una donna), owns a neighborhood grocery store, and is well-liked in the neighborhood for his friendly way of doing business. Despite his advanced age, he's also a ladies' man, and was so even before Carlos's mother passed away. His philandering ways account for a lot of the tension between father and son. Carlos wants to draw his own comic book, but his boss, David (David Zayas) tells him that while he's got technical ability, his work is soulless. But Carlos's plans for the future are disrupted when Eddie is shot and critically wounded during a robbery at the store. Carlos resentfully takes care of his ailing father, and runs the store until Eddie can go back to work. Carlos's growing understanding of his community, and his father's importance to it, is reflected in his work, and he has a creative breakthrough. Meanwhile, Mickey's moneymaking schemes get him into trouble with Angel (Bobby Cannavale), Maggie's gangster brother. Washington Heights was directed by Alfredo De Villa, who wrote the script with Nat Moss. Novelist Junot Diaz (Drown) wrote additional dialogue. The film was shown at the 2002 Urbanworld Film Festival, and at the 2002 Tribeca Film Festival, where it received a Special Mention. ~ Josh Ralske, Rovi

Cynthia (Ja Nice Richardson), a teenager growing up fatherless and impoverished in the city, spends her free time reading and writing rhymes. She carries around the tattered copy of The Diary of Anne Frank that her late father (David Zayas) gave her when she was a little girl. Her brother, Juan (Carlos Leon), a drug addict and dealer, steals Cynthia's rhymes, claims them as his own, and sells them to an up-and-coming rapper, Deuce (Eric Smith), who has a decent flow, but no writing skills of his own. When Deuce gets the opportunity to record a demo for a big-time producer, he pressures Juan to get him more material. Meanwhile, Cynthia's best friend, Kitty (Jackie Quinones), and a concerned teacher at her school, Michael (Antonio Macia, who also co-wrote the screenplay), find out about Cynthia's writing talent and try to encourage the introspective girl to share her gift with the world. Michael's efforts are complicated by his former relationship with Cynthia's older sister, who is a struggling single mother. Cynthia is courted, first by a good-natured small-time dealer, Jerome (Ephraim Benton), and then by a middle-class uptown teen, Darius (Geronimo Frias Jr.). She eventually learns that the increasingly desperate Juan has stolen her rhymes, and worse, and she decides to do something about it. Anne B. Real was the feature debut of co-writer and director Lisa France, who had previously worked as a stuntwoman. It was shown at the 2003 Urbanworld Film Festival. ~ Josh Ralske, Rovi

Although Oz's longtime narrator, wheelchair-bound prison inmate Augustus Hill (Harold Perrineau Jr.), was killed at the end of the series' fifth season, he is still very much in attendance at the beginning of season six -- albeit from beyond the grave. Hill is, in fact, one of several ghostly prisoners, all of them victims of past tragedies occurring at the experimental "Emerald City" unit at Oswald Correction Facility, who show up to narrate the eight episodes in this, the series' final season on the air. Undaunted by previous failures and setbacks, unit manager Tim McManus (Terry Kinney) remains steadfast in his belief that the prisoners living within "Emerald City" can be rehabilitated if given freedom of movement, extra privileges, and a sense of responsibility and self-worth. Unfortunately, he may not get the chance to carry out his reforms this season, inasmuch as several prisoners have become violently ill due to faulty building substances used to renovate the unit. In another disturbing development, Emerald City's most famous "resident," charismatic Muslim leader Said (Eamonn Walker), is murdered. On a more satisfying note, the ruthlessly ambitious Governor Devlin (Zeljko Ivanek), who for six years has opposed the efforts by McManus and Warden Glynn (Ernie Hudson) to improve prison conditions, may finally be called to account for all of his crooked and underhanded dealings in the past. Oz's climactic episode, running 100 minutes, not only serves up just desserts for Devlin, but also charts the ultimate destinies of two other long-term series regulars, convicts Miguel Alvarez (Kirk Acevedo) and Tobias Beecher (Lee Tergesen). "There's no place like home." ~ Rovi

In this streetwise independent drama, Sean (Tommy Guiffre) is a drug dealer who seems to have enjoyed more than his share of good luck -- he's managed to avoid the law, he makes good money, and he has a handful of business associates he can trust. However, Sean's luck seems to run out all at once -- his girlfriend (Nicole Arlyn) breaks off their long-term relationship, his schizophrenic mother (Christie Sanford) becomes seriously ill, his best friend (Christopher Amitrano) is deep in debt to loan sharks, and his younger brother (David Ley) runs afoul of the cops as he tries to follow in Sean's footsteps by selling weed. It doesn't take Sean long to realize his chosen profession is not only setting a bad example for his loved ones, but making it harder for him to help them, so he decides to get out of the game, but not before mapping out a final major score that will give him some retirement income. The first feature film from director Rich Devaney, Brooklyn Bound was screened at the 2004 Tribeca Film Festival. ~ Mark Deming, Rovi

Cultural conflicts threaten to derail the relationship between a determined youth counselor and her headstrong young charge in this drama from Girls Town director Jim McKay. Despite being labeled a delinquent by the child welfare system, African-American inner-city youth Angel (Jonan Everett) is in reality just a troubled teen attempting to survive in his harsh surroundings. When Angel is kicked out of his home on the heels of a heated argument with his father, Angel's pregnant, thirtysomething counselor, Nicole (Rachel Griffiths), warmly accepts the troubled boy into her home until the birth of her baby. As Angel begins to drift back into the self-defeating patterns that led to the rift with his father and Nicole ponders the effect that childbirth will have on her identity, the pair's already fragile relationship threatens to crumble amidst these weighty issues. ~ Jason Buchanan, Rovi

A hard-drinking, hard-living cop assigned the task of transporting a small-time criminal to the nearby courthouse finds that a simple, 16-block drive can be the longest ride of his life in director Richard Donner's urban action thriller. Hung-over, has-been cop Jack Mosley (Bruce Willis) has seen better days, and all that the force expects out of him these days is to stay out of trouble while he's on the clock. Eddie Bunker (Mos Def) is set to testify before a grand jury at 10:00 a.m., and it's up to Mosely to make sure that Bunker makes it to the courthouse in one piece -- a job that Mosely estimates will take a maximum of 15 minutes. A black van has been trailing the pair unnoticed, though, and after stopping off at a nearby liquor store to pick up some breakfast, Mosely emerges from the store just in time to save Eddie from the lethal bullet of a determined assassin. When backup arrives in the form of Detective Frank Nugent (David Morse), Mosely quickly realizes that the detective on Nugent's team is the same cop that Bunker is set to testify against. Now faced with the tough task of dodging bullets and eluding a massive onslaught of corrupt cops, Mosely must keep Bunker alive long enough to get him before the judge and ensure that justice is served. ~ Jason Buchanan, Rovi

Michael Clayton (George Clooney) handles all of the dirty work for a major New York law firm, arranging top-flight legal services and skirting through loopholes for ethically questionable clients. But when a fellow "fixer" decides to turn on the very firm they were hired to clean up for, Clayton finds himself at the center of a conspiratorial maelstrom. Once an ambitious D.A., Clayton is now a shell of his former dynamic self, thanks to a divorce, an unfortunate business venture, and astronomical debt. Though he longs to leave the cutthroat, ethically dubious world of corporate law behind, Clayton's poor financial situation and devotion to firm head Marty Bach (Sydney Pollack) leave him little choice but to remain on the job and tough it out. Meanwhile, litigator Karen Crowder (Tilda Swinton) finds her entire company's future hinging on the outcome of a multi-billion-dollar settlement overseen by Clayton's friend, star lawyer Arthur Edens (Tom Wilkinson). When Edens snaps and decides to blow the whistle on the questionable case, sabotaging the defense, Clayton must decide between his loyalty and his conscience. ~ Jason Buchanan, Rovi

Based on the acclaimed novel Darkly Dreaming Dexter by Jeff Lindsay, Dexter is a crime drama about Dexter Morgan (Michael C. Hall), a man who leads a double life as an incredibly likeable forensics expert for the Miami Police Department and as an emotionless vigilante serial killer. Taught by his foster father (James Remar) to harness his lust for blood and killing, Dexter lives by his own strict moral code -- he only kills murderers who can't otherwise be brought to justice. The irony of Dexter's life is that he works closely as a blood splatter analyst with the very people who hunt his kind -- the homicide department. Dexter's "Regular Joe" front is in full force while working alongside the ill-tempered Sgt. James Doakes (Erik King), who seems to be the only one to sense Dexter's more sinister side; Lt. Maria LaGuerta (Lauren Velez), the head of the division; and Det. Angel Batista (David Zayas), whose similar attention to detail and taste for forensics almost mirrors his own. While his sister Debra Morgan (Jennifer Carpenter), a tough and determined cop, leans on Dexter for personal advice and career advancement, the person Dexter connects with most is his emotionally damaged girlfriend Rita (Julie Benz), who keeps him grounded. In 2007's Season 2, Dexter begins to doubt his murderous capabilities and continues to be haunted by his past. His difficulties multiply when evidence of his deadly after-hours activities begin to surface and the FBI is brought in to investigate the city's new serial killer dubbed the "Bay Harbor Butcher." The four-disc set contains all 12 Season 2 episodes that aired on cable network Showtime, along with extras such as a podcast, interview, and more.

Season 3 of the drama about the Miami forensic expert (Michael C. Hall) who moonlights as a vigilante serial killer features Jimmy Smits as ADA Miguel Prado, who does more than prosecute homicides -- he engages in them. While getting ready to make his move on Freebo, an abusive, drug-dealing lowlife who got away with murdering two college women, Dexter interrupts a two-man skirmish and winds up dispatching one as the other, Freebo, escapes. The victim, Dexter later discovers, is Oscar Prado, the righteous, respected "pride of Little Havana" and Miguel's younger brother. Miguel eventually ingratiates himself with Dexter and it appears the latter is on the verge of having something he's never had before-a best friend. On a trip to the grocery store with Rita (Julie Benz) and the kids, Dexter catches a pedophile buddying up to Cody and must decide whether this sexual deviate fits the Code and is a candidate for Dexter-mination. As Dexter and Miguel become closer, Dexter feels his new pal is on to his dark-side job, so he tests Miguel and the results are most interesting. Soon, Miguel pressures Dexter to work his lethal magic on a "bloodsucking, soulless defense attorney" who keeps putting "murderers, rapists and carjackers...back on the street...to commit more heinous crimes." But hey, she's just doing her job, and that doesn't necessarily conform to the Code, so Dexter balks at taking her out. On the home front, Rita startles Dexter with news that she is expecting, and he's faced with a big-time family decision involving her and her two children. And later, when everyone is on board with Rita's pregnancy, she decides it would be a good idea for Dexter to move in with her, Cody and Astor, but he's somewhat conflicted by this possible major upheaval in his very structured existence. ~ Ray Stackhouse, Rovi