Denis O'Hare

Angelina Jolie stars as Mariane Pearl, wife of slain journalist Daniel Pearl, in director Michael Winterbottom's adaptation of Mariane's memoir recounting the abduction and murder of her husband (played in the film by Dan Futterman) by Pakistani militants. It was on January 23, 2002, that Mariane Pearl's life took a grim and unanticipated turn that no one could have seen coming. The South Asia Bureau Chief for the Wall Street Journal, Daniel Pearl, was in Pakistan with his pregnant wife, Mariane, when he set out to conduct one last interview for an upcoming article; the pair were due to fly back home to the U.S. shortly thereafter. By all accounts, it was the same type of interview he had conducted a hundred times before, and though the only concern that Daniel had voiced beforehand was that he might be a bit late for dinner, it would soon become obvious that something had gone horribly awry. Later, in an attempt to rise above the seething vengeance and cycle of violence that the post-9/11 world has fallen into and familiarize her newborn son with the father he will never know, Mariane penned A Mighty Heart: The Brave Life and Death of My Husband Danny Pearl. The remarkable true story behind the murder that shook the entire world, Mariane's deeply personal novel is adapted for the screen by the BAFTA award-winning director of The Road to Guantanamo. ~ Jason Buchanan, All Movie Guide

Cultural conflicts threaten to derail the relationship between a determined youth counselor and her headstrong young charge in this drama from Girls Town director Jim McKay. Despite being labeled a delinquent by the child welfare system, African-American inner-city youth Angel (Jonan Everett) is in reality just a troubled teen attempting to survive in his harsh surroundings. When Angel is kicked out of his home on the heels of a heated argument with his father, Angel's pregnant, thirtysomething counselor, Nicole (Rachel Griffiths), warmly accepts the troubled boy into her home until the birth of her baby. As Angel begins to drift back into the self-defeating patterns that led to the rift with his father and Nicole ponders the effect that childbirth will have on her identity, the pair's already fragile relationship threatens to crumble amidst these weighty issues. ~ Jason Buchanan, All Movie Guide

Produced by Tom Hanks, written by Aaron Sorkin, and directed by Mike Nichols, this adaptation of George Crile III's incendiary bestseller tells the remarkable story of the Texas congressman whose efforts to prevent the Red Army from overtaking Afghanistan eventually led to the collapse of the Soviet Union while simultaneously fueling the rise of radical Islam. In the early 1980s, a hastily assembled army of Afghan "freedom fighters" achieved the remarkable feat of fending off Soviet invaders despite the fact that the odds were overwhelmingly stacked against them. At the time, Texas congressman Charlie Wilson (Hanks) was a key member of the hugely powerful House Appropriations Committee. Illuminated to the specifics of this remarkable war by a high-profile Houston socialite, Wilson spearheaded an effort to provide hundreds of millions of dollars in weapons and training to the Mujahideen with more than a little help from brilliant but prickly CIA operative Gust Avrokotos. ~ Jason Buchanan, All Movie Guide

In the wake of his success on the hit NBC sitcom Scrubs, actor Zach Braff made his debut behind the camera writing, directing, and starring in this bittersweet romantic comedy. Braff plays Andrew Largeman, a young man who has just received word of his mother's passing. With this news, Andrew returns to the town in which he grew up, where he is greeted by his father, Gideon (Ian Holm), a psychiatrist. In addition to mourning the loss of his mother, Andrew is also attempting to adjust to life without the emotionally numbing antidepressants that he has recently opted to discontinue using. Gradually, with the absence of the pills, his reconnection with his past, and the introduction of Sam (Natalie Portman), a woman who would seem to have little in common with him, into his life, Andrew is able to see the potential for some positive changes. Also starring Jean Smart and Peter Sarsgaard, Garden State was once titled Large's Ark and premiered at the 2004 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, All Movie Guide

One of the men killed while holding up an armored truck bears a distinctive tattoo of an eagle. This leads the detectives to a militant militia group, who declare themselves "prisoners of war" when rounded up by the police. One of the group's members (Denis O'Hare), appointing himself counsel for his comrades, demands that the jury enter a not guilty plea on the basis that the laws broken were "unjust" -- with surprising results. ~ Hal Erickson, All Movie Guide

A drug dealer is murdered, and it appears that the killer is the father of a teenager who died from an overdose. But both the detectives and lawyers are stopped in their prosecutorial tracks by the accused man's parish priest Father Hogan (Denis O'Hare), who insists that he, himself, is the guilty party. The question: Should this confession be accepted at face value, or should the investigation proceed until all the facts are on the table? ~ Hal Erickson, All Movie Guide

Michael Clayton (George Clooney) handles all of the dirty work for a major New York law firm, arranging top-flight legal services and skirting through loopholes for ethically questionable clients. But when a fellow "fixer" decides to turn on the very firm they were hired to clean up for, Clayton finds himself at the center of a conspiratorial maelstrom. Once an ambitious D.A., Clayton is now a shell of his former dynamic self, thanks to a divorce, an unfortunate business venture, and astronomical debt. Though he longs to leave the cutthroat, ethically dubious world of corporate law behind, Clayton's poor financial situation and devotion to firm head Marty Bach (Sydney Pollack) leave him little choice but to remain on the job and tough it out. Meanwhile, litigator Karen Crowder (Tilda Swinton) finds her entire company's future hinging on the outcome of a multi-billion-dollar settlement overseen by Clayton's friend, star lawyer Arthur Edens (Tom Wilkinson). When Edens snaps and decides to blow the whistle on the questionable case, sabotaging the defense, Clayton must decide between his loyalty and his conscience. ~ Jason Buchanan, All Movie Guide

Eric Drilling wrote and directed this adaptation of his one-act play, set in rural New England, about alcoholic abuse in a single-parent family. After Dave Holden (Tom Everett Scott) fatally stabs his father while protecting his younger brother Tom (David Moscow), it's Tom who takes the rap and is sent off to a juvenile correction facility. But then Dave discovers dad's debts, works as a dishwasher to pay them off, and finally turns to robbery. Scott was the director of Drilling's one-act play. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

A frightened and irresponsible girl and an emotionally conflicted woman are brought together under tragic circumstances in this independent drama. Stephanie Daley (Amber Tamblyn) is a 16-year-old girl who while on a school-sponsored ski trip collapses in a puddle of blood; a medical examination reveals that Stephanie has recently given birth, and in a nearby bathroom a newborn child is found dead, flushed down a toilet with its mouth stuffed with toilet paper. While Stephanie insists the child was stillborn and she had no idea she was pregnant, she is charged with killing the infant, and court-appointed psychologist Lydie Crane (Tilda Swinton) is assigned to interview the teenager. Lydie has her own issues with possible parenthood; she's been struggling to have a child after a recent stillbirth, and the matter is taking a toll on her marriage, with her husband, Paul (Timothy Hutton), seeking solace in the arms of another woman. As Stephanie shares with Lydie her feelings about her relationship with her parents, how she lost her virginity, and her growing conviction that God gave her a child as a form of punishment, Lydie finds herself dealing with her own feelings about the child she lost. Meanwhile, Right to Life and Pro-Choice groups threaten to turn Stephanie's trial into a media circus. Stephanie Daley premiered at the 2006 Sundance Film Festival. ~ Mark Deming, All Movie Guide

A bored suburban husband finds his affair with a high-school babysitter fast snowballing out of control in this black comedy from first-time screenwriter/director David Ross. Shirley (Katherine Waterston) is a brainy honors student who is always thinking about the future, and works part-time as a babysitter in order to save up for college. Among Shirley's regular charges are spirited youngsters Adam and Mikey, the offspring of respected father Michael (John Leguizamo) and his pretty wife, Gail (Cynthia Nixon). Shirley has always had an innocent crush on Michael, but one night after her regular shift, things take a serious turn when the pair sneaks a furtive kiss. Lately Michael has become noticeably depressed by the suburban routine, longing for the days before family responsibility weighed him down and his wife turned into the typical minivan-driving soccer mom. Shirley's kiss makes Michael feel alive again, and as a result he gives her a substantial tip that night. Before long, however, a fleeting kiss has turned into a full-fledged affair, with Michael and Shirley using the babysitting shifts as cover. When Michael's married friends catch wind of his extramarital exploits, they, too, express the want for a babysitter who is willing to earn a healthy tip. Recognizing the potential for profit in such a situation, Shirley soon assumes the role of teenage madam -- matching up her high-school friends with otherwise upstanding men who have grown bored with married life. Of course, Shirley isn't above skimming a bit of the profits for her college fund, but then again it's only a matter of time before their carefully crafted cover is blown. ~ Jason Buchanan, All Movie Guide

In this low-budget horror thriller from Northern Ireland, a secret agent rises up from the dead to get bloody revenge upon those who double crossed him. The three part story begins with the capture of Irish computer genius O'Brien, the only one who knows the codeword needed to activate a top secret state-of-the-art car. Just before they torture him, agent Stone shows up to save him. It was Stone's long-time nemisis Hawk who gave him the necessary tip-off. A car chase ensues. In the second part, Hawk murders Stone. Unfortunately for the former, Stone does not let death stop him. He rises up from the grave and begins slaughtering his colleagues. In the third segment Stone uses his supernatural powers to rise up an army of the dead that includes such famed Irishmen as Saint Patrick. ~ Sandra Brennan, All Movie Guide

A man attempts to deal with a truly remarkable variety of personal and emotional problems in this comedy drama based on the real-life experiences of comedian and author Jeff Nichols. Jeff (Seann William Scott) is a man edging into his thirties who has a serious drinking problem along with Attention Deficit Disorder, Dyslexia and Tourette's Syndrome; to say Jeff has a hard time dealing with others stretches the boundaries of understatement, and he devotes a fair share of his day to support meetings, even ones dealing with conditions which don't involve his problems. Jeff prefers to blame his wealthy parents (Dierdre O'Connell) and (Denis O'Hare) for his problems, even though they haven't done much besides stand aside as he's burned down their home. Unable to hold down a job, Jeff has been evicted from the garage he was renting from Bert (Kevin Conway), who can no longer handle his many eccentricities, but with nowhere else to go, he somehow charms his way into the heart and home of Lynn (Gretchen Mol), a woman he met at a support group for people with relationship problems. While Lynn is a walking mass of phobias regarding men and romance, she discovers something in the damaged Jeff that encourages her to take a chance on him. Adapted from Nichols's autobiography The Little Yellow Bus, Trainwreck: My Life As An Idiot was the first theatrical feature from director Tod Harrison Williams. ~ Mark Deming, All Movie Guide