Francesco Venditti Movies

Giancarlo De Cataldo's best-selling tale about three lifelong friends effectively take control of organized crime in modern-day Rome comes to the screen in this sweeping crime drama from director Michele Placido. Libanese (Pierfrancesco Favino) is the cold-hearted leader of a juvenile delinquent trio that also includes undyingly loyal Freddo (Kim Rossi Stuart) and power-hungry Dandi (Claudio Santamaria). After kidnapping and casually murdering a baron (Franco Interlenghi), the scheming friends soon form the shady alliances with the local gangsters, corrupt cops, and secret service members that will allow them the opportunity to effectively corner the market on heroin sales. Meanwhile, determined Inspector Sciloja (Stefano Accorsi), who has made it his goal to bring Libanese and his cronies to justice, stealthily manages to trace back the marked ransom money from the baron's kidnapping to Dandi's girlfriend Patrizia (Anna Mouglalis) - an alluring call girl whom the inspector soon finds himself falling for. But Inspector Sciloja isn't the only one to fall under the spell of a female who seems strangely out of his reach. On the other side of the law, Freddo becomes enamored by the decidedly pure Roberta (Jasmine Trinca), whose attempts to educate the smitten thug in the beauty of the Italian Masters seem to be made in vain. In projecting a fictionalized tale of murderous criminality against the larger backdrop of Italy's turbulent social history during the waning decades of the 20th Century, director Placido strives to craft a film that is not only entertaining, but historically relevant as well. ~ Jason Buchanan, All Movie Guide

In this comedy about time travel and family misunderstandings, Paolo (Ricky Tognazzi) is not getting along with his son Marco (Gabriele Mainetti) and decides the boy needs to better understand his point of view. So the two jump back in time 30 years, where Marco can see for himself just what Paolo was going through as a teenager. Despite many misadventures, Marco gains a new respect for his father and the experience brings them closer together. Il Cielo In Una Stanza features an appropriate soundtrack loaded with Italian pop hits of the 1960s. ~ Mark Deming, All Movie Guide

Usury is a serious problem in mid-'90s Italy, a country torn by the realities of a long-term economic recession and the people's desires for material prosperity. Unforutnately, with the closure of many Italian banks and the lack of available credit, these things are hard to come by legally, so many, especially businessmen, turn to loan sharks. According to surveys, over %65 of the nation's businesses have involvement with violent loan sharks who like their seafaring cousins will patiently circle the rickety financial lifeboats of their prey until the right moment and then rush in for the kill. This allegorical crime drama from Italian filmmaker Ricky Tognazzi chronicles the complex psychological relationship between one such loan shark and his prey, an old friend from college. Francesco (the intended victim) runs a failing construction company owned by his dying father-in-law who went deeply in debt trying to keep the firm afloat. Outwardly, Sergio is an upstanding financial advisor who knew Francesco a decade before when they were both wild college boys. Sergio learns of Francesco's plight via a helpful banker and as soon as the father-in-law dies sends Claudio (his thug) to visit the bereaved family. Saying he represents the wealthy Signora Sauro (Sergio's secret lover and accomplice) Claudio offers to make a substantial loan to Francisco who accepts. Soon Sergio is back in Francesco's life. He has set his sights on his old friend's beautiful wife Miriam and becomes obsessed with bedding her. At the same time Claudio, whom Francesco doesn't realize is in cahoots with Sergio, begins threatening him for the money. Fortunately Sergio is there to 'save' Francesco from what he doesn't realize is the inevitable destruction of his business. At least that was Sergio's plan. Unfortunately, as ruthless and shrewd as he is, he does not count on the inconsistency of his accomplices. He also underestimates his victims and that proves for him, a terrible mistake. The film is also known as Un Homme Honnete. ~ Sandra Brennan, All Movie Guide